Amazon.com Review
As Catherine Puglisi points out in the most beautiful Caravaggio book ever, the soulful, tormented, ethereally talented painter has become a pop icon, with a "full-blown industry of Caravaggio publications." Puglisi's book is a standout in this crowded field. With remarkable evenhandedness, she sifted through the scholarship and discoveries--and the trash--of the past 20 years and wrote a Caravaggio book that does justice to the painter's glorious work. She doesn't skimp on the juicy parts of his life, however: she candidly but coolly recounts and appraises the bits of historical evidence for his sexuality (both hetero and homo), his use of whores and ruffians as models, and his many scrapes with the law. All the while, she focuses the reader on the paintings, aptly describing such naturalistic, groundbreaking works as
The Calling of St. Matthew, of 1599.
Gazing at the large, double-page color plates in Puglisi's book, it is easy to feel the erotic pull of the many early canvasses of supple youths that have been so widely reproduced in recent years. But the later religious pictures, in which the models for the saints and Madonnas still seem almost palpable in their reality, have the most dramatic magnetism. Rest on the Flight into Egypt is particularly moving. It may never be possible to unravel the tangled web of Caravaggio's life, but Puglisi manages to restore a welcome balance to our view of his art. --Peggy Moorman
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Neither the pedantic obscurantism nor the lurid biographical preoccupations that have marred recent studies of Caravaggio are present in this excellent opus. Puglisi's (art history, Rutgers Univ.) comprehensive overview covers what is known about the master with an unusually sensible and sensitive appreciation of the paintings and their place within his stylistic development. Caravaggio is insightfully situated in his art historical ambience, the paintings linked to a nexus of artistic influences. Refreshingly, the incisive iconographic explications of the paintings are articulated as expressions of the patrons' requirements and not as manifestations of the artist's psychological duress. A checklist of the master's oeuvre, an examination of his technique, and a selection of translated documents further enhance this exemplary study. Unusually fine and complete reproductions of the paintings and a plethora of comparative works complement the text. The elegant integration of biographical narrative, formal and intellectual characterization, and lavish illustration come together in what is now the best introduction to this pivotal figure.ARobert Cahn, Fashion Inst. of Technology, New York
Copyright 1999 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
