Product Details

• Actors: Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell, Sebastian Stan
• Directors: Joe Johnston
• Writers: Christopher Markus, Jack Kirby, Joe Simon, Stephen McFeely
• Producers: Joe Johnston, Alan Fine, David Maisel
• Format: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
• Language: English, French, Spanish
• Subtitles: English, French, Portuguese, Spanish
• Dubbed: French, Portuguese, Spanish
• Region: Region A/1 (Read more about DVD/Blu-ray formats.)
• Aspect Ratio: 1.85:1
• Number of discs: 2
• Rated: PG-13 (Parental Guidance Suggested)
• Studio: Paramount Studios
• DVD Release Date: October 25, 2011
• Run Time: 124 minutes
• Average Customer Review: 4.2 out of 5 stars  See all reviews (1,139 customer reviews)
• ASIN: B005IZLPMY
• Amazon Best Sellers Rank: #1,734 in Movies & TV (See Top 100 in Movies & TV)
  • #37 in Movies & TV > Blu-ray > Science Fiction
• Learn more about "Captain America: The First Avenger (Two-Disc Blu-ray/DVD Combo + Digital Copy)" on IMDb

Editorial Reviews

Amazon.com

The Marvel Comics superhero Captain America was born of World War II, so if you're going to do the origin story in a movie you'd better set it in the 1940s. But how, then, to reconcile that hero with the 21st-century mega-blockbuster The Avengers, a 2012 summit meeting of the Marvel giants, where Captain America joins Iron Man and the Incredible Hulk and other super pals? Stick around, and we'll get to that. In 1943, a sawed-off (but gung-ho) military reject named Steve Rogers is enlisted in a super-secret experiment masterminded by adorable scientist Stanley Tucci and skeptical military bigwig Tommy Lee Jones. Rogers emerges, taller and sporting greatly expanded pectoral muscles, along with a keen ability to bounce back from injury. In both sections Rogers is played by Chris Evans, whose sly humor makes him a good choice for the otherwise stalwart Cap. (Benjamin Button-esque effects create the shrinky Rogers, with Evans's head attached.) The film comes up with a viable explanation for the red-white-and-blue suit 'n' shield--Rogers is initially trotted out as a war bonds fundraiser, in costume--and a rousing first combat mission for our hero, who finally gets fed up with being a poster boy. Director Joe Johnston (The Wolfman) makes a lot of pretty pictures along the way, although the war action goes generic for a while and the climax feels a little rushed. Kudos to Hugo Weaving, who makes his Nazi villain a grand adversary (with, if the ear doesn't lie, an imitation of Werner Herzog's accent). If most of the movie is enjoyable, the final 15 minutes or so reveals a curious weakness in the overall design: because Captain America needs to pop up in The Avengers, the resolution of the 1943 story line must include a bridge to the 21st century, which makes for some tortured (and unsatisfying) plot developments. Nevertheless: that shield is really cool. --Robert Horton

Product Description

Captain America leads the fight for freedom in the action-packed blockbuster starring Chris Evans as the ultimate weapon against evil! When a terrifying force threatens everyone across the globe, the world’s greatest soldier wages war on the evil HYDRA organization, led by the villainous Red Skull (Hugo Weaving, The Matrix). Critics and audiences alike salute Captain America: The First Avenger as “pure excitement, pure action, and pure fun!” – Bryan Erdy CBS-TV

Most Helpful Customer Reviews

251 of 305 people found the following review helpful

5.0 out of 5 stars Another great Marvel Comics superhero movie from the maker of Ironman July 22, 2011

By Kate McMurry TOP 100 REVIEWERVINE™ VOICE

A good bit of this film is a superhero-origins story, in which we follow Steve Rogers (Chris Evans), a plain-featured young man of about 20 years old who is a classic "90-pound weakling," as he tries five times to enlist in the Army during the early part of World War II. He is consistently rated as "4F" because of his size and various health issues, including asthma. Inside that small, frail body, however, resides outsized courage, honor, loyalty and persistence. During Steve's fifth trip to the Army recruiters, those virtues in Steve draw the attention of Dr. Abraham Erskine (Stanley Tucci), a German scientist who escaped the Nazis and is working on a top-secret program to develop super soldiers. Colonel Chester Phillips (Tommy Lee Jones), who is in charge of the program, wants to use a soldier who is bigger, stronger and has more training for the first human experiment with the Dr. Erskine's super-soldier formula, but the doctor strongly disagrees. He says the other soldier is a bully, but Steve is a good man. It is crucial that anyone receiving the formula be of good character, because the formula enhances the existing personality traits of whoever receives it. Steve would become even more of a good person, but a bully could become a villain.

The experiment is a success, but immediately after Steve is transformed into a handsome, ripped, perfect specimen of manhood, a Nazi spy assassinates Dr. Erskine and steals the formula. Though Steve manages to stop the assassin from escaping, in his first act of heroism as a newly minted superhero, the flask breaks in the process. Without a sample of the formula, it cannot be replicated because the doctor never wrote down the whole formula. Steve is now one of a kind.... Unfortunately, the military can't think of anything to do with him other than turn him into a US-flag-wrapped peddler of war bonds appearing in USO shows with chorus girls, until Steve is sent abroad. He finds himself entertaining the recently decimated troops of Col. Phillips and is horrified to discover that his best friend James Buchanan "Bucky" Barnes (Sebastian Stan) has been captured with 400 other Allied soldiers and is being held prisoner in a massively defended fortress deep in enemy lines. Col. Phillips insists he would lose far more men than he could save going after his captured men, and refuses to do anything. But the colonel's assistant, a female military officer, Peggy Carter (Hayley Atwell), encourages Steve to fulfill his destiny as the super-soldier Dr. Erskine created him to be by staging a one-man rescue raid.

On every level this film is outstanding. It is directed by the talented Joe Johnston (Jurassic Park III, Jumanji ). The screenplay by Christopher Markus and Stephen McFeely (the writing team best known for the three Chronicles of Narnia films) is an excellent adaptation, staying true in every important way to the world of a comic-book icon with a 70-year history of stories in Marvel Comics since the Captain's first appearance in 1941.

All of the actors are terrific, but the star, Chris Evans (who played the comic-book superhero, Johnny Storm, the Human Torch, in the two Fantastic Four films), is superb. Evans gives a depth and breadth to his performance that is remarkable for any genre, but especially for a superhero film. In his capable hands, Steve is endearingly humble, yet enduringly determined to have a chance to contribute to the worldwide struggle against the Nazis in the beginning, origins part of the film. And after the transformation, he compellingly presents Steve as a fascinating contradiction of a relentless, manly warrior who is still emotionally innocent and naďve.

Steve's relationship with Peggy, as his romantic interest in the film, has significant barriers to their connection that makes it both amusing and exciting to watch. She is his superior officer and, for a young man who has barely even had a conversation with a woman before her, it takes more bravery than going to war for him to aspire to a relationship with a woman like Peggy. She is not only gorgeous, but a formidable warrior in her own right. What I found as intriguing as the romantic potential between these two, however, is the fact that they bring out the best in each other. Peggy gives Steve the inspiration to seize his destiny as a super-warrior when the colonel and other leaders have ordered him to sit out the war, and Steve's innate sensitivity and goodness soften the shell of cynicism Peggy has developed around her heart in the harsh, man's world of the Army.

The incredibly versatile Stanley Tucci (The Devil Wears Prada, The Lovely Bones) is terrific as Dr. Erskine. Hugo Weaving (who played V in V for Vendetta and Agent Smith in The Matrix movies) is his usual brilliant self as the villain Red Skull. Anytime he appears in anything it is a gift, but he is particularly skilled as a comic-book super villain. As for Tommy Lee Jones, he was simply made for the part of Colonel Chester Phillips. Sebastian Stan (Carter Baizen on Gossip Girl) is a convincing choice as Bucky. He and Chris Evans have excellent buddy chemistry as best friends since childhood. All of the other supporting actors are great, too, including Neal McDonough (Traitor) as Timothy 'Dum Dum' Dugan, Derek Luke (Antwone Fisher) as Gabe Jones, Kenneth Choi (Street Kings) as Jim Morita, and JJ Feild (Northanger Abbey) as James Montgomery Falsworth.

Finally, the special effects in the action scenes, aided by computer-generated imagery (CGI), are absolutely breathtaking, making this movie a must-see on the big screen. There is also one other CGI effect that I found awe-inspiring. The real, buffed Chris Evans is trimmed down via CGI to the pre-formula Steve. "It's pretty amazing," Evans told Reuters. "They took shape out of my jaw line, they shrunk my skeleton, and they made my shoulders less broad." They certainly did. The skinny Steve has the body of a prepubescent boy. As for the actual physique of Chris Evans--he went through a specialized training program to put on 15 pounds of muscle on a physique that was already quite ripped.

Among the multiple feature films already done on the Captain, this should delight fans as a standout contribution. Read more ›

80 of 97 people found the following review helpful

5.0 out of 5 stars I LOVE this movie October 26, 2011

By Craig Whitley

Format:Blu-ray

When I was a kid in the 60's, Batman, Spiderman, and Captain America were my 3 favorite superheroes, and remain so to this day.
No need to rehash the other great reviews, but IMO, what they got SO RIGHT here was the CHARACTER of Steve Rogers BEFORE he becomes Captain America.
Just as Batman Begins had us totally invested in Bruce Wayne BEFORE he ever donned the cape and cowl, Marvel works the same type of magic with Steve Rogers & THAT (along with stellar performances by ALL the supporting cast) is what makes this a truly great film.
After suffering through the badly done CA movies of the past, it is a dream fulfilled to see the character brought to life so fantastically By Chris Evans & Joe Johnston.
And the Red Skull--OMG--Incredible makeup & Hugo Weaving shines as always to make the character come across as one of the premiere villains of the Marvel Universe.
Finally--watch the deleted ending scene to see how they really SHOULD have ended the movie--THAT was my only gripe--the truncated ending in the theatrical version.
So, to sum up--FINALLY a GREAT, FUN & FAITHFUL rendition of Captain America.
Bring on the AVENGERS!
It's time to ASSEMBLE!

8 of 9 people found the following review helpful

5.0 out of 5 stars The best of the Marvel Studios films... thus far! March 28, 2012

By James Donnelly VINE™ VOICE

Format:Blu-ray|Amazon Verified Purchase

For a long time now, Captain America has been my favorite Marvel comics character. He's just awesome. He's been a little on the dark side, particularly during the 80's, when it was required that EVERY superhero comic went through a dark phase, and with some of the recent Brubaker era work, Steve Rogers has seen some serious stuff go down. What Joe Johnston did with this film, and how it not only differentiates itself from all of the other Marvel films (not just the Marvel Studios films, but all films based on Marvel characters), but also how well it works, is how unapologetically sincere and earnest it is.

Without exception, all of the other Marvel-based films have had their fill of post-modern cynicism and self-referential humor, and I'm not really knocking it. For the most part, it's suited the films well, particularly X2 and SPIDER-MAN 2. But this is a film set in the 1940's, and it's about a young man who believes so much in the ideals of his country and who so badly wants to make a difference, he's willing to put his own life on the line to potentially change it.

Most of the heroes in the comic book world are accidents, or some tragedy drives them, or they were born different and were ostracized for their oddities, but Steve Rogers is a hero long before he ever became Captain America, and the exceptional performance of Chris Evans sells that. If there had been a moment of this film that broke from the era to include a line of dialogue that was post-modern humor, it would have utterly broken the back of this film, but thankfully screenwriters Stephen McFeely and Christopher Markus (with a little help from Joss "God" Whedon in a few scenes) never retreat to modern dialogue tropes in order to keep the audience interested.... They never make the film totally wooden or sullen either. There is great fun to be had with this film, and you gotta love the little RAIDERS OF THE LOST ARK references in it. Also the cast in and of itself is quite good, particularly Stanley Tucci as Abraham Erskine. I honestly get choked up in the scene Erskine and Rogers share in the barracks the night before the experiment. It's my favorite scene of the film, because it gives you time to connect with the characters on an emotional level without any flash or gimmicks. This is pretty easily my favorite of the Marvel Studios films thus far... Read more ›

5 of 5 people found the following review helpful

5.0 out of 5 stars The Beginning is The End is The Beginning May 29, 2013

By Theo

Format:Blu-ray

Marvel's Cinematic Universe has been a rather patchy effort. There have been good films, such as Iron Man, but there have also been deeply mediocre ones, such as Thor. I was pleasantly surprised to discover that this was one of their better efforts.

Like so many superhero flicks, this film is a retelling of its central hero's origin story. Of course, in Captain America's case, any such retelling must deal with two fundamental problems:

First, anyone with even the slightest acquaintance with the Marvel Universe knows exactly how this story ends, and the fates of all its major protagonists. Incidentally, for the sake of completeness, yes, I'm now giving you a SPOILER ALERT. But I promise I'm not going to give away anything that anyone who's ever read a Marvel comic book isn't fully aware of anyway.

The screenwriters deal with the problem that we already know how the story ends by beginning with that ending: the wreckage in an ice-strewn landscape where we all know the frozen body of Captain America lies, awaiting resurrection. The point is, they're letting us know that they know that we know. There's no pretence otherwise, so we can all just get on with it. They then go back and tell us the tale of how it all came to this.

Interestingly, quite early on, there is a scene in which the Red Skull is listening to a recording of the iconic "Siegfried's Death And Funeral Music". On one level it's an obvious, perhaps even trite choice of entertainment for a Nazi supervillain. Yet I can't help but wonder if there is a deeper point being made here.... There is something operatic about this saga, as its larger than life characters follow their inevitable course to a conclusion as pre-ordained as that of any stage tragedy.

The second fundamental problem the filmmakers must grapple with is that we are dealing with a hero whose origins lie in an age with values profoundly different to our own. Closely entwined with this is the fact that the level of maturity we expect from the superhero genre has also increased beyond all recognition. Together, this combination of developments mean that what was right on the money in the middle of WWII can easily come across as ridiculously, even insultingly jingoistic today.

Yet once again, all of these difficulties are dealt with rather skillfully. In particular I'm talking about how the identity of "Captain America" is created for our hero. However, I'm not going to say any more than that. For those who haven't yet seen the film, I think it's best not to give even a hint. I don't want to deprive you of the pleasure of seeing how all this unfolds for yourself.

One thing I am going to tell you is that a big part of what makes this story work on a more timeless level is that there is far more emphasis on an aspect of the Captain America character that is usually neglected: the frail youth who was refused for military service on grounds of medical unfitness. Not in a facile, Charles Atlas kind of way where the "bag of bones" turns into jock who then smacks around the bullies. Rather, it's more about providing the moral core of the character. A core that stays with him from the very beginning of the film to its very end.

Beyond these most basic issues, there are a number of other points worth mentioning. In keeping with the spirit of this updated retelling, the character of Bucky Barnes is likewise rather deftly re-imagined for an audience no longer so inclined to accept the idea of a child soldier as a harmless fantasy. I also loved the Nazi "super science" we see in the film. It's interesting to compare what we see here to the legends that exist in our own world. I say "legends" because while they certainly have a basis in real technology, they also rapidly extend into the stuff of pure myth. If you're unfamiliar with what I'm referring to here, try Googling "Nazi bell" sometime and you'll see what I mean. This film captures that spirit perfectly. It also ties in no less perfectly with Captain America's own comic book origins.

But what really makes this movie a success is the conviction of the writers, the director, and the actors. All too often with superhero flicks, a film falls down because it's just so staggeringly obvious that the people who made it had no real respect for their source material. They're just churning out yet another summer blockbuster - or so they hope.

Quite recently, in a review of the Green Lantern movie, I said that when someone like Frank Miller comes along and thinks seriously about who his characters are and why they do the things they do, it shows. Similarly so on the acting front when people like Christian Bale and Kevin Conroy portray the Bat. But when someone comes along and says "Hey, let's do a summer blockbuster - we'll make tons of money!", that also shows.

It was the latter kind of thinking that shone through in the Green Lantern movie. Also in Marvel's own Thor. But not, I'm happy to say, in this work.

This is a film made by people who genuinely thought about their characters and their universe. As a result, they have given cinematic expression to both with integrity, just the right level of realism, and finally, with respect for both their source material and their audience.

Theo. Read more ›