Product Details

• Actors: Carole Lombard, Fredric March, Charles Winninger, Walter Connolly, Sig Ruman
• Directors: Howard Higgin, William A. Wellman
• Writers: A.A. Kline, Ben Hecht, Budd Schulberg, David O. Selznick, George Oppenheimer
• Format: Black & White, NTSC
• Rated: Unrated
• Number of tapes: 2
• Studio: Madacy Records
• VHS Release Date: June 2, 1998
• Average Customer Review: 4.0 out of 5 stars  See all reviews (40 customer reviews)
• ASIN: 6303945058
• Amazon Best Sellers Rank: #477,516 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com essential video

As potent today as it was when released in 1937, this classic screwball satire stars Carole Lombard as Hazel Flagg, the small-town girl who mistakenly believes she's dying of radium poisoning. Sensing a great human interest story that will tug the public's heartstrings and help sell newspapers, exploitative journalist Wally Cook (Fredric March) brings Hazel to New York City and turns her into a media darling. Wally's callous strategy takes a sudden turn when he starts having feelings for the vulnerable Hazel. Filmed in early three-strip Technicolor and scripted by Ben Hecht and James H. Street, this sharp comedy still sizzles with its cynical take on media profiteering, and the matching of Lombard and March is unforgettably entertaining. The digital video disc features two Mack Sennett comedy shorts in two-strip Technicolor, the original theatrical trailer for Nothing Sacred, and rarely seen home movies from the archives of legendary Hollywood couple Clark Gable and Carole Lombard. --Jeff Shannon

Amazon.com

As potent today as it was when released in 1937, this classic screwball satire stars Carole Lombard as Hazel Flagg, the small-town girl who mistakenly believes she's dying of radium poisoning. Sensing a great human interest story that will tug the public's heartstrings and help sell newspapers, exploitative journalist Wally Cook (Fredric March) brings Hazel to New York City and turns her into a media darling. Wally's callous strategy takes a sudden turn when he starts having feelings for the vulnerable Hazel. Filmed in early three-strip Technicolor and scripted by Ben Hecht and James H. Street, this sharp comedy still sizzles with its cynical take on media profiteering, and the matching of Lombard and March is unforgettably entertaining. --Jeff Shannon

Customer Reviews

Most Helpful Customer Reviews

38 of 38 people found the following review helpful:

4.0 out of 5 stars Essential Carole Lombard..., November 20, 2001

By 

Jeffrey Ellis "bored recluse" (Richardson, Texas United States) - See all my reviews
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This review is from: Nothing Sacred [VHS] (VHS Tape)

Much like Marilyn Monroe, Carole Lombard continues to intrigue even decades after her own untimely death. An actress skilled at drama but showing a distinct preference for comedy, Lombard mixed her stunning beauty with a genuinely quick wit and a sharp, sarcastic intelligence. On screen, she was someone who, even at her most vulenerable, could still obviously take care of herself. Whereas the joy from watching Katharine Hepburn's screwball comedies came from seeing the haughty Hepburn brought down a notch or two, the joy of Lombard's films was watching her force the rest of the world to come up a few notches to meet her.

One of her most enduring (and endearing) turns came in the 1936 film Nothing Sacred. In a plot recycled in countless films since, Lombard is mistakenly told that she is dying. A small-town girl, Lombard's one wish is to see New York before she dies. Natrually, New York's high society welcomes her with open arms and Lombard, on account of her impending death, becomes the toast of the town. Of course, this is when Lombard finds out that she's not dying. This is where Nothing Sacred differs from nearly every other film ripped off from it since. Instead of humbly admitting the truth, once-innocent Lombard carries on the charade because she's grown to love the attention! Whereas in today's Hollywood, nervous studio execs would wonder if this made Lombard an unlikeable character for middle America, the classic screwball comedies of the '30s had the guts to simply go with their outrageous situations. Instead of simply going out of their way to conform to presumed audience expectations, filmmakers like Howard Hawks and William A. Wellman (who directed this film in a nicely breezy style) understood that if they simply went to the trouble to 1) find a good script and 2) cast talented performers like Lombard, audiences would be willing to follow their films wherever they led. To be honest, I suspect audiences haven't changed but unfortunately, filmmaking has. The screwball comedy is a genre that modern Hollywood tries to recreate every couple of years. Usually, they fail. Luckily, we have films like Nothing Sacred, My Man Godfrey, 20th Century, and others to remind us of how wonderful these films (and their stars) truly were.

20 of 20 people found the following review helpful:

5.0 out of 5 stars Nothing Funnier, March 19, 2001

By 

Mr Peter G George (Ellon, Aberdeenshire United Kingdom) - See all my reviews
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This review is from: Nothing Sacred (DVD)

Nothing Sacred is often referred to as a screwball comedy. Granted it has Carole Lombard the ultimate screwball heroine and other elements which suggest this form of comedy. However, it does not in the end so much resemble films like Bringing up Baby as it anticipates the later satires of Preston Sturges. Whichever way it is classified though, Nothing Sacred remains one of the best comedies of the thirties or indeed of any era.

This film, with its story of an apparently dying young woman, has an added poignancy for viewers watching it today. Lombard would be dead by 1942 and a real national heroine also with a navy warship named after her. The fiction at times seems to look ahead to the fact and thus the story becomes moving as well as funny.

The print of the film on this Lumivision DVD is on the whole good. There are some scenes especially at the beginning of the film where the early Technicolor print has been damaged. This means that there is some flickering and some separation of the colours. For the most part however, the film looks almost perfect with the vibrant colours so typical of thirties Technicolor. It is a joy to see Carole Lombard in colour and something of a surprise also, for her hair looks redder than expected. There are one of two slight jumps where the continuity of the film has been broken and this may account for the running time of the film, at 73 minutes, being slightly shorter than that listed in some sources.

The extras on this DVD are welcome but rather disappointing. The two Sennett short comedies are not very funny and really show that he had not moved on at all from his early pioneering days. These shorts are of interest mainly because they allow us to see a young and barely recognizable Lombard toiling away in her pre-stardom days. The DVD also includes a very damaged trailer for Nothing Sacred and some interesting if rather brief home movies with Lombard and Gable.

27 of 29 people found the following review helpful:

5.0 out of 5 stars Yumpin' Yiminee! Comedy and commentary in a perfect union!, May 4, 2001

By 

Kelly Dillman (Pittsburgh, PA) - See all my reviews

This review is from: Nothing Sacred [VHS] (VHS Tape)

NOTHING SACRED has all the right elements to make it a classic screwball comedy. It's short (a mere 74 minutes), has tight and fast scenes, some out-of-the-blue and very odd occurences (as mentioned by others, the boy biting March is a riot), stars who aren't afraid to get silly or messy to produce the best laugh, and a strong, scathing message.

Ben Hecht's script is excellent, providing many belly laughs during the movie, and chuckles long after the VCR or DVD player has been shut off. Carole Lombard is her hilarious wacky self. I love black and white movies, but I must admit the Technicolor really allowed me to appreciate her full beauty. And as for Fredric March, well, I've always had a sweet spot for his acting, and he certainly didn't disappoint in this production. He and Lombard balance each other out perfectly. And, as was characteristic of the great comedies of the 30s, the supporting characters excel in their roles to round out a practically perfect comedy.

As far as the film itself, there were three aspects that I particularly enjoyed. One being the sincere, in your face view of male/female relationships. The bedroom fighting scene between March and Lombard is hilarious, one of the highlights of the movie, but would never make it on screen in any of today's movies. In today's movie world where you can't offend ANYONE (except Christians or Republicans), and you usually can't show any kind of physical humor toward women (yet it's OK to beat the guy to a pulp), the un-PC nature of this 60+ year old production gives it unexpected freshness.

A second uncommon point is the change in the romantic comedy formula. You know, it almost always goes boy meets girl, boy and girl are together for awhile having a jim-dandy time, boy and girl break up after tiff or misunderstanding of some sort, boy or girl makes a witty, cutesy speech to get them back together. This movie changes at least the last part of that formula to focus the last question from "How will they get back together?" to "How will they get out of the problem together?". Nice little twist.

A final interesting aspect was the deliberate hiding of Lombard and March's faces during most of their more intimate scenes. This is fitting considering the movie was a rail against the mass media's need to sensationalize and exploit every intimate thing (and the masses' willingness to happily join in the explotation).

If you enjoyed BRINGING UP BABY or IT HAPPENED ONE NIGHT, you're bound to enjoy this film. If you enjoy this film, but haven't seen the other two I mentioned, check them out! Chances are you won't be disappointed!