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  • Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens for Canon SLR Cameras
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Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens for Canon SLR Cameras

by Canon
| 22 answered questions

Price: $2,000.00 + $6.49 shipping
Only 1 left in stock.
Ships from and sold by UpBeat Electronics.
  • EF mount; telephoto zoom lens
  • Ultra-low Dispersion glass; image stabilizer; inner focusing; full-time manual focus; circular aperture
  • 70-200mm focal length
  • f/2.8 constant maximum aperture
  • Micro UltraSonic Motor (USM) Includes case and lens hood
8 new from $2,000.00 18 used from $1,459.00

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Frequently Bought Together

Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Lens for Canon SLR Cameras + B+W 77mm Clear UV Haze with Multi-Resistant Coating (010M)
Price for both: $2,069.18

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  • Buy Used and Save: Buy a Used "Canon EF 70-200mm f/2.8L IS USM Telephoto Zoom Len..." and save 27% off the $1,999.00 list price. Buy with confidence as the condition of this item and its timely delivery are guaranteed under the "Amazon A-to-z Guarantee". See all Used offers.
  • Twelve-Month Financing: For a limited time, purchase $599 or more using the Amazon.com Store Card and pay no interest for 12 months on your entire order if paid in full in 12 months. Interest will be charged to your account from the purchase date if the promotional balance is not paid in full within 12 months. Minimum monthly payments required. Subject to credit approval. 1-Click and phone orders do not apply. See complete details and restrictions.

Technical Details

  • image-stabilization
  • zoom

Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras

Product Details

  • Product Dimensions: 0.4 x 6 x 5.8 inches
  • Shipping Weight: 3.2 pounds (View shipping rates and policies)
  • Shipping: This item is also available for shipping to select countries outside the U.S.
  • ASIN: B00006I53X
  • Item model number: 7042A002
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (265 customer reviews)
  • Date first available at Amazon.com: September 22, 2002

Product Description


Incorporating Canon's second-generation Image Stabilization technology, this 70-200mm telephoto zoom responds in as little as 0.5 seconds while providing up to three stops of correction for camera shake. As a result, you can easily capture the far-off action of fast-paced sports or zoom in for an intimate portrait with a blurred background. The lens's autofocus (AF) system, meanwhile, has been refined for better response time and tracking speed. And photographers will love the new eight-blade circular aperture, which offers a more pleasing out-of-focus image. Constructed to pro standards, the EF 70-200mm lens is highly dust- and moisture-resistant and carries a one-year warranty.

  • Focal length: 70-200mm
  • Maximum aperture: 1:2.8
  • Lens construction: 23 elements in 18 groups
  • Diagonal angle of view: 34 to 12 degrees
  • Focus adjustment: Inner focusing system with USM
  • Closest focusing distance: 4.3 feet
  • Zoom system: Rotating type
  • Filter size: 77mm
  • Dimensions: 3.4 inches in diameter, 7.8 inches long
  • Weight: 3.24 pounds

Product Description

The EF 70-200mm F2.8 L IS USM was introduced way back in August 2001, supplementing (but not replacing) the non-stabilized 70-200mm F2.8 L USM in Canon's highly regarded telephoto lineup. This is a lens which can truly be described as a professional workhorse, with robust build (including dust and moisture resistance), wide F2.8 maximum aperture, fast and silent ultrasonic autofocus motor, and optical image stabilization for hand-holding at slow shutter speeds. The optical design is somewhere on the far side of complex; it features 23 elements in 18 groups, with 4 UD elements to provide compensation for chromatic aberration. According to Canon, this gives a 'high-resolution, high-contrast optical capability', as demanded from a lens which needs to perform all day, every day in the hands of professional photographers across a wide range of subjects and conditions.

Customer Questions & Answers

Customer Reviews

Build quality is excellent as it is for every other Canon "L" series lens.
I had planned to use it sparingly (for special events, weddings, portraits) but it turns out I am getting 80% of my great shots with this lens.
Kate Stokes
Summary: Stellar build quality, excellent image quality (colors, contrast, sharpness).
Chiew Jen Ong

Most Helpful Customer Reviews

244 of 251 people found the following review helpful By L. T. Beasimer TOP 1000 REVIEWERVINE VOICE on September 30, 2006
I shoot with a Canon 20D and before purchasing this lens, used the Canon EF 75-300mm f/4.5-5.6 III USM lens. I've always noticed the limitations of this lens when shooting amateur softball. I reviewed the lens lineup at the Canon website and decided on purchasing the Canon EF 100-400mm f/4.5-5.6L USM Lens. The 100-400mm is a great lens, but it can be a little soft. For that reason I decided to add the Canon EF 70-200mm 2.8/f IS USM telephoto zoom lens to my lens collection.

As an L lens, there are numerous features and is manufactured with high quality materials and a higher level of dust and moisture resistance compared to the standard line of lenses. This pro quality lens is meant for serious photographers with high demands of their equipment. The construction is sturdy and consists of 23 elements in 18 groups. The four Super UD-glass elements largely eliminate the secondary spectrum reducing residual chromatic aberration. An improved 8-blade circular aperture offers a more pleasing out-of-focus image. The Canon EF 70-200mm lens weighs in at about 3.24 lbs/1,470 g, and a minimal focusing distance of 4.3 ft/1.3 m. The front thread accepts 77mm filters, be sure to get a good quality UV haze filter to protect the front lens element. This lens is compatible with the 1.4x II and 2X II telephoto extenders.

Being white, this lens looks out of place, but helps it stay cool when shooting out in the sun.
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359 of 372 people found the following review helpful By Sean Harding on January 13, 2004
This is the best lens you can get in this zoom range for the Canon EOS. It's not the cheapest and it's not the lightest, but it's the best. This lens is fast, it has excellent optics, the build quality is very solid and the image stabilization (IS) feature works wonders for hand held shooting. If you shoot hand held in marginal light, this is the lens for you. If you always use a tripod, you don't really need IS -- take a look at the less expensive non-IS version of this lens. If you always shoot in good light, the lighter and even less expensive 70-200mm f4.0 may do the job for you. But for me, the extra stop of light and the IS make the difference between unusable images and great images. This is an awesome lens.
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112 of 116 people found the following review helpful By Chiew Jen Ong on September 15, 2008
I will preface this by saying that I bought the 70-200/4L non IS before getting the f/2.8 IS version. The f/4 version is not shabby at all for its price point. A lot of people think that the price of the f/2.8 IS version is very high, and it is. However, for some people, and you'll know who you are, f/2.8 is necessary in order to capture the picture that you want. For those who have not noticed yet, there are four different 70-200s in Canons lineup. Starting off with the f/4 non IS as a base price, you have to add about $500 for either IS or f/2.8, or $1000 for both.

Here is a quickie for those deciding if they need either f/2.8 or IS:

f/2.8 is useful for two things compared to f/4...
1) thinner DOF, yielding a more out of focus background, which is pleasing for portraits
2) shooting action in low light environments, in which case f/2.8 can make your shutter speed twice as fast as f/4, all things else the same (ISO, etc).

IS is useful for one thing: canceling out the hand movements that you yourself make. It will not freeze the movement of your subject; you need a flash or a faster aperture lens to do that. One thing that comes out of this is the ability to shoot stationary objects much clearer than a lens without IS. Another thing is that on long lenses such as this one, IS can help you compose your picture more accurately, because the viewfinder will be stabilized along with the lens, allowing you to perfectly frame your shot. This is one advantage to Nikon and Canon's implementation of in-lens IS, compared to Sony and Pentax's implementation of in-body IS.

Anyways, that tutorial aside, let me focus on two things that matter most: build quality and image quality.

Build quality is amazing.
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66 of 67 people found the following review helpful By R. Shaff on October 14, 2005
I recently moved into the category of "serious impassioned amateur photographer" and, after a healthy dose of research, purchased the Canon 20D D-SLR (see my previous review of the camera and experience with it). As is necessary to all impassioned photographers, the lens selection(s) is tantamount to the best photo, as seen by the photographer's inner eye. As a result, when I decided to purchase the 20D, I wanted the broadest breadth of lens exposure possible in the fewest possible lenses.

In large part, my search came to a rapid halt when I ran across this lens, the Canon EF 70mm-200mm f/2.8L IS USM Telephoto Zoom lens. While this lens is heavy in terms of weight (approximately 2.9lbs) and price, it is easily the best lens purchase I've made, hands down. I have paired this lens with the Canon EF 24-70mm f/2.8L USM Standard Zoom lens and a 2x telephoto extender, and I am set for most any shoot. I have read reviews regarding quality degradation when shooting with the 2x extender however, I've not experienced that (perhaps it is my inexperience...but my photos don't show it!). The 2x extender has provided me with exposure options from 24mm to 400mm, with the high quality expected from Canon "L" lenses.

A few words about IS (image stabilization)...I love to take shots of the moon. First, to get really great shots, one must have a reasonably telephoto lens (that is, if you want to actually see the cheese). The next issue is simply, how do I keep the moon from looking blurry even though the night is totally clear? The answer is simple: get a tripod or get a Canon lens featuring image stabilization. The IS feature has allowed me to take my best moon shots yet, and yes, the cheese is quite visible and quite clear. IS is a must for those shooting without a tripod.
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