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Cantatas 27

Johann Sebastian Bach , Sir John Eliot Gardiner , The English Baroque Soloists , The Monteverdi Choir , Lisa Larsson , Ruth Holton , Daniel Taylor , Nathalie Stutzmann , Christoph Genz Audio CD
5.0 out of 5 stars  See all reviews (2 customer reviews)

Price: $28.58 & FREE Shipping on orders over $35. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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MP3 Music, 39 Songs, 2010 --  
Audio CD, 2008 $28.58  

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Cantatas 27 + Bach: Cantatas, Vol. 25 - John Eliot Gardiner, Monteverdi Choir and English Baroque Soloists + Bach: Cantatas, Vol. 26: Long Melford
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Product Details

  • Performer: The Monteverdi Choir, Lisa Larsson, Ruth Holton, Daniel Taylor, Nathalie Stutzmann, et al.
  • Orchestra: The English Baroque Soloists
  • Conductor: Sir John Eliot Gardiner
  • Composer: Johann Sebastian Bach
  • Audio CD (April 8, 2008)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Label: SDG - Soli Deo Gloria
  • ASIN: B0012ELP66
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #93,183 in Music (See Top 100 in Music)

Disc: 1
1. Brandenburg Concerto no 3 in G major, BWV 1048: 1st movement, Allegro
2. Brandenburg Concerto no 3 in G major, BWV 1048: 2nd movement, Adagio
3. Brandenburg Concerto no 3 in G major, BWV 1048: 3rd movement, Allegro
4. Erwünschtes Freudenlicht, BWV 184: no 1, Erwünschtes Freudenlicht
5. Erwünschtes Freudenlicht, BWV 184: no 2, Gesegnete Christen, glückselige Herde
6. Erwünschtes Freudenlicht, BWV 184: no 3, So freuet euch, ihr auserwählten Seelen!
7. Erwünschtes Freudenlicht, BWV 184: no 4, Glück und Segen sind bereit
8. Erwünschtes Freudenlicht, BWV 184: no 5, Herr, ich hoff je, du werdest die
9. Erwünschtes Freudenlicht, BWV 184: no 6, Guter Hirte, Trost der Deinen
10. Er rufet seinen Schafen mit Namen und führet sie hinaus, BWV 175: no 1, Er rufet seinen Schafen mit Namen
See all 16 tracks on this disc
Disc: 2
1. Höchsterwünschtes Freudenfest, BWV 194: no 1, Höchsterwünschtes Freudenfest
2. Höchsterwünschtes Freudenfest, BWV 194: no 2, Unendlich großer Gott
3. Höchsterwünschtes Freudenfest, BWV 194: no 3, Was des Höchsten Glanz erfüllt
4. Höchsterwünschtes Freudenfest, BWV 194: no 4, Wie könnte dir, du höchstes Angesicht
5. Höchsterwünschtes Freudenfest, BWV 194: no 5, Hilf, Gott, dass es uns gelingt
6. Höchsterwünschtes Freudenfest, BWV 194: no 6, Heilger Geist ins Himmels Throne
7. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 1, Es ist ein trotzig und verzagt Ding
8. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 2, Ich meine, recht verzagt
9. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 3, Dein sonst hell beliebter Schein
10. Es ist ein trotzig und verzagt Ding um aller Menschen Herze, BWV 176: no 4, So wundre dich, o Meister, nicht
See all 23 tracks on this disc

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11 of 11 people found the following review helpful
5.0 out of 5 stars Gardiner does it again April 27, 2008
By Teemacs
Format:Audio CD
I've long waited for this one. BWV129 is an old favourite - I love the old Rilling recording, with the three trumpeting Läubin brothers blowing up an absolute storm, soaring and trilling likes things possessed. Naturally one can't expect this with natural valveless trumpets. And Gardiner's forces pull it off magnificently, in a wonderful atmospheric acoustic (St. Magnus's Cathedral, Kirkwall in the Orkneys). And this in spite of the difficulties in getting there (Gardiner and Co. were stuck at the airport when a substantial chunk of the UK air traffic control system fell in a heap) and the consequent short rehearsal time.

A nice and unusual touch is a performance of Brandenburg Concerto No.3. Why? Because they were running out of Trinity cantatas to play, so they included the "trinity" concerto - 3 violins, 3 violas, 3 cellos, in one of Bach's most loved instrumental pieces.
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7 of 8 people found the following review helpful
5.0 out of 5 stars GETTING TO KNOW BACH May 3, 2008
Format:Audio CD
This leg of the Bach cantata pilgrimage starts with a short trek across Suffolk from Long Melford to Blythburgh church for Whit Tuesday, and then a longer excursion for Trinity Sunday to the Orkneys, a trip of a kind familiar to air travellers in Britain and recently re-enacted on a grand scale at Heathrow's Terminal 5. The date was in the year 2000 of course, and the air traffic control computer had broken down. Whether at that date the entire congested air traffic over southern England was still controlled by a single small and antiquated PDP11 minicomputer I cannot now remember. I found out about this, of course, from Gardiner's 'blog' that accompanies every step of his and his colleagues' epic journey, and it reinforced my astonishment and awe at the sheer poise and professionalism that these artists display on every occasion, even when they have lost a day from their already short rehearsal time.

Interesting and enlightening as Gardiner unfailingly is, in this instance my attention was captured even more by the short essay from Paul Agnew, who takes the tenor solos on the Trinity Sunday disc. In brief, Agnew is a professional musician who thought he knew Bach because he knew the Passions, the 48 and the concertos. Not only did he not know the cantatas, which he now hears as the core of Bach's output, most professional musicians, he tells us, did not know them either so recently as 2000. This eases my own sense of guilt at being so late in becoming acquainted with them, but it further enhances my amazement at what this pilgrimage is achieving.
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