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Caroline Goulding

John Corigliano , Jascha Heifetz , Fritz Kreisler , Paul Schoenfield , James Scott Skinner , Canadian Traditional , Henri Vieuxtemps , Christopher O'Riley , Janine Randall , Caroline Goulding Audio CD
5.0 out of 5 stars  See all reviews (9 customer reviews)

Price: $16.98 & FREE Shipping on orders over $35. Details
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MP3 Music, 22 Songs, 2009 $9.49  
Audio CD, 2009 $16.98  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. La Gitana 3:02$0.99  Buy MP3 
listen  2. Gypsy Caprice 5:16$0.99  Buy MP3 
listen  3. Berceuse Romantique 4:02$0.99  Buy MP3 
listen  4. Syncopation 1:46$0.99  Buy MP3 
listen  5. The Red Violin Caprices For Solo Violin: Theme 1:28$0.99  Buy MP3 
listen  6. The Red Violin Caprices For Solo Violin: Var. I - Presto0:43$0.99  Buy MP3 
listen  7. The Red Violin Caprices For Solo Violin: Var. II - Con Bravura 2:10$0.99  Buy MP3 
listen  8. The Red Violin Caprices For Solo Violin: Var. III - Adagio, Languid 1:26$0.99  Buy MP3 
listen  9. The Red Violin Caprices For Solo Violin: Var. IV - Slowly Con Rubato 2:31$0.99  Buy MP3 
listen10. The Red Violin Caprices For Solo Violin: Var. V - Pesto, Pesante 1:16$0.99  Buy MP3 
listen11. Four Souvenirs For Violin And Piano: Samba 2:58$0.99  Buy MP3 
listen12. Four Souvenirs For Violin And Piano: Tango 3:35$0.99  Buy MP3 
listen13. Four Souvenirs For Violin And Piano: Tin Pan Alley 1:30$0.99  Buy MP3 
listen14. Four Souvenirs For Violin And Piano: Square Dance 2:45$0.99  Buy MP3 
listen15. Souvenir D'Amerique Variations On "Yankee Doodle," Op.17 4:55$0.99  Buy MP3 
listen16. Selections From Porgy And Bess: Summertime And A Woman Is A Sometime Thing 3:35$0.99  Buy MP3 
listen17. Selections From Porgy And Bess: My Man's Now Gone 3:39$0.99  Buy MP3 
listen18. Selections From Porgy And Bess: Bess, You Is My Woman Now 4:27$0.99  Buy MP3 
listen19. Selections From Porgy And Bess: It Ain't Necessarily So 2:23$0.99  Buy MP3 
listen20. Selections From Porgy And Bess: Tempo Di Blues 2:45$0.99  Buy MP3 
listen21. Cape Breton Island Fiddling: Hector The Hero 4:06$0.99  Buy MP3 
listen22. Cape Breton Island Fiddling: Hey, Johnny Cope!/Tullochgorum/Jean's Reel 5:57$0.99  Buy MP3 

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Product Details

  • Performer: Christopher O'Riley, Janine Randall, Caroline Goulding
  • Composer: John Corigliano, Jascha Heifetz, Fritz Kreisler, Paul Schoenfield, James Scott Skinner, et al.
  • Audio CD (August 25, 2009)
  • Number of Discs: 1
  • Label: Telarc
  • ASIN: B002HWUU18
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #137,932 in Music (See Top 100 in Music)

Editorial Reviews

Customer Reviews

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Most Helpful Customer Reviews
12 of 12 people found the following review helpful
Format:Audio CD
This is an amended review, the old one being one year old. And so much can happen in one year! Especially if you are young and phenomenally gifted. As Casals once said, these are the years when most "enfants prodige" are lost for ever. Well, I am glad to tell you that Caroline is better than ever, and that her career is progressing beyond expectations. As I said earlier, she is not a "musical athlete" as many of her peers, but the risks of adolescence spare no one!
I heard her again in a practice room, and her virtuosity, in my opinion still unchallenged, is now enriched by heightened musical awareness and maturity!
Read below for the old comments.
I first heard Caroline play Vivaldi's seasons with Apollo's Fire in Cleveland. I could not see well being squished behind a column: when I enthusiastically approached the soloist to congratulate her, I was shocked to see a SMALL GIRL and not a 30+ violin master! Vivaldi is tricky and deceivingly simple, his Seasons can be nauseating after having heard so many performances and recordings: she played with an elegance and personality well beyond her diminutive figure (she was 14!). After our first encounter, my wife and I heard her many times, even in practice rooms. Now to this recording: I immediately treasured this first publicly published CD. It's a great collection and it leaves you begging for more! Caroline, we need you to refresh this sometime stifling field; we need your accurate intonation, your masterful stage presence and your enthusiasm.
If you like classical music, buy this CD and look online for a live performance. If you like circus sensations, seeks elsewhere, the world is full of violin Olympics. Mrs. Goulding is not an "enfant prodige", she is a very important personality that will broadly resonate in our musical future.
, again,
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5 of 5 people found the following review helpful
5.0 out of 5 stars Here's One to Watch February 2, 2010
Format:Audio CD|Verified Purchase
It sets my teeth right on edge to hear a musician being described as a "teenage prodigy." How many times has the classical music world billed a young instrumentalist as the Next Big Thing, only to watch him or her fade into obscurity after one album? It's a label as detrimental to the performer as it is annoying to the consumer.

And yet, on the evidence of this CD, I can only conclude that Caroline Goulding might in fact be classical music's Next Big Thing. I'm not sure "prodigy" is the right word for her: Although her technique is incredible - gutsy and attention-grabbing while also being refined and precise - this CD is truly compelling for the way she applies that technique in the service of a formidable musical intelligence. On a program featuring composers as varied as Kreisler, Vieuxtemps and Corigliano, Goulding manages to craft unique and immediately identifiable sound-worlds for each piece, truly making them sound like they were written by discrete composers and not just plucked as a unit from some advanced music book. It's a talent that some players work all their lives and fail to develop: Musically, she "gets it." The result is a debut recording that speaks to the heart as well as the head.

And what a journey it is - this CD comprises a wide-ranging display of composers and compositional styles, and they all get played to the hilt. This is the only recording of Paul Schoenfield's Four Souvenirs I've ever heard, and how lucky he is to get such committed advocacy for his music.
Read more ›
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9 of 11 people found the following review helpful
5.0 out of 5 stars Top Violinist of the past Fifty Years October 1, 2009
Format:Audio CD
Incredible. Miss Goulding plays with an individuality well beyond her years...her technique is beyond pyrotechnics---it's the vehicle for an incredibly expressive musicality. Her programming skips the all-too-common prodigy programming of the same-old/same-old virtuosic showpieces and/or major concertos. Here is a violinist who doesn't need her youthful looks and young age (16) to sell her CDs...she's a musical triumph and I hope this is the first of many more wonderful discs. This disc will be both exciting to listen to and inspiring to any violinist (and I mean---ANY---violinist). Thank you!
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2 of 2 people found the following review helpful
5.0 out of 5 stars Best of the new crop September 26, 2010
Format:Audio CD|Verified Purchase
I'm listening to this disc now - for the 5th time. Completely enthralling from the first note to the last. Nuanced and amazing expression, solid technique, strong and contagious rhythms, and a beauty of tone that makes it sound like she's singing. I dare to say that it surpasses the other five new CDs I bought at the same time (Ibramigova, Benedetti, Hahn, and two from Fischer.) I know... different music, different styles. But what a fresh new approach! And we get to listen to some American music for a change. Caroline, keep them coming. We can't get tired of listening to playing of such awesome quality.
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1 of 1 people found the following review helpful
Format:Audio CD|Verified Purchase
This recording perfectly captures Ms. Goulding's incredible range, technique and expressiveness. Her playing has a depth, energy and color that is reminiscent of Jascha Heifetz and even, at times, has a hint of Dick Kesner. Still, Ms. Goulding's style is unique and this recording is vital to anyone who is interested in being "in" at the beginning of an extraordinary artist's recording career. In short, it is a great "stepping out" recording in which her ability to perform within a number of musical contexts is captured with skill and authority by her audio production team, Thomas C. Moore and Robert Friedrich. Now that we know she can transition effortlessly from Vieuxtemps to Gershwin to traditional Cape Breton Island fiddling, it will be interesting to see if the next recording presents a focused exploration of a particular composer or style. (This is not a criticism; it is so easy to get completely drawn into each selection on the CD that it just seems to end way too soon.)
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