“Cora Goldstein’s Capturing the German Eye recounts the complicated and often contradictory role that visual culture (from propaganda films about the Holocaust to satirical journals) played in the ‘reeducation’ of the Germans after 1945. Focusing on the American zone of occupation (with brilliant comparisons to the Soviet zone) Goldstein shows how American domestic politics, especially that of race, impacted the reconstruction of a postwar West German identity. The chapter on how the United States dealt with German museums and art alone is worth the price of the book: it is sad that Donald Rumsfeld did not read it before abandoning the Iraqi cultural patrimony to looters after ‘Mission Accomplished.’”—Sander L. Gilman, Emory University
(Sander L. Gilman, Emory University )
“Cora Sol Goldstein has written a brilliant study of the arts of dominion. She captures the drive to make people see, to shape what they see, to hold their gaze. We see that the gaze is not easy to hold, we watch propagandists and artists, military men and civilians in their efforts to stage politics and history. Their failures are as fascinating as their successes. Reading this account of occupied Germany may prompt readers to turn a critical eye on their own carefully staged, all too cinematic visions of history.”—Anne Norton, University of Pennsylvania
(Anne Norton, University of Pennsylvania )
“Cora Goldstein’s book is centrally concerned with military occupation and with the transition from dictatorship to democracy. She focuses her evocative study on the role of images, the destruction of a dictatorial image world, and the generation of a democratic one in this shift of power. The insistence on the power of imaginaries serves as a stark reminder for another age of nation building. The highlight of the book, though, is how modernist art came back to Berlin in a competitive race between, of all places, Washington and Moscow—with their respective military governments in Germany as the main agents.”—Michael Geyer, University of Chicago
(Michael Geyer, University of Chicago )
“Challenging recent negative assessments of American efforts to reeducate the Germans after 1945, Goldstein’s is the first comprehensive study of Allied film and visual arts propaganda and of the bitter conflicts inside the military administration over how punitive the occupation should be. Set against the background of the Nazi propaganda experience as well as Soviet and British cultural politics during the early cold war, this excellent study will be indispensable not only for modern historians but also for film studies and art history.”—V. R. Berghahn, Columbia University
(V. R. Berghahn, Columbia University )
"A fascinating and illuminating book and [it] makes an original, interdisciplinary contribution to the study of Germany and German-American relations in the second half of the 1940s."—Richard J. Evans, History Today
(Richard J. Evans
History Today )
"This book is an important contribution to a growing field of study, and provides essential background to now classic surveys of the cultural Cold War."
(John-Paul Stonard
Art Newspaper )
