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  • Canon TS-E 90mm f/2.8 Tilt Shift Lens for Canon SLR Cameras
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Canon TS-E 90mm f/2.8 Tilt Shift Lens for Canon SLR Cameras

by Canon

Price: $1,399.00 and eligible for FREE Two-Day Shipping Details
Only 3 left in stock (more on the way).
Ships from and sold by Amazon.com. Gift-wrap available.
  • EF mount; tilt shift lens
  • Gaussian optics give high-quality delineation and true background blur
  • 90mm focal length
  • f/2.8 maximum aperture
  • Manual focus only

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Frequently Bought Together

Canon TS-E 90mm f/2.8 Tilt Shift Lens for Canon SLR Cameras + B+W 58mm Clear UV Haze with Multi-Resistant Coating (010M)
Price for both: $1,434.00

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Technical Details

  • Brand Name: Canon
  • Model: 2544A003
  • Lens Type: Prime lens
  • Minimum focal length: 90 millimeters
  • Maximum focal length: 90 millimeters
  See more technical details

Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras

Compare to Similar Lenses

This item: Canon TS-E 90mm f/2.8 Tilt Shift Lens for Canon SLR Cameras

Canon EF 100mm f/2.8L IS USM Macro Lens for Canon Digital SLR Cameras

Canon TS-E 45mm f/2.8 Tilt Shift Lens for Canon SLR Cameras

Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras

Customer Rating 4.9 out of 5 stars   (9) 4.9 out of 5 stars   (325) 4.5 out of 5 stars   (15) 4.9 out of 5 stars   (25)
Price $1,399.00$949.00$1,399.00$1,999.00
Shipping FREE ShippingFREE ShippingFREE ShippingFREE Shipping
Sold By Amazon.comAmazon.comAmazon.comAmazon.com
Lens Type Prime lens Prime lens Prime lens Prime lens
Maximum Sensor Size Compatibility 35mm FF 35mm FF 35mm FF 35mm FF
Maximum Aperture Range F2.8 F2.8 F2.8 F3.5
Minimum Aperture 32 32 22 22
Photo Filter Thread Size 58 millimeters 67 millimeters 72 millimeters 82 millimeters
Minimum Focus Distance 0.5 meters 0.3 meters 0.4 meters 0.21 meters
Weight 1.2 pounds 1.4 pounds 1.4 pounds 1.7 pounds
Dimension 74.0 x 88.0 x 5.4 inches 78.0 x 123.0 x 4.8 inches 81.0 x 90.0 x 5.4 inches 89.0 x 106.0 x 4.2 inches
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Product Details

  • Product Dimensions: 88 x 74 x 5.4 inches ; 1.2 pounds
  • Shipping Weight: 2 pounds (View shipping rates and policies)
  • Shipping: This item is also available for shipping to select countries outside the U.S.
  • ASIN: B00009XVDP
  • Item model number: 2544A003
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (9 customer reviews)
  • Date first available at Amazon.com: October 2, 2001

Product Description

From the Manufacturer

With a Canon TS-E lens, you can control the angle of the plane of focus and the picture’s perspective. The effects of large-format camera movements can be obtained with TS-E lenses for EOS cameras. Although manual focusing is required, automatic aperture control enables autoexposure and autoexposure bracketing. The tilt and shift axes intersect at a 90° angle. They can be made parallel at an authorized Canon Service Facility (modified at owner’s expense).

Telephoto perspective, f/2.8 speed, and full tilt and shift movements in a compact, professional package. Impressively sharp, its ability to alter the plane of focus can provide a "look" that previously required a view camera to achieve. Pros have found it a great option for portraits, products and even fashion work. At its closest focus distance (1.6 ft/0.5m), it gives magnifications of about 1/3 life-size.

Product Description


This is the world's first 35mm-format telephoto lens with tilt and shift movements. Gaussian optics give high-quality delineation and true background blur. The lens is suited for a variety of subjects, from products to portraits.

Features
  • EF mount; tilt shift lens
  • Gaussian optics give high-quality delineation and true background blur
  • 90mm focal length
  • f/2.8 maximum aperture
  • Manual focus only

Customer Questions & Answers

Customer Reviews

4.9 out of 5 stars
5 star
8
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See all 9 customer reviews
This lens is great for shooting product photography.
Ryuji Suzuki
This focal length can be used for macro (you can use extension tubes with it), portraits, products, and architecture when shooting from a distance.
AV Rob
You can tilt/shift the lens to make a tiny slice of DOF which really makes your subject stand out.
Eric Slay

Most Helpful Customer Reviews

22 of 22 people found the following review helpful By ShutterFlash on September 7, 2008
Verified Purchase
This lens is a macro, a short telephoto, a portrait lens, and a landscape lens that offers new creative possibilities. Because depth of field can be manipulated as in a view camera, this is proving to be my most versatile lens in my bag, in spite of the fact it is "just" a 90mm prime lens. For macro shooting, even with an extension tube, additional depth of field possibilities open up with the tilt. The lens is a fantastic straight-on prime lens for portraits. I find entirely new possibilities for landscape shooting. And hand-held shots are no problem at all, even with maximum tilt. Though it is strictly a manual focus lens (the AF does not work on this one) the image in the view finder is so bright I have no problem manually focusing. Because of the extreme depth of field capabilities, my wide angle lens gets used less now that I have this lens to play with. I love it!
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17 of 17 people found the following review helpful By AV Rob on February 7, 2010
Verified Purchase
I also own the newer Canon 24mm 3.5L mark II tilt shift so I wasn't sure if I'd be happy with this earlier version of a Canon tilt/shift but I wanted to add tilt/shift capabilities in a 90mm. After using it for a few weeks, I must say it is a very impressive lens. While this one does not sport the "L" designation, it is as sharp as my "L" lenses. Color and contrast is very good, and it produces a wonderful bokeh as well. I use it with a full frame Canon 5D mk II. As with my other tilt/shift, it is easier to focus these manual focus lenses using Live View as you can also better view the effects of your tilt/shift combination. The focus confirmation works, but Live View (zoomed in) gives you a more critical focus.

Unlike the 2 newer TS/E models (24mkII and 17), you can not rotate the tilt and shift axis seperately. Your tilt and shift rotate together on this model. I understand you can have Canon rebuild to a 90 degree seperation if you so desire, but it is not something you can do out in the field when using the lens. However, in most shooting situations, this limitation will not be a problem. Also, as with other tilt/shift, it is better to get your exposure readings before making tilt/shift adjustments as the angle can fool your through-the-lens exposure readings. The lens is fairly compact for a tilt/shift model. The tilt/shift adjustment knobs are a bit on the small side but still managable.

I am very favorably impressed with this lens, and while it sells for much less than its newer siblings, it can still hold its own in critical shooting situations. It has a wonderful rendering of images that is very pleasing. This focal length can be used for macro (you can use extension tubes with it), portraits, products, and architecture when shooting from a distance.
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12 of 12 people found the following review helpful By Ryuji Suzuki on July 4, 2010
Verified Purchase
This lens is great for shooting product photography. I use it for food, shoes, bags, jewelry, and a lot of things. Sometimes, I add two macro rings and get fairly high magnification (like 1:1 or half life size) but the image quality is still very good, with almost zero chromatic aberration thanks to the true double Gauss design. However, when doing product photography, I want to have independent axes for tilt and shift. This lens ships with cross-axis configuration, which I changed to in-axis, which is a bit more useful, but frequently, I want 30 or 45-degree between those axes.

I also use it for corrective portraiture, when shooting headshots with people with round face, double chin, or some other difficult features. Since there is no autofocus, this is not the easiest thing to do, but people who are really conscious about their facial features will usually cooperate with me with this slow working lens, when I tell this is one of the best but unknown tricks anyone can use, combined with lighting technique, etc... If the model has no such issue, I prefer to shoot 85mm with AF.

I took one star away because I can't change the axes of tilt and shift independently.

Incidentally, TS-E 45mm is terrible at anything like half life size, and it gets a lot worse with tele converter. That lens is good for bigger objects.
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12 of 14 people found the following review helpful By Eric Slay TOP 500 REVIEWERVINE VOICE on May 22, 2009
Before I start the review, let me state that I am a professional wedding photographer and my review will be from that perspective.

Having the TS-E 90 is, in my opinion, the equivalent to having a fish-eye lens. Once you get to a certain point in your career (or expensive hobby), you start to look for ways to trigger more creativity and give you that feeling you got when you bought your first L lens. Like a fisheye, this lens allows you to create images that stand out from the crowd. Of course the effects are different, but the reasoning behind the purchase/owning the lenses is the same: to give you more creative control.

This being said, the tilt-shift lens allows you to do several things that really make your images POP:

1. You can tilt/shift the lens to make a tiny slice of DOF which really makes your subject stand out. This is not tiny like an 85 1.2, but tiny more like a Lensbaby (but better). I use it to make the bride's eyes really pop out while giving a super-soft dreamy look to her dress and the background.

2. You can tilt/shift an image to make the subject(s) look like they're miniature. (If you haven't seen this before, Google tilt-shift photography) Although initially this seems gimmicky, and it is if over used, you can really utilize this feature to make some stand-out images. Whenever I employ this technique, such as a shot of a ceremony from a high vantage point, the bride and groom inevitably compliment the image and are amazed at how unique the shot it.

3. Finally, you can also tilt/shift an image of architecture (for me, churches) to stop the vertical lines from converging at the top. This makes buildings look like they should.
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