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  • Cantata Bwv 209 - Non Sa Che Sia Dalore Triple Cto
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Cantata Bwv 209 - Non Sa Che Sia Dalore Triple Cto Hybrid SACD - DSD, Import


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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song TitleArtist Time Price
listen  1. Concerto in A Major from Tafelmusik Part I: I. LargoFlorilegium 4:23$0.99  Buy MP3 
listen  2. Concerto in A Major from Tafelmusik Part I: II. AllegroFlorilegium 8:19$0.99  Buy MP3 
listen  3. Concerto in A Major from Tafelmusik Part I: III. GratiosoFlorilegium 3:38$0.99  Buy MP3 
listen  4. Concerto in A Major from Tafelmusik Part I: IV. AllegroFlorilegium 8:35$0.99  Buy MP3 
listen  5. Cantata "Non sa che sia dolore", BWV 209: I. SinfoniaFlorilegium, Lucy Crowe 6:14$0.99  Buy MP3 
listen  6. Cantata "Non sa che sia dolore", BWV 209: II. Recitative "Non sa che sia dolore"Florilegium, Lucy Crowe0:55$0.99  Buy MP3 
listen  7. Cantata "Non sa che sia dolore", BWV 209: III. Aria "Parti pur, e con dolore"Florilegium, Lucy Crowe 8:30$0.99  Buy MP3 
listen  8. Cantata "Non sa che sia dolore", BWV 209: IV. Recitative "Tup saver al tempo e l'eta contrasta"Florilegium, Lucy Crowe0:32$0.99  Buy MP3 
listen  9. Cantata "Non sa che sia dolore", BWV 209: V. Aria "Ricetti gramezza e pavento"Florilegium, Lucy Crowe 5:41$0.99  Buy MP3 
listen10. Triple Concerto in A Minor, BWV 1044: I. AllegroFlorilegium 8:37$0.99  Buy MP3 
listen11. Triple Concerto in A Minor, BWV 1044: II. Adagio, ma non tanto, e dolceFlorilegium 5:50$0.99  Buy MP3 
listen12. Triple Concerto in A Minor, BWV 1044: III. AllabreveFlorilegium 7:02$0.99  Buy MP3 

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Product Details

  • Audio CD (November 11, 2008)
  • Number of Discs: 1
  • Format: Hybrid SACD - DSD, Import
  • Label: Channel Classics Nl
  • ASIN: B001BI0HN0
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #63,305 in Music (See Top 100 in Music)

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4 of 4 people found the following review helpful By Arnaldo on October 9, 2012
Format: Audio CD
While Channel Classics' big-name recordings get all the attention, there are some precious gems to be found among their less glamorous releases as well. One just has to compare all the hoopla around yet more Mahler from Ivan Fischer or Vivaldi from Rachel Podger, with the indifference which has greeted the label's steady flow of small-ensemble, chamber and solo projects. And a case in point is this 2008 SACD from the British baroque group Florilegium, which has flown off the radar from the general public even after a few glowing reviews in the music press.

As per the booklet, the raison d'être for the project is the post of Cantor of St. Thomas' Church in Leipzig, which was accepted by Bach after Telemann declined it. Accordingly, the program opens with Telemann's Concerto in A major extracted from his Tafelmusik, and then proceeds to Bach's Italian Cantata "Non sa che sia dolore" BWV 209 and the Triple Concerto in A minor BWV 1044. All pieces feature the flute prominently, blending in quite well both in style and substance, i.e., structurally and harmonically, although Telemann's more florid goings do stand out in contrast to Bach's more formal counterpoint.

And Florilegium's credentials with this kind of repertoire are on full display, with a special mention to Ashley Solomon's delicate virtuosity on the baroque flute. Another positive aspect is their judicious use of a single harpsichord continuo. Here it supports and punctuates the harmony, as opposed to the current practices of some HIP groups to overwhelm the music by reinforcing the continuo with theorbos, lutes, guitars and who knows what else. But I have to say that while soprano Lucy Crow is blessed with an angelical voice, she tends to get just a tad too operatic in some louder passages of the cantata.
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