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Can't Help Singin'
 
 
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Can't Help Singin' [Paperback]

Gerald Mast (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)

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Can't Help Singin' + Harold Prince and the American Musical Theatre: Expanded Edition + The Happiest Corpse I've Ever Seen: The Last Twenty-Five Years of the Broadway Musical
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Product Details

  • Paperback: 400 pages
  • Publisher: Overlook TP (December 1, 1990)
  • Language: English
  • ISBN-10: 0879513624
  • ISBN-13: 978-0879513627
  • Product Dimensions: 9 x 6 x 1 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,010,777 in Books (See Top 100 in Books)

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5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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17 of 18 people found the following review helpful:
5.0 out of 5 stars Indispensable, miraculous book., October 17, 1999
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This review is from: Can't Help Singin' (Paperback)
This is THE book to own about the art of American popular song, delivering even more than the title promises--complete descriptions and evaluations of the shows and films, scintillating analyses of the lyrics and musical details of individual songs, intimate biographical information about Kern, Berlin, Porter, Rodgers and Hart, Hammerstein and Sondheim. Incredibly, it's frequently out of print. Buy it anyway, whatever the price. (No, I'm not selling my copy.)
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10 of 10 people found the following review helpful:
5.0 out of 5 stars A Terrific look at both stage and screen musicals, February 15, 2003
By 
Michael Samerdyke (Big Stone Gap, VA USA) - See all my reviews
(REAL NAME)   
This review is from: Can't Help Singin' (Paperback)
Gerald Mast was a fine writer about movies ("Howard Hawks Storyteller" is another gem and "The Comic Mind" is very good too). Here he writes not only about movie musicals but Broadway musicals. He maintains a high level of quality on both fronts.

Given the two large subjects he has to cover, Mast wisely focuses on the key figures instead of trying to exhaustively cover everything. (I think he gives about 5 pages to early movie musicals, something that Barrios' "A Song in the Dark" devotes its entire length to.) However, this approach pays off tremendously thanks to Mast's wise insights. He shows how the movie musical in its heyday (42nd St. to Gigi)differed from the Broadway musical. (He is very interesting on why Rogers and Hammerstein musical films don't work, except for Sound of Music.)

Also good is that Mast explores the movie musical beyond Gigi. His discussion of "Pennies from Heaven" and "Victor/Victoria" are very perceptive.

With musicals supposedly "coming back," this would be a good book to make one acquainted with their historical tradition.

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Inside This Book (learn more)
First Sentence:
If we have been taught anything at all about art, music, drama, or poetry, it is that musicals are essentially frivolous and silly diversions: lousy drama and lousy music. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Warner Bros, Irving Berlin, The Band Wagon, Show Boat, Fred Astaire, South Pacific, Broadway Melody, Monte Carlo, Sbow Boat, Arthur Freed, Cole Porter, Jerome Kern, Man River, Richard Rodgers, Busby Berkeley, Pal Joey, Swing Time, World War, George Gershwin, Judy Garland, Shall We Dance, Alexander's Ragtime Band, Gene Kelly, The Black Crook
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