4 of 5 people found the following review helpful:
3.0 out of 5 stars
The vampire of the mind, August 10, 2010
This review is from: Capturing Mary [ NON-USA FORMAT, PAL, Reg.2.4 Import - United Kingdom ] (DVD)
CAPTURING MARY (annoyingly titled in my opinion) left me wondering what it was really all about; in fact, what everything is about these days. This 2007 British tv offering is about Mary Gilbert (the ever-arresting Dame Maggie Smith), who suddenly stops by an an old London mansion one day. The young man caretaking there, Joe (Danny Lee Wynter), allows her in for a lark. She just wants to be in the house again.
Ms. Gilbert tells her "story" to Joe: a story about her semi-famous youth as a hot new writer, and her encounters with a creepy older man called Greville White (chameleonic character player David Walliams, NOT "Williams", STARDUST, DINNER FOR SCHMUCKS).
As an American and Anglophile, I must pause here and state I do not have any idea what fuels, drives, scares or moves the British mind. In this film, Ms. Gilbert is terribly haunted by a person whom, in my view, is no more than some sort of pusillanimous creep of the type common back then (ca. 1960). In fact, the mysterious, secret agent-like Greville White struck as no more than a somewhat weird cinematic invention...for what reason? Frankly I thought he'd be a blast, exactly as he is in this film, as Mycroft Holmes, Sherlock's older and smarter brother.
Ah, well. Ms. Gilbert regales Joe with the essential story of her life, how it all began when she was in the house at parties, during its heyday when its equally mysterious owner, Mr. Graham (Max Dowler, a vague Johnny Depp lookalike), lived there. Although the eerie Mr. White seemed to be making advances at her, Ms. Gilbert was ultimately revolted by him. What is odd is that she kept seeing him hither and yon, at parties more than a decade later--and he was unchanged, unaged.
My wife began to get so bored she thought White was supposed to be a vampire. My reply was, "Only a vampire of entertainment," meaning I too was getting bored. If not for Dame Maggie, I'd have turned my back on this odd tv film instantly.
Steven Poliakoff (director, THE LOST PRINCE, one of my favorite British tv films) wrote and directed. Perhaps he is after some kind of ethereal inner life ethnogram, or is otherwise seeking the meaning of existence. CAPTURING MARY makes little sense if viewed otherwise, and I still marvel at these boring, talky, theaterish British tv films. Yet there is something about Ms. Gilbert and her lifelong obsession with a masher who keeps his distance. Is this about a hidden, much later yearning on her part?
Watch this film, just for the novelty of its 'exotic' spirit. You may very well ask yourself if this is nothing more than a rambling old drunken woman's memories.
Then again, you may be captivated by it.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
OMG!!! So much epiphany from the clouds., October 14, 2011
This review is from: Capturing Mary [ NON-USA FORMAT, PAL, Reg.2.4 Import - United Kingdom ] (DVD)
Sadly, I do believe the level of depth and sophistication may leave at many the impression they have "an empty shell, but beautifully wrapped" as they see Capturing Mary.
This movie is a complex masterpiece.
It takes a brave walk into the dark to realize what the story is about: archetypical figures of struggle. It's all there, especially after the main characters move downstairs into the mansion's wine cellar: downstairs = underworld/subconscious; dark corridors= unknown paths inside the psyche; wine = dimed perception/contents that live in the blur of lose consciousness/ information that frightens even though not making apparent sense/ mental confusion/ chaos set on by dark secrets. Therefore, the personal hell is triggered from the place where figures of the Shadow/ Subconscious emerge, and then "capture" the feminine character. (And some review says it's a "bad title"?) She's keep under its spell/power for too long time, while she is alone with the remains of the darkness and its effects on her career and creativity, that also having an impact in the way she conduces her love/intimate life parallel to her social life in a post-war rapidly changing scenario.
So, there is something sinister and claustrophobic about this story. Something that seemed so right and strong and ready to take flight is interrupted for Mary. After that, it takes her all her life - and finally a sweet, positive masculine figure - to encourage her to review her past, go back to the point where it all started, and try to cast away the ghost.
I bet many women can relate to Mary, in the sense of having experienced imprisonment after the dangerous contact with a predatory figure or circumstance that embodies the power and control of a patriarchal society taking over her inner world.
THAT SAID, THIS MOVIE IS A MUST SEE. Teachers, psychologists and mothers should discuss it at schools, seminars or at home. But if you are inclined to commercial fads such as vampire stories, it's not for you. This is not mere entertainment; this speaks to someone's life enigma solving quests'.
To boot, Maggie Smith, David Williams and Ruth Wilson draw hands down performances that guarantee their places in the Olympus of acting legends.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars
Kubrickian Style Pace and Commentary on Society, August 8, 2011
If you love the slow yet rewarding pace (and ultimate payoff) of Kubrick classics like Barry Lyndon and Eyes Wide Shut, my guess is you will enjoy Poliakoff's Capturing Mary. If you don't have one yet, buy yourself a cheap all-region DVD player (I got one on Amazon for under $100), and see this movie. Although this was shot for British TV, the production quality and slow yet hypnotic intensity of Poliakoff's direction will pull you in just as effectively as Kubrick, Tarkovsky or Bergman. Another reason to buy an all-region player and see this is to get a rare glimpse on this side of the Atlantic of Ruth Wilson, who plays young Mary. Known best for her portrayal of Jane Eyre, this is about the only other filmed appearance you can catch of her. In my humble opinion (and after seeing thousands of movies over the last 30 years or so) she is the most convincing and intense actress I've ever seen, despite only two films to watch her in. If you don't take my advice and buy your all-region player, at least watch her in Jane Eyre on your regular DVD player, and try to convince yourself she's not one of the finest actresses out there!
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