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  • Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras
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Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras

by Canon

Price: $2,199.00 & FREE Shipping. Details
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  • Tilt and shift lens compatible with all Canon EOS cameras; ultra wide 24mm focal length
  • High-precision lens elements for low distortion and high resolution; +/- 8.5 degrees Tilt and +/-12mm Shift
  • Aspherical and UD lens elements minimize chromatic aberration
  • Sub-wavelength structure and super-spectra coatings minimize ghosting and flare
  • Circular aperture for creative, blurred highlights

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Frequently Bought Together

Canon TS-E 24mm f/3.5L II Ultra Wide Tilt-Shift Lens for Canon Digital SLR Cameras + B+W 82mm Clear UV Haze with Multi-Resistant Coating (010M)
Price for both: $2,276.98

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Technical Details

  • Brand Name: Canon
  • Model: 3552B002
  • Lens Type: Prime lens
  • Minimum focal length: 24 millimeters
  • Maximum focal length: 24 millimeters
  See more technical details

Read about our customers' top-rated lenses and cameras on our review pages: Lenses, Digital SLR Cameras, Compact System Cameras

Product Details

  • Product Dimensions: 106 x 89 x 4.2 inches ; 1.7 pounds
  • Shipping Weight: 7 pounds (View shipping rates and policies)
  • Shipping: This item is also available for shipping to select countries outside the U.S.
  • ASIN: B001TDL2O0
  • Item model number: 3552B002
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (23 customer reviews)
  • Date first available at Amazon.com: February 17, 2009

Product Description

From the Manufacturer

From the Manufacturer A superb refinement to a true Canon classic, the new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length. Designed with UD glass to minimize and compensate for chromatic aberrations and specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens features an angle of view of 74 degrees. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90 degrees in the direction of movement. It has an enhanced range of movement of up to +/- 8.5 degrees, a revolving construction for both portrait and landscape shooting modes, locking, ergonomically designed and easily operated tilt and shift knobs, uses a circular aperture for beautiful out-of-focus areas, and is constructed using only lead-free glass and has an SWC lens coating that controls ghosting and flare to a far greater degree than earlier coating technologies.
  • Tilt and shift lens compatible with all Canon EOS cameras
  • Ultra Wide 24mm focal length, ideal for architecture and landscapes
  • High precision lens elements for low distortion and high resolution to the edge of the image +/- 8.5 degrees Tilt and ±12mm Shift
  • Tilt and shift mechanism rotates +/-90 degrees allowing shift in any direction
  • Tilt mechanism rotates +/-90 degrees allowing tilt in any direction relative to the shift
  • Aspherical and UD lens elements minimise chromatic aberration
  • Sub-wavelength structure and super-spectra coatings minimise ghosting and flare
  • Circular aperture for creative, blurred highlights

Canon PowerShot digital camera highlights
MTF Chart

Product Description

A superb refinement to a true Canon classic, the new TS-E 24mm f/3.5L II offers enhanced functionality and image quality in its most popular tilt-shift focal length. Designed with UD glass to minimize and compensate for chromatic aberrations and specially coated aspherical elements for the highest possible glare-free image quality, this tilt-shift lens features an angle of view of 74 degrees. New TS revolving lets users freely combine tilting and shifting within the range of +/- 90 degrees in the direction of movement. It has an enhanced range of movement of up to +/- 8.5 degrees, a revolving construction for both portrait and landscape shooting modes, locking, ergonomically designed and easily operated tilt and shift knobs, uses a circular aperture for beautiful out-of-focus areas, and is constructed using only lead-free glass and has an SWC lens coating that controls ghosting and flare to a far greater degree than earlier coating technologies.

Customer Questions & Answers

Customer Reviews

4.9 out of 5 stars
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See all 23 customer reviews
It's great for landscapes, cityscapes and architecture, including interior shots.
Michael Sandman
Beyond the strict formalism of conventional architectural photography I should also note that this lens is great fun to play with in more creative applications.
mucker
The big ones are better control over chromatic abberation and the ability to independently control the axes of shift and tilt.
Paul M. Provencher

Most Helpful Customer Reviews

41 of 42 people found the following review helpful By Paul M. Provencher VINE VOICE on April 22, 2010
Verified Purchase
After years of missing large format cameras with their swings and tilts, and of course their wonderful large film size that together produce incredible images, I think I have found something that will lessen my longing.

This tilt-shift lens combined with a high-pixel DSLR (like the Canon EOS 5D Mark II) enable a photographer to produce images that can rival the best from medium format cameras and even can under the right circumstances push image quality into 4 x 5 inch sheet film territory.

I got this lens, snapped it onto my camera and got excellent results right away. It helped to spend some time refreshing my memory about how to use tilts and shifts but aside from that, there was nothing mysterious about this lens other than the magical quality it possesses for producing sharp, colorful images that can be free of converging lines or offer incredible field of focus control.

Other's have described various technical qualities of this lens and most online reviews describe the several improvements this lens offers over it's predecessor.

The big ones are better control over chromatic abberation and the ability to independently control the axes of shift and tilt. Closer focus is also a bonus.

Opinion varies about sharpness in the corners but all agree this is perhaps one of the sharpest lenses in Canon's line-up. My example delivers sharp corners so perhaps my copy is better that some of the reviewers?

I had to choose between this lens and more traditional ones (I was looking at the 70-200mm) and decided that this lens offered me the things I could get with no other lens - a lens great for interiors, exteriors (architecture) and new landscape dimensions. I can get the zoom later! This lens is unique.
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27 of 28 people found the following review helpful By L. belden on March 3, 2010
If you are serious about landscape invest in this lens and you will not be sorry. Even if you don't care about the tilt and shift, get this lens because it is ridiculously sharp everywhere on the lens, the corners, sides, middle, etc. No CA, minimal flare, etc, etc. Everything you hear about this lens is true! Focusing on 5d2 via live mode and 10x zoom is a joy, just can't say enough good things. 24mm is the perfect focal length, no need for zoom. The build quaility is rock solid. This is the sharpest lens canon makes, at any focal length, so far.
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18 of 18 people found the following review helpful By Michael Sandman on November 22, 2010
This is an amazing piece of engineering. You need patience to use it properly. It's great for landscapes, cityscapes and architecture, including interior shots. You can hand hold it but it will be easier to use of you have a monopod or tripod. It's a manual focus lens, so you need a Canon DSLR that has live view and the ability to magnify the image on the LCD screen I tend to turn on live view, magnify the image, focus the lens, and then turn off live view and frame the shot with the viewfinder, talking care not to move the focus ring.

You can (1) shift the whole lens up on its mount to accurately straighten the converging lines you get when pointing a wide angle lens up; (2) keep both the foreground and distance background in focus by tilting the font of the lens down or up slightly; (3) create a panorama on a full-frame DSLR equal to the width of a 15 mm lens by taking a shot with the lens shifted to the right on its mount, taking a second shot with the lens shifted to the left, and merging them in software; and (4) shift the lens left (or right) to get a photo of a reflective surface (like a mirror) that looks like it's taken head on, but is taken from the side, thereby avoiding having your own reflection in the frame.

The lens mount rotates so you can use both tilt or shift in landscape mode or portrait mode. You can combine shift and tilt, and you can rotate the lens to set both functions at various non-standard angles to adapt to all sorts of situations, like keeping converging lines straight when you're looking down or up at an odd angle. You can fix distortion and out-of-focus problems or get creative by introducing distortion and out-of-focus areas.
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33 of 37 people found the following review helpful By M. Henri De Feraudy on March 23, 2010
This is an important update on the TSE 24mm lens from Canon.
This new version is heavier, more versatile and definitely a step up optically.
Distortion is practically non-existent, which is a big plus for architectural photography: you don't have to correct the pictures with software like PTLens.
Chromatic aberration is almost inexistent, and sharpness is outstanding.

The tilt feature makes it possible to take a picture of a garden (or any planar scene) with the foreground and the background all in focus. The minimal focusing distance is 21cm. By the end of the first day I was proficient at using this feature.
The shift feature is used mainly for architectural shots. You'll get better results (edge sharpness and proportions) with such a lens than with perspective correction in software, and you will save time.

It's a manual focus lens that should be used with a tripod. Focusing when using the tilt feature requires a bit of practice to get it right, and is considerably helped by using Live View. For this reason you should use it on a 5D mark 2.

When used at the extreme shift position the top of the image is soft wide open but becomes acceptable at f/11. On this count it does better than the Nikon 28mm pc lens I was using before (which is an older design).

One problem with this lens is that it is very obviously a "professional lens", so I would not go walking around in a poor country with this lens. It's also very heavy so that would get tiring.

One wonders if it could not be improved further with autofocus, but that would require redesigning the camera as well, as well as adding a motor to operate the shift, which is a non obvious proposition.

Please take your time to get familiar with the locking switches on this lens before you go around in the field as you might accidentally try to unmount the lens from your camera when trying to change the axis of shift.
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