"Gertrud, at once monumental and mysterious, finds its ideal critic in James Schamus. His brief, probing chapters illuminate the film from so many angles - Dreyer's life, the original play, the history of aesthetics, the institutions of cinema both then and now - that we return to this 'failed masterpiece' with new respect, even awe. Informed by deep research and shrewd looking and listening, this study offers something one seldom finds in modern film studies: tactful eloquence in the face of sheer, enigmatic beauty." - David Bordwell, University of Wisconsin-Madison
"James Schamus has great faith in the viewer's active role when facing a work of art. He pries open a single image of Carl Dreyer's Gertrud and, like a passionate explorer, leads us through a labyrinth of meanings. For him, this is a journey of discovery, and while guiding us he traces his own map to that most mythical treasure hidden in the depths of cinema: the mirror that reflects the self." - Alfonso Cuarón, director of Y Tu Mamá También
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