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Cape Fear [VHS]

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This review refers to the "Cape Fear"(1962) Widescreen DVD edition by Universal.....

"Cape Fear" from 1962 is a terrific example of great film noir. Filmed in black and white, director J.Lee Thompson uses shadows and light, and the art of suggestion(the censors were pretty tough back in the 60's), to bring us this bone-chilling and suspenseful classic that over fourty years later, still, has not lost it's draw. Not unlike many of Hitchcock's films, Thompson has the audience on the edge of their seats,our hearts in our throats, and in fear for the hero.

It's good vs. evil, as Greogory Peck and Robert Mitchum, put their immense talents together for this spine tingler. Max Cady(Mitchum) has just been released from 8 long years in prison. From the moment we meet him, we KNOW this is one bad hombre. He is bent on revenge, and Sam Bowden(Peck) is the man who must pay. Sam's young daughter and beautiful wife are the targets of Max's obssession. He is slick and devious and will stop at nothing to get even. Sam does everything in his power legally to try and stop him, but must take matters into his own hands to protect his family.

Mitchum is simply powerful in his performance of this menacing threat, and Peck as always is perfect in his portrayal of the family man whose life has just turned into one big nightmare!
The film is also helped by the wonderful talents of Telly Savalas and Martin Balsam. Polly Bergen and Lori Martin are magnificent as the terrified wife and daughter.The talent doesn't end there though, the haunting music was scored by Bernard Hermann(who worked with Hitch on several films), and Sam Leavitt does a fabulous job with the black and white cinematography.

The transfer to DVD is crisp and sharp. It is presented in anamorphic widescreen(1.85:1)and barely shows it's age. The sound is in Dolby Dig 2.0 Mono. The dialouge as well as the music and background noises are all clear and distguishable.
There is a terrific featurette on the making of the film,production photos, a trailer, and DVD ROM. It may only be viewed in English, but has captions in English and subtitles in Spanish and French for those that may need them.

A thriller that stands the test of time. One that esteemed Director Martin Scorsese chose to pay homage to with a wonderful remake.

Get the popcorn ready and enjoy......Laurie

Prior to his Oscar-winning role as lawyer Atticus Finch in "To Kill a Mockingbird", Gregory Peck portrayed another attorney in 1962's "Cape Fear", a psychological thriller also starring Robert Mitchum in one of his most despicable roles.

No two actors were better suited than these two. Their characters are a definite study in contrast. Peck's Sam Bowden is a civilized intellectual forced to resort to some underhanded means to protect his family and himself from the treacherous taunts of Mitchum's crude, rude antagonist. Tension builds as the two men make a final confrontation at the location of the film's title.

Polly Bergen and Lorie Martin as Peck's respective wife and daughter are quite good a show a strength of character rare for women in the early 60's. They are not just "screaming Mimi's".

Martin Balsam, Jack Krushen and a pre-Kojak Telly Savalas round out a superlative cast; Barrie Chase is also quite memorable as a woman that runs afoul of the Mitchum's sadistic Max Cady.

Southern locations and crisp cinematography provide a picturesque yet menacing background and look.

To top off the film off is another remarkable score from Bernard Herrmann. Music by the late composer elevates this already superior thriller to a higher level.

The late great classic acting talents of Robert Mitchum are showcased in this 1962 classic, reproving his ability to play the villain with unsurpassed expertise, as in the former 1955 classic "Night of The Hunter".

Here, Mitchum plays Max Cady, a menacing figure with a perpetual lit cigar and Panama Hat. He has come to town after being released from jail to visit and wreak revenge on the man who put him there, enter Sam, played by Gregory Peck. From their initial reunion in the town parking lot, Cady lets Peck have a peek at what's on his mind. From that moment on, there are grippingly suspenseful encounters between the two men and even worse, threats to his wife played by Polly Bergen, and his daughter, in a rather ineffectual role considering what she goes through when encountering Cady. Particularly amusing is a scene in the beginning of the film. Cady casually watches the family bowl, while harrassing a waitress and having a beer. The expression on Pecks face as his Sam character looks up, and spots those sinister leering eyes peering from a nearby table at his family, is classic.

What needs to be mentioned more than the great direction, pacing and script, is the believabilty of the sociopath depicted, that Mitchum brings to startling low-life on the screen. He is truly mesmerizing in his sleepy-eyed evil countenance. His gaze, cigar in mouth, hat pulled low, will raise your hair as you watch him. He moves toward his victims in a slow and deliberate manner, and speaks his lines with that commanding voice that he was so famous for. When picked up for questioning, he hilariously mocks Pecks' Sam, calling him casually by name, "Why, Say-im..." and then as "counselor" refering to his lawyer status. My favorite Mitchum line here?"You might want to look closer, I've got a few jolts of horse stashed under the collar." as he hands over his shirt to the police. The other great line is to Peck in a bar, as he lets him know that he can't be bought off. When speaking of his dear ex-wife, "Pumped a quart of whiskey in her, tore off her dress, threw away her shoes, and gave her a fair chance to work her way home..." Needless to say, pretty daring for it's time. You will have to find out the rest for yourself, like the scene with the drifter girl Mitchum picks up, and of course, the showdown.

Don't even think that Martin Scorcese's subsequent remake comes close to this classic. The excessively demented southern accent and preponderance of large tattoo's on DeNiro, don't make him more frightening than Mitchums' original take on the Max Cady character. Mitchum's subtle style of menacing, which seems paradoxical, but works, is far more effective at eliciting the viewers rapt attention. Besides, the Scorcese version got mired in outside subjects like infidelity from Nick Noltes version of Sam, what for? Let's face it, the original doesn't need any additional subplots to be entertaining.

"Cape Fear" is a strange title, refering to the very real location of the story, while it also serves as a perfect double entendre for the utter fright Robert Mitchum delivers within, in an unparalleled style. Don't miss this classic.

From the "unjust Oscar snubs" file: Robert Mitchum gets no nomination for CAPE FEAR! Scandal? Robert Mitchum is Max Cady, the vengeful ex-con who stalks Gregory Peck's family in CAPE FEAR. Mitchum is superb. Absolutely, positively, superb. Never been better. Sure, he was great in OUT OF THE PAST and NIGHT OF THE HUNTER, but this is his definitive film role. The movie crackles with suspense and tension between the two leads, both of whom execute their roles brilliantly. Robert Mitchum puts one of the most terrifying and believeable performances ever on film, while Gregory Peck performs to steely perfection. I can see the Academy's not nominating Gregory Peck. not that he wasn't good, it's a five-star performance, but he wouldn't have been able to win his Oscar for TO KILL A MOCKINGBIRD in the same year, one of his most brilliant roles. If he could have one for both, I would've been all for it. But Bob Mitchum deserved a nomination! He deserved the Oscar! But noooo... Ahh. It's a great film, anyway. Rent it and watch it over and over again. It's terrifying by today's standards, and if you fall asleep, you're just inhuman.

"Counselor, you really stepped on it this time, didn't ya? I don't know what the Bar Association thinks about its members compounding a felony -- but I do know what the law thinks about it. You just put the law in my hands! And I'm gonna BREAK YOUR HEART WITH IT!! Ain't nothin' can stop me! You understand that, don't you?!"

The above words were spoken by a bloodied "Max Cady" in the original (1962) version of "Cape Fear", which is a suspense-filled masterpiece that remains one of my favorite movies of this genre. The film, which was known as "The Executioners" during the actual shooting of the picture (the title of the 1957 John D. MacDonald novel on which the movie was based), first appeared on American theater screens on April 12th, 1962.

That Max Cady is one scary dude! No doubt about that. Portrayed to perfection by 44-year-old Robert Mitchum, Cady is presented with full intensity in "Cape". We get the impression, and rightly so, that Mr. Cady is relentless in his pursuit of "Sam Bowden" and his family. Nothing is going to stop him. And Sam (Gregory Peck) knows this too.

Therefore, drastic measures are needed to fight this awesome menace. Watch and see how it suspensefully unfolds. Many memorable scenes await the viewer here -- scenes that look all the greater thanks to the handsome Anamorphic Widescreen print of the movie that has been encoded onto this DVD. The black-and-white photography looks solid as a rock on this disc.

As the film opens, we see a cigar-smoking Max Cady walking toward the courthouse to meet his "prey" (Bowden). Cady's self-assured gait and somewhat cocky manner, as we watch him leisurely making his way down the street, give us a good indication as to the kind of man Cady is. He leers lustfully at a couple of women who are leaving the courts building; and he shows us his self-absorbed demeanor when he walks right past a woman on a staircase who has just dropped one of the many books she is carrying (without Cady offering even a cursory glance of care or concern). These silent and subtle initial "Cady touches" in the James Webb screenplay provide the audience with a perfect "introduction" to Cady's character.

Bernard Herrmann composed the magnificent music score for the 1962 version of "Cape Fear"; and Mr. Herrmann's mood-enhancing themes greatly add to the atmosphere of the picture (as is always the case with any of his musical arrangements). Yet another stellar effort by Bernard H.

The 1991 remake of "Cape Fear" (starring Robert DeNiro) is very nearly as good as this 1962 original. The remake features additional layers to the already-competent plot that add to the enjoyment of that picture.

However, I think that the original film still outshines the remake. The combination of Gregory Peck, Robert Mitchum, and Polly Bergen provides this film with a very good trio of actors to build a picture around.

I've always liked Polly Bergen in everything I've ever seen her in -- from her always-delightful and witty appearances on TV's "To Tell The Truth" game show, to this role in "Cape Fear", to her comedy roles as well.

Gregory Peck had a good calendar year of 1962. He made "Cape Fear", plus two other big-name films that same year: "How The West Was Won" and the incomparable "To Kill A Mockingbird". Not a bad year's work for any actor.

Keep an eye peeled for some other fine supporting players dotting the cast of "Cape Fear" -- like Telly Savalas, Martin Balsam, Edward Platt, and Will Wright. For Wright, who was in literally hundreds of TV shows and feature films, "Cape Fear" would mark his last movie appearance. He died on June 19, 1962, very shortly after this movie was filmed.

This excellent "Cape" DVD presentation comes to us via Universal Studios Home Video. The Region 1 (USA) disc was first streeted by Universal on September 18th, 2001. The '91 version of the film came out on DVD the exact same day, too.

This single-sided DVD isn't a "Special Collector's Edition" by name, but some really good bonus supplements adorn the disc nevertheless, including a satisfying Making-Of program, along with the Theatrical Trailer, a Photo Gallery, DVD-ROM features, plus some Cast-&-Crew text-only information and Production Notes.

The behind-the-scenes featurette ("The Making Of Cape Fear") runs for 28 minutes. This mini-documentary contains film clips and contemporary interviews with star Gregory Peck and the film's Director, J. Lee Thompson. These interview segments with Peck and Thompson must have been recorded just shortly before both of these men passed away. Mr. Thompson died on August 30, 2002; and just ten months later we lost the great talent of Mr. Peck (on June 12, 2003 -- which was a terrible month in this regard, with several big-name Hollywood stars slipping away from us during that very same month of June 2003).

The section of the disc labelled "Production Photographs" (the Photo Gallery) is a unique DVD bonus, in that it presents the Photo Gallery in an unusual fashion, with clips from the film mixed in with the still photographs. Portions of the chilling musical score are also utilized as a backdrop to the clips and photos. This "Gallery" of pictures and movie snippets is on a timed track (lasting 4:48), and the remote-control "pause" button has not been locked out, which enables the viewer to freeze any of the images for a longer look at them. Nicely-done bonus.

Some Additional DVD Specs.....................

> Video is 1.85:1 Widescreen (enhanced for 16x9 television monitors).
> Audio is presented in Dolby Digital 2.0 Mono (English only).
> Subtitles in English and Spanish and French.
> Menus are static, silent, and simple.
> Sub-Menus provided for "Scenes", "Bonus Materials", and "Languages".
> Film length is a tad shy of 106 minutes.
> Paper insert is included, with a Scene Index for the 18 chapters on the DVD.

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"Cape Fear" (1962) should certainly keep any first-time watcher on pins and needles; and towards the end of the movie there will be no need for the bulk of your chair at all -- just the "edge" of the seat will be required. The film holds up very nicely the 23rd time it's viewed as well. A 'classic' always does.

The 1962 version of "Cape Fear" is a classic horror movie in every sense of the word, with its high-pitched, screaming soundtrack, its acting, and the story that strays away from the violence seen in today's movies, but still takes a daring step for its time. Director J. Lee Thompson weaves suspense into every moment through his pacing, and with the help of gifted actors Gregory Peck and Robert Mitchum, who play the cat-and-mouse battle exquisitely.

Peck is Sam Bowden, an attorney who begins to suspect that recently released convict Max Cady, played by Mitchum, is after his family in a game of revenge. Bowden testimony against Cady is what put him away for eight years, and Cady is out for more than just a monetary payoff. As he watches the Bowden family, he is careful not to overstep the boundaries of the law, which makes it increasingly difficult for Bowden to bring him up on any charge.

Bowden soon realizes that the only avenue of protection for his family is to set a trap for Cady, prove that he is out to harm his wife and child, and have him either arrested or killed on the spot. This leads to the famed showdown on Cape Fear, in which Cady brings out the family's worst nightmares.

It's interesting to watch thrillers from this day and age, and compare it to the tactics used in such movies as "Cape Fear." In a society where we resort to such violent and gruesome tactics in movies, sometimes it's nice to escape that and find something out of the norm. The scene in this film in which Cady physically oppresses Bowden's wife only gives off the impression that rape is almost inevitable, but to see her face frozen in that moment of utter fear is as frightening and eye-opening as anything Hollywood can dish up.

The movie plays with the audience on many occasions, with effective results. A scene involving Bowden's daughter running from the pursuing Cady is charged with suspense, though in the end, he was not the one coming after her. Much like it's main protagonist, we are left in the dark as to solid evidence to convince us of Cady's guilt in such crimes as poisoning the family dog, leaving us to invest our own opinion in the characters.

This is an easy task, given the stellar acting from the two male leads. Gregory Peck portrays a man driven to the end of his rope quite well, and the inner collapse we see in Sam Bowden is given a believable complexity. It is Robert Mitchum, however, who steals the show with his heart-stopping performance as Cady, evoking a subtle chill that permeates the entire movie. His ability to portray a character who remains calm in the most disturbing moments makes his performance a stand-out, one to be heralded for its authenticity and true-to-life nature.

"Cape Fear" will go down as a classic, and deserves such a fate. It is the ideal model of a classic thriller, and it proves at many times that there is such a thing as subtle terror instead of big gross-out effects that will keep the audience in the mindset of the movie. I look at the picture as nothing more than a suitable thriller that's a bit risky for its time period, and it works well.

Man, oh man what a fabulous performance by Big Bob Mitchum there is in this 1962 Cape Fear! He was never better. This 1962 version is *much* better than Scorcese's remake and it's cause Mitchum is simply superb in the role of Max Cady. What a villian.......brrrrr! Mitchum's performance is so superior to De Niro's in the same role it just clearly demonstrates how much finer of an actor he was than De Niro can ever hope to be. Yes, Peck is weak in this film but who really cares when Big Bob sweeps into the scenes and just blows everybody away verbally. And that scene in the houseboat at night when he has Polly Bergen trapped and he is coming at her with his bare barrel chest dripping with swamp waters and then he gets her pinned against a counter and takes that raw egg and cracks it in his hand and rubs the yolk over her bare shoulders.........I get chills just thinking about it! Wow. No one has ever played a creepier guy than this and so believably. People always talk about Mitchum and Night of the Hunter but he's even *better* in Cape Fear.

When I first saw J. Lee Thompson's film I was on the edge of my seat. It is a scary thriller without showing buckets of blood, graphic violence, monster make-up, or even using the word "rape".

A bitter, amoral, psychopathic ex-con, Max Cady (the incomparable Robert Mitchum), recently released from an eight-year prison term, is out for revenge against the man who testified against him at his trial, lawyer Sam Bowden (the late, great, Gregory Peck). He infiltrates into Sam's life, stalking his lovely wife, Peggy (Polly Bergen, no shrinking violet), and his pretty, innocent teenage daughter, Nancy (the appropriately sweet Lori Martin). Sam does everything legally possible (for the time, before anti-stalking laws came into place) to protect his family, but he finds he is powerless under the law, and Cady is very intelligent in his planning. It all ends in a showdown on the river Cape Fear.

Let me just say that this movie has an advantage over the 1991 remake. Cady doesn't have to be covered in tattoos or act like Freddy Krueger to be terrifying. The word "rape" doesn't have to be mentioned nor does the offense have to be shown to us graphically (since the censors of the time forbade it) for the viewer to understand and comprehend what is going on. The performances are all right on, and even when Barrie Chase's Diane Taylor is assaulted, we don't have to be told that she was raped, because it's implied and it's written all over her bruised, traumatized face. Her portrayal of this victimized and frightened young woman is impeccable - why didn't she have a longer career?

Gregory Peck is compelling, and the scenes where Nancy is pursued by Cady outside her school and she escapes inside, only to fear that he has also followed her in (and she is mistaken) is absolutely nail-biting, as is the final showdown. Cady's devious plan to accost Peggy on the boat in order to "trade" her for Nancy is gut-wrenching and extremely watchable. We now have a names for guys like that - rapist, stalker, pedophile, murderer - but the first three were either not used or hadn't been made a term yet. A classic, don't accept any substitutions. As I usually give so much away in my comments, I'll leave the plot details at that. Bernard Hermann's score for the film is perfect, and ranks right along with his score for Alfred Hitchcock's "PSYCHO" - a masterpiece. And so is the movie. Don't watch it alone or in a dark room!!!!!!!! 10/10.

J. Lee Thompson directs this sophisticated cat and mouse thriller starring Robert Mitchum and Gregory Peck. Mitchum gives a marvelous performance as Max Cady, the calm yet menacing Max Cady, an ex-con who has been paroled from prison after serving eight years for rape (the word "rape" is never said throughout the entire movie, because back in the times, it wasn't allowed by the censors, but it is implied.) Cady wants revenge on the lawyer who sent him to prison, Sam Bowden, portrayed brilliantly with strong assurance, yet fearfulness by Gregory Peck. He is a man who loves his wife and daughter with all his heart, and soon, Cady begins implying threats involving them. Bowden tries taking matters into his own hands, but it goes awry, and the result is a suspenseful battle between good and evil on Cape Fear River. This film is an absolute classic, with plenty of suspense, witty one-liners, a classic score, and exquisite directing, writing, and performances. It's a movie that the whole family could basically watch, because it's not all that inappropriate for today's times, and not too scary, just a good movie! I don't see why, however, this movie and the remake must be compared so much! The remake is a remake, it is a totally separate thing. The remake, directed by Scorsese, was much more brutal in its depiction, but still a great film. I don't see why people can't just look at it as it's own movie. Anyway, this is a terrific movie that I highly recommend.

This suspense film features Robert Mitchum in probably his best role as Max Cady. He's scary, menacing, believable, and right for the role. I saw this film before Scorsese's remake, and I'm glad I did. This version is superior in that it leaves everything to the imagination, and is not gratuitous or bloody. Gregory Peck is also good in his role. I think I'm starting to take an interest in Robert Mitchum's films, and Mitchum is one of Roger Ebert's favorite actors. Mitchum never recieved any Oscar nominations that I know of. This shows how underappreciated and underrated an actor he is.