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22 of 22 people found the following review helpful:
5.0 out of 5 stars
Alfonso's/Cohen's Cantigas, March 2, 2000
This review is from: Cantigas De Santa Maria (Alfonso X El Sabio) (Audio CD)
This is one of the finest performances I have heard of the Cantigas de Santa Maria. By focusing on the "loores" (every tenth cantiga, Alfonso's personal praises of the Virgin Mary) the disc takes on a very personal tone, and by the end, the listener is inside the mind of Alfonso X. The choices of instruments and when to use them (or not to use them) is extremely judicious, and the playing and singing is very fine. The pronunciation of the Galician is also excellent, and none of the songs are cut in order to shorten the performance time. Though the influence of eastern music on the Cantigas is very controversial, its deliberate use here, in the microtones and rhythmic patterns, is extremely effective and gives the whole disc an atmosphere of authenticity not many have. On top of all that, it is a very "listenable" disc (unless you absolutely can't stand these eastern influences). The juxtaposition of a song in Arabic with "A Santa Maria dadas" is shocking, but again, effective. These kinds of educated guesses are the closest we will get to hearing what the Cantigas have to tell us, and this disc seems to be not far off the mark.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars
please make a more inclusive listing!, May 22, 2002
This review is from: Cantigas De Santa Maria (Alfonso X El Sabio) (Audio CD)
Just for your information, there are two ensembles participating here: The Andalusian Orchestra of Fez, Morocco, directed by Mohammed Broiel, and the Camerata Meditrranea, directed by Joel Cohen. The overall conception is the work of Joel Cohen. This CD won the 2000 Edison Prize in the Netherlands for best early music release.
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6 of 8 people found the following review helpful:
5.0 out of 5 stars
Transcendent, May 16, 2000
This review is from: Cantigas De Santa Maria (Alfonso X El Sabio) (Audio CD)
Just to add a note to the previous reviewer's comments: the last song--"Por nos virgen madre," a solo by Anne Azema with harp--is the most beautiful song I have ever heard in my life; it brought tears to my eyes with its tender passion. Forget those classical composers with their gigantic orchestras; Anne Azema always seems to work miracles in subtlety and grace with the most minimal accompaniment. This great recording is NOT to be missed.
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