I Can't Stand Still

Don Henley | Format: Audio CD

Product Details

• Audio CD (October 25, 1990)
• Number of Discs: 1
• Label: Warner Bros / Wea
• ASIN: B000002H0X
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.3 out of 5 stars  See all reviews (19 customer reviews)
• Amazon Best Sellers Rank: #23,510 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

32 of 32 people found the following review helpful:

5.0 out of 5 stars The debut album to an incredible solo career., July 18, 2001

By 

Themis-Athena (from somewhere between California and Germany) - See all my reviews

This review is from: I Can't Stand Still (Audio CD)

Many of the great rock bands rise because together, they are more than just the sum of their individual members' talents. The Eagles have always been a perfect example of that proposition. Yet, when the infamous "Eagles pressure cooker" finally blew up in 1980 (although they took a full two years to officially announce what everybody had come to realize by then anyway), they couldn't have chosen more different paths than those followed by the five individuals emerging from the pieces. Don Felder discovered the real estate business, while also appearing (sometimes alongside other former Eagles members) on albums by Bob Seger, Stevie Nicks and other artists, penning contributions to movie soundtracks ("Heavy Metal" and "Fast Times at Ridgemont High;" the latter album ironically reunited, individually, all members of the Eagles' last configuration, featuring one contribution by each of them), and eventually publishing his own, commercially not overly successful "Airborne." Timothy B. Schmit went on to cooperate with virtually every great musician and band of the second half of the 20th century, also making significant contributions to his former fellow band members' solo projects, and on the side, released four records of his own. Henley, Frey and Walsh pursued full-fledged solo careers.

Of all of them, Don Henley proved to be the most successful, and it was so right from the start. While Glenn Frey decided to take a break from the pressure cooker and released an album entitled, not coincidentally, "No Fun Aloud," and Walsh had, without much ado, already resumed his solo career a year earlier with "There Goes the Neighborhood," Henley hooked up with Danny "Kootch" Kortchmar and Greg Ladanyi to produce "I Can't Stand Still," and proceeded to take songwriting to a new level.

From the opening title track (by some accounts, a reflection of Henley's occasionally stormy relationship with then-girlfriend, "Battlestar Galactica" actress Maren Jensen, to whom the record is also dedicated and who supplies background vocals on "Johnny Can't Read") to the closing, spiritual/gospel-inflected "Unclouded Day," the album shows a side of Henley not obvious from his contributions to the Eagles' music, significant as they were. Sure, this was the guy who had (co-)written "The Last Resort," the Eagles' ode about Paradise Lost. Sure, "Talking to the Moon," Henley's reflections on the small-town Texas where he had grown up, could have been an Eagles song. But for one thing, most of the tracks on "I Can't Stand Still" are drum- and rhythm-driven in a way few Eagles songs ever were (Henley finally got to put his skills as a drummer center stage). The guitar work in the majority of the songs is harsh, grating and straightforward. And most importantly, Henley did no longer hold back on taking a stance politically. Where the Eagles had shied away from endorsing specific politicians or parties, Henley's lyrics, beginning with those on his first solo album, were now laced with acid social commentary. Wanna go to nuclear war (remember Cold War, anyone)? Go on - "get ready boys, third time's a charm" and "if things go from bad to worse we can still kill them if they kill us first" ("Them And Us"). Think the school system works just fine and kids are happily learning away? Well, this teacher's son is here to tell you that Johnny Can't Read, and although that's nobody's fault (not Teacher's, not Mommy's, not Society's, not the President's, and most certainly not Johnny's own), "coupla years later Johnny's on the run - Johnny got confused and he bought himself a gun." And think press coverage is just what it ought to be and the media are setting any standards for themselves at all? Then listen to that news crew on location, looking for ever more Dirty Laundry: "Can we film the operation? Is the head dead yet? You know, the boys in the news room got a running bet. Get the widow on the set!" The lyrics of that last song, in particular, have never rung truer than today; and not surprisingly, it was still the opening piece of Henley's "Inside Job" tour which concluded this past March.

Don Henley brought back for the production of "I Can't Stand Still" those of his former band members with whom he had stayed in touch after the breakup, Timothy B. Schmit and Joe Walsh. But he also enlisted the help of other musicians; among them, Warren Zevon, J.D. Souther, Steve Lukather and the Porcaros from Toto, Heartbreaker Benmont Tench, guitarrist Waddy Wachtel and, most importantly, Bob Seger (who co-wrote "Nobody's Business," a song that could have come right off his own "The Distance" in all except lead vocals) and the Chieftains, more particularly, Paddy Moloney and Derek Bell, for the sad and beautiful "Lilah" and its prologue "La Eile" (Gaelic for "Another Day"). It may have taken Henley's follow-up album "Building the Perfect Beast" for him to produce more than one top-ten single again (an achievement which he then topped with the overwhelming success of 1989's "End of the Innocence"), but "I Can't Stand Still" did go gold, and "Dirty Laundry," its biggest single hit, made it to No. 3 on the charts. Don Henley's first solo release effectively made the point that even if the Eagles' career was over (and would, as he prophesized, only resume if hell ever froze over), he himself was far from passé and there was a lot he had yet to tell the world.

Also recommended:
The End of the Innocence
Don Henley Live - Inside Job
The Eagles - Hell Freezes Over
Selected Works: 1972-1999
Hotel California

7 of 7 people found the following review helpful:

5.0 out of 5 stars A soul in mourning?, July 8, 1998

By 

Kaitlin Galy ([e-mail]) (Sydney, Australia) - See all my reviews

This review is from: I Can't Stand Still (Audio CD)

I first heard this recording in the dark ages of the early eighties. For some reason, perhaps because I heard it at a momentous time in my life or, more probably, because of Don Henley's sheer musical genius, it was a recording that became tattoo-ed on my memory. Since that time, when the subject of "favourite music" arose in conversation, I would think of this album, even if I didn't mention it (it did not receive major air play or promotion in Australia where I live, so if I had mentioned it, I would have been met with blank stares, no doubt). In particular, I love the mournful, beautiful, heart-strings-tugging song "Talking to the Moon". I have long since lost the only recording I had of this song, and it is not available to purchase in Australia. So imagine my almost tearful delight when I found this site on the internet, complete with a sound clip (which I have now bookmarked!) As I write, this CD is winging its way to Sydney, Australia. Once here, it will become one of my most treasured possessions. All I can say is: thanks, Don Henley. And thanks, Amazon.com.

5 of 5 people found the following review helpful:

3.0 out of 5 stars Not a homerun, but a solid extra-base hit, December 14, 2005

By 

DRD - See all my reviews

This review is from: I Can't Stand Still (Audio CD)

Not sure why this album has become the redheaded stepchild of the solo Henley canon. Surely it deserved to have more than one song on the greatest hits. Why is "Dirty Laundry" all the public at large seems to remember? "Johnny Can't Read" was actually the leadoff single and the title track charted as well. The album also is home to "La Eile/Lilah," perhaps the most unjustly unknown song in the entire Henley universe. No speechifying, just a heartbreaking ode to what can happen to young love when it grows older, set against the metaphorical backdrop of a couple's farmland that's drying up. The music gently sways as the concerns and fears of adulthood crush and sweep away the simple satisfactions of youth. I'm not doing this song justice, but it must be heard. Elsewhere, things get a little spotty, both musically and lyrically. "You Better Hang Up" sounds like songwriting-by-numbers and "Nobody's Business" seems to endorse prostitution, which is an odd stance. I'll concede that this album is nowhere near as solid as "Beast" and "Innocence," but there's still a lot here to like beyond "Dirty Laundry."