From School Library Journal
Grade 6 Up–Opening with young James's arrival at Eton and following him to the beginning of his life at sea, this is a disturbing and engaging portrait of a young villain. At school, he feuds with the young Arthur Darling and falls in love with the forbidden Sultana Ananova. After taking his revenge on Darling and pursuing Ananova, James and his friend Roger join the crew of the
Sea Witch, a ragged ship with a cruel captain. When its identity as a slave ship is revealed, James sides with the slaves to earn his own name, Hook. Throughout the story, his dreams of finding a magical Neverland set the stage for his future role in Barrie's classic story. Hart, whose screenwriting credits include the movie
Hook, has taken information from Barrie's
Peter Pan, including his protagonist's attendance at Eton, his yellow blood, and his unusual appearance, and used it to create a character of his own. James's illegitimate status and its prominence in the story seems to be Hart's own invention, and while it provides ample motivation for James's actions, it takes away from the story's appeal to younger
Peter Pan fans, who may also be confused by some aspects of British school life. This is a much darker
Pan prequel than Dave Barry and Ridley Pearson's
Peter and the Starcatchers (Hyperion, 2004). Helquist's illustrations add slightly to the text, but seem an attempt to appeal to Unfortunate Events fans. Overall, this is a detailed look both at Victorian life and what a young Hook may have been like.
–Beth L. Meister, Pleasant View Elementary School, Franklin, WI Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gr. 7-10. Hart wrote the screenplay for the 1991 film
Hook and in this sprawling novel, he imagines the notorious villain's troubled youth. When he enters England's storied Eton school as a teen, James (the future Hook) has never known his mother and has only met his aristocratic father a few times. He channels his loneliness and rage into superior scholarship, plotting wild "devices of revenge" against sadistic classmates. At last, he escapes to the high seas, but he unwittingly boards a slave ship that reveals horrifying brutality and family secrets. Hart's novel is much more challenging and dense than
Peter and the Starcatchers (2004), Ridley Pearson's and Dave Barry's spin on the Peter Pan story. The elevated language, slow pacing, and lengthy specifics of swordplay and Etonian culture may deter some readers; others may be startled by the bloody torture, both at school and at sea. Still, some determined, sophisticated readers will be pulled in by the magical, tall-tale details; James' triumph over bullies; the exciting adventures; and the thought-provoking portrait of a villain who is capable of both murder and great sympathy.
Gillian EngbergCopyright © American Library Association. All rights reserved
