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Canon EF 24mm f/1.4L II USM Wide Angle Lens - Fixed

4.6 out of 5 stars 66 customer reviews
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Lens Compatibility Information: Canon EF-S lenses are only compatible with APS-C sensor DSLR cameras. Canon EF lenses are compatible with Canon full-frame and APS-C DSLR cameras.


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This item: Canon EF 24mm f/1.4L II USM Wide Angle Lens - Fixed
Customer Rating 4 out of 5 stars (66) 4 out of 5 stars (441) 5 out of 5 stars (790) 4 out of 5 stars (204)
Price $1,549.00 $149.00 $125.00 $509.00
Shipping FREE Shipping FREE Shipping FREE Shipping FREE Shipping
Sold By Amazon.com Amazon.com Amazon.com Amazon.com
Compatible Mountings Canon EF Canon EF-S Canon EF Canon EF
Dimensions 3.7 inches x 3.43 inches x 3.7 inches 2.68 inches x 0.91 inches x 2.68 inches 2.72 inches x 1.54 inches x 2.72 inches 2.91 inches x 2.2 inches x 2.91 inches
Item Weight 1.43 pounds 0.28 pounds 0.35 pounds 0.68 pounds
Lens Prime lens Prime lens Prime lens wide-angle
Maximum Aperture 1.4 Information not provided 5.6 f 1.8
Max Focal Length 24 mm 24 mm 50 mm 28 mm
Min Aperture 22 22 22 22
Min Focal Length 24 mm 24 mm 50 mm 28 mm
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Product Description

Product Description

Canon EF 24mm f/1.4L II USM Wide Angle Lens 2750B002 Lenses & Filters

From the Manufacturer

Canon EF 24mm f/1.4 L USM II Wide Angle Lens for Canon Digital SLR Cameras Canon's newest fixed length L-series lens, the EF 24mm f/1.4L II USM, incorporates the newest in Canon lens technology for spectacular sharpness and impressive performance at all settings. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors.For any further queries please contact Canon’s Customer Support Number @ 800-652-2666

Product Information

Product Dimensions 3.4 x 3.7 x 3.7 inches
Item Weight 1.4 pounds
Shipping Weight 2.1 pounds (View shipping rates and policies)
ASIN B001GNCWCE
Item model number 2750B002
Customer Reviews
4.6 out of 5 stars 66 customer reviews

4.6 out of 5 stars
Best Sellers Rank #521 in Camera & Photo > Lenses > Camera Lenses > Digital Camera Lenses
Date first available at Amazon.com September 17, 2008

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Top Customer Reviews

This is quite possibly the BEST piece of glass on an EOS mount. That compares to the following lenses in my bullpen: 70-200 2.8 II L, 24-70 2.8 L, 85mm 1.2 L, 50mm 1.2 L, Zeiss 35mm 2.0, Zeiss 21mm 2.8 and a grab-bag of other lenses in the minor leagues. Sure, it's a wide-wide, no zoom - but the creative possibilities opened up by the extraordinarily fast 1.4 glass allows for stunning, sweeping angles of view with razor-sharp subjects that pop off the print. Finally, a wide with foreground, mid and background options. For video, the wide angle of view smooths out operator shake, and at close range the distortion afforded by such a short focal length can produce near-3D images, used properly. I've dropped it from standing height, had the collar replaced, gone through more sun shades than I can remember, and this baby still delivers. Bottom line: I'm a two-body shooter, and without fail one of my 5Ds will have this mounted. For documentary work, lifestyle, architecture and even portraits, this is an exceptionally well-constructed tool. Mama, don't take my 24 away!
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To provide some background, I mainly shoot weddings with a 5D Mark III. The lenses I carry with me are the 24LII, 50L, and 135L. For those thinking about getting this lens, I’d like to offer more specific reasons why this lens may be worth the cost. The less specific reasons are related to the image quality (color, bokeh, sharpness, etc.) which you’ve probably heard enough about. But do you really need a fixed 24mm lens? For me, I’ll honestly say that with weddings, it doesn’t get used as much as my 50L, but the 24LII is still essential. Here are three reasons why:

1) Getting-ready photos: These usually take place indoors and likely in small rooms. A 35mm is nice, but I find it too close to a 50mm – take two steps back with a 50mm and you’re at 35mm. It’s when you’re in tight quarters that a quality 24mm really shines.
2) Family portraits: Fitting everyone in can be tricky if you don’t have enough lateral space, and you don’t want to awkwardly ask people to sit or kneel in the front. A 24mm usually pulls everyone into the frame.
3) Dance shots: In order to get shots of the dance floor, you need a wide angle to fit everyone in and get that intimate feel.

…and these are just wedding-related applications. I recently shot a march in DC where I was asked to photograph one of the groups as they marched. My 24LII didn’t once leave my camera because there was only about two feet of clearance between me everyone around me, AND we were constantly walking (here’s where a fast lens is critical). When I looked through the 5D3 with my 24mm, it was just right - no distortion and I captured the feel of being in a large crowd. Another time when I used the 24LII all day was at a Cambodian house wedding. It wasn’t a huge house and there were tons of guests.
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The Canon 24-70/2.8 has been my primary lens for the past two years. It has served me well and was hands down my favorite lens for this focal length, until I tried the 24/1.4 II from Canon. This lens has very fast and accurate focus, and the images are incredibly sharp, even wide-open. I've decided that I can live without the 25-70mm focal length of the 24-70 for this lens.

The minimum focus is 0.8ft, which allows you to get incredibly close to your subject, and the 24mm gives you a very wide view to capture your entire subject.

The 1.4 aperture is incredibly fast. Combine that with fast focus and incredible sharpness and you now have a lens you can use indoors without flash (Note: 1.4 aperture comes with a thin depth-of-field. Focusing on the eye will leave you with a blurry nose and forehead, very smooth bokeh).

I've used the following Canon lenses and this one tops the list and is now on my 5D II 70% of the time (have to leave time for the 70-200).

Canon 16-35/2.8 II: Fantastic lens if this is the focal length you're looking for. This lens has the fish-eye effect at 16mm with full-frame sensors

Canon 50/1.4: Great focal length and speed, but overdue for a refresh. This is a great lens if you're looking for the soft feel of photos.

Canon 85/1.2: Excellent lens, if your subject isn't moving. Very slow focus combined with very narrow depth of field equals out-of-focus photo.

Canon 135/2: Very sharp. Perhaps one of the sharpest lenses Canon makes. The 24/1.4 II is as good if not better.

Canon 70-200/2.8 IS: Hands down the best lens in this focal length (ok, you could argue the 135/2 is better if that's the length you're looking for).

Canon 300/4 IS: Very sharp lens with quick and accurate focus.
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Generally, I have been very impressed with this lens.

I have had the 16-35mm ii and 24-105mm as well, all well-regarded lenses. I thought it would be fun to compare them. It should be no surprise that this lens exceeds both of them in all respects, image quality, color saturation, distortion, sharpness, chromatic aberration, etc. This is as it should be, given the 24mm being a prime.

If landscaping is your thing or you commonly shoot between f/5.6 and f/22, the 16-35mm @ 24mm (actually, the sweet spot on that lens) fared fairly well, but still short, with regard to picture quality versus this lens - these lenses cost about the same. The added versatility of the zoom also might sway some people to that lens as well. From f/1.4 through f/5.6 apertures, this 24mm prime wins hands-down however - chromatic aberration, contrast, color saturation and (outstanding wow!) sharpness were clearly superior. The 24-105mm is a good general purpose lens, but did not keep up at any respective focal length or aperture setting - possibly that's why they introduced the new 24-70 IS recently.

Bokeh, while not as creamy/dreamy as the 50L or certainly the 85L or 135L, is not unpleasant. Weight & size are very reasonable - it feels solid as opposed to heavy. Construction is robust as you'd expect from Canon's L-series and has full weather-proofing when you add a filter (I've had this lens out in a rain/sleet/snow storm with no problems). It has a close minimum focus distance which is a pleasant surprise and useful, with its 24mm focal length can also cause some interesting perspective shots.

A few other things are worth mentioning: You may need to perform a micro-adjustment to your autofocus.
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