Amazon.com Review
At the beginning of
Cape Breton Road, D.R. MacDonald's 19-year-old protagonist finds himself deported from Boston, where he's stolen one too many cars. Innis is sent back to his native Nova Scotia--or more precisely, to remote Cape Breton Island. There he is exiled to the old family farmhouse to live with his reluctant uncle, whose penchant for booze and girls leaves little time for supervising an errant nephew. Not surprisingly, Innis at once looks for an escape. From time to time he hikes up into the hills, where he can plant his attic-nurtured marijuana seedlings far from prying eyes. Up in the woods he sets to work "with a pleasure no other task had matched, spacing the pots zigzag so they would look natural, like weeds, if someone did happen by, seduced, like him, by the light of a clearing."
The ice slowly melts, the sun bakes the earth, and Innis's seedlings flourish. He's also drawn into the community of old, Gaelic-speaking families, whose language and way of life may be melting with the snow, but whose sense of place gives them an inner knowledge no outsider could learn. Yet the forces of love and trust--as personified by his uncle's pretty, frivolous mistress, Claire--ultimately deal out devastation to the hero and those around him. Cape Breton Road has more than its share of suspense and erotic electricity. At the same time, however, it's an elegy to a fading way of life, and a portrait of landscape where nature is so fiercely uncompromising that it takes on a spectral, sinister force of its own. --Carey Green
From Publishers Weekly
Thirteen years after the publication of his 1988 Pushcart Prize-winning short story collection, Eyestone, MacDonald's fiction is still shaped by the rugged landscape of Cape Breton, Nova Scotia. In his debut novel, the drama again unfolds against the unforgiving geography of Canada's East Coast. When his penchant for stealing cars catches up with him in Boston, 20-year-old Canadian Innis Corbett is duly shipped back to Nova Scotia to live with his surly Uncle Starr. His uncle's remote Cape Breton farm is perched on the edge of a small community where everybody knows everyone else's business. Innis, determined to escape, devises a plan to cultivate pot in the attic to fund his next move. Into this unstable household drops Claire, a 40-ish former stewardess fleeing an abusive relationship. As Innis and Claire grow close, Starr's jealousy and suspicions bring tensions between the two men to the boiling point. The story takes several dramatic turns, but more compelling than the plot are the Cape Bretons whom Innis comes to know, a people long on memory and more than a little fey. MacDonald captures their dialect, strength and spirit with powerful clarity. The long gap between the publication of Eyestone and this novel means MacDonald will have to be introduced all over again to most readers, but the novel's terse prose, rich character development and strong themes make it a natural for handselling. (Jan.)
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