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  • Caoine: Music by Biber, Hartke, Reger, Rochberg, Bach
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Caoine: Music by Biber, Hartke, Reger, Rochberg, Bach Original recording reissued, Import


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Audio CD, Original recording reissued, Import, April 18, 2000
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Biber: Passacaglia In G Minor 9:54$0.99  Buy MP3 
listen  2. Hartke: Caoine 8:02$0.99  Buy MP3 
listen  3. Reger: Chaconne Opus 9114:02$0.99  Buy MP3 
listen  4. Rochberg: Caprice Variations - No.18 Allegro Fantastico 1:57$0.99  Buy MP3 
listen  5. Rochberg: Caprice Variations - No.19 Vivace 1:36$0.99  Buy MP3 
listen  6. Rochberg: Caprice Variations - No.34 Molto Adagio 2:17$0.99  Buy MP3 
listen  7. Rochberg: Caprice Variations - No.35 Allegro Molto - Fantastico 1:20$0.99  Buy MP3 
listen  8. Rochberg: Caprice Variations - No.39 Elegiac - Fantastico 2:56$0.99  Buy MP3 
listen  9. Rochberg: Caprice Variations - No.41 Allegro Molto0:42$0.99  Buy MP3 
listen10. Rochberg: Caprice Variations - No.42 Nocturnal - Slow 2:01$0.99  Buy MP3 
listen11. Rochberg: Caprice Variations - No.47 Arabesque - Fantastico 2:48$0.99  Buy MP3 
listen12. Rochberg: Caprice Variations - No.48 Moderately Fast - Fantastico 1:49$0.99  Buy MP3 
listen13. Rochberg: Caprice Variations - No.50 Fantasy 2:20$0.99  Buy MP3 
listen14. Rochberg: Caprice Variations - No.51 Quasi Presto - Robusto0:33$0.99  Buy MP3 
listen15. J.S. Bach: Partita for Violin Solo No.1 in B minor, BWV 1002 - 1. Allemanda - Double 7:04$0.99  Buy MP3 
listen16. J.S. Bach: Partita for Violin Solo No.1 in B minor, BWV 1002 - 2. Corrente - Double 5:12$0.99  Buy MP3 
listen17. J.S. Bach: Partita for Violin Solo No.1 in B minor, BWV 1002 - 3. Sarabande - Double 4:07$0.99  Buy MP3 
listen18. J.S. Bach: Partita for Violin Solo No.1 in B minor, BWV 1002 - 4. Tempo di Borea - Double 4:55$0.99  Buy MP3 

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Product Details

  • Performer: Michelle Makarski
  • Composer: Heinrich Ignaz Franz von Biber, Stephen Hartke, Max Reger, George Rochberg, Johann Sebastian Bach, et al.
  • Audio CD (April 18, 2000)
  • Number of Discs: 1
  • Format: Original recording reissued, Import
  • Label: Ecm Import
  • ASIN: B000024HKZ
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #699,382 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Performing unaccompanied violin music requires dauntless courage as well as technical skill, expressive involvement, and stylistic empathy. This record stands out both for the high quality of the playing and the imaginative, adventurous program, which frames contemporary music with two baroque works; its focus on variations creates unity within diversity. The title derives from Stephen Hartke's Caoine, a Celtic word meaning "wail"; inspired by traditional Irish fiddling and the keening of mourning women, its lamenting rhetoric and passionate climaxes are movingly evoked in an expressive performance. Paganini's famous 24th Caprice, itself a notoriously difficult set of variations, has inspired numerous composers to produce their own; George Rochberg's 51 Caprice Variations, of which 11 are included here, are wildly inventive, transforming the theme, which is stated only at the end, beyond all recognition. Their technical hurdles are more formidable than Paganini's own; Makarski surmounts them with ease and elegance. Max Reger's austere, monumental Chaconne is frankly modeled on Bach's, whose sonatas and partitas stand supreme in this literature. In his B-minor Partita and Biber's stately Passacaglia, Makarski solves the problem of playing baroque music on a modern instrument by using "period" articulation and sparing vibrato, producing a wonderfully pure sound with restrained dynamic contrasts and intense but inward expressiveness. Her recent recordings give further proof of her versatility: Just check out From the Green Hill, on which she improvises solos with Tomasz Stanko's jazz group. --Edith Eisler

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