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  • Carl Martin Quattro Multi Effects Pedal
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Carl Martin Quattro Multi Effects Pedal


List Price: $829.00
Price: $685.30 & FREE Shipping
You Save: $143.70 (17%)
Only 2 left in stock.
Ships from and sold by RECORDING STORE.
  • Power: 100 or 115 or 230 VAC 50-60Hz
  • Power consumption: 6 Watts
  • Compression range: from 1:1 to 1:00
  • Gain range compressor: +-20dB
  • Delay time: approx 600Msec
6 new from $685.30
$685.30 & FREE Shipping Only 2 left in stock. Ships from and sold by RECORDING STORE.


Product Description

The Carl Martin Quattro Guitar Multi Effects Pedal begins with Carl Martin's award winning compressor/limiter circuit with single controls for compression and level. The 2-channel overdrive has switches for on-off, and for selecting between the crunch and high-gain stages, and controls for tone and level. In classic fashion, the tremolo has speed and a depth control. Finally, the vintage style echo has controls for level, tone, repeat and tap-tempo, as well as an on-off switch. No hard to read screens, no menus to scroll through, just set-up and play. One of the simplest multi-effects on the market! There is also an effects loop built in between the overdrive and tremolo effects for that special drive or fuzz pedal that is part of your sound.

Product Details

  • Shipping Weight: 7 pounds (View shipping rates and policies)
  • ASIN: B000PKDTF8
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #43,959 in Musical Instruments (See Top 100 in Musical Instruments)
  • Product Warranty: For warranty information about this product, please click here
  • Date first available at Amazon.com: April 13, 2004

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Most Helpful Customer Reviews

6 of 7 people found the following review helpful By G. Conner TOP 500 REVIEWER on June 19, 2011
Having had such good experiences with other CM products, I thought I'd give this a try. Glad I did!

It has the same quality of Carl Martin pedals, but without any frills. Start with the compressor...

I have used the four-knob CM compressor for decades without a problem, and for mission-critical studio work, I prefer the extra control those two extra knobs provide. In live situations, that is usually not necessary. This compressor has the same transparency as CM's other models, but is easier to use. You have only to adjust amount of compression and the level.

Drives: These are simple versions of the Rock-drive circuit; at least that's how they sound to me. Again, they have simpler & fewer controls but most of the same great character that the famous Plexi-Drive and Rock drive units have. You get your choice of two, so I generally set one for just a bit of crunch and the other for high-gain soloing.

Chorus: This and the old analog TC chorus are the best sounding choruses ever. The advantage of using a dedicated chorus in a separate pedal is merely that if it breaks down, you don't lose your whole sound. Otherwise, this gives you 100% of the lush quality sound and 80% of the control. SInce I have never had any problems with any of my CM products, I see that as a very small advantage. Therefore, the multiple advantages of simplicity, easy set-up and fast adjustment outweigh OCD tweaking capability.

Delay: This does everything we typically need except ducking-delay, but you can achieve nearly the same effect as ducking by rolling back the tone knob. When you reduce the high-frequency content of the delay, it seems to disappear into the mix except for rests and quiet passages, just like a ducking delay.
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