Carousel (1956 Film Soundtrack) [Soundtrack]

Shirley Jones (Artist), Claramae Turner (Artist), Robert Rounseville (Artist), Cameron Mitchell (Artist), Barbara Ruick (Artist), Robert Rounseville (Artist), Richard Rodgers (Artist), Oscar Hammerstein II (Artist), Gordon MacRae (Artist) | Format: Audio CD

Product Details

• Audio CD (March 13, 2001)
• Number of Discs: 1
• Format: Soundtrack
• Label: Angel Records
• ASIN: B00005A7XD
• Also Available in: Audio CD  |  Audio Cassette  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (38 customer reviews)
• Amazon Best Sellers Rank: #4,815 in Music (See Top 100 in Music)
  • #9 in Music > Broadway & Vocalists > Musicals > Classic Musicals

Editorial Reviews

Amazon.com

Richard Rodgers always considered Carousel his favorite score, even though it didn't generate the number of popular hits of some of the other shows he produced with lyricist Oscar Hammerstein II. Their adaptation of the Ferenc Molnar play Liliom is marked by three especially sublime moments. "The Carousel Waltz," Rodgers's alternative to the traditional Broadway overture, serves as an orchestral backdrop to the opening scene and is one of the best miniatures ever written for the theater. "If I Loved You," which establishes the romance of carnival barker Billy Bigelow (Gordon MacRae, a late replacement for Frank Sinatra) and nice girl Julie Jordan (Shirley Jones), is a musical minidrama in which the pair's discussion of how they are not in love reveals just how much they are in love. "Soliloquy" is Billy's powerful solo that foreshadows the action to come in Act II. Add the inspirational anthem "You'll Never Walk Alone," and you have Rodgers and Hammerstein's most extraordinary, near-operatic score. On the soundtrack for the 1956 film, MacRae and Jones are in exceptional voice (following their success in 1955's Oklahoma) and the orchestra sounds glorious, but unfortunately some of the numbers were shortened, most notably "If I Loved You." Extensive production notes, an interview with Jones, and a synopsis are included. --David Horiuchi

Customer Reviews

Most Helpful Customer Reviews

33 of 35 people found the following review helpful:

5.0 out of 5 stars Finest of all recordings of the classic R&H score, July 29, 1998

By 

A. Andersen (Bellows Falls, VT USA) - See all my reviews
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This review is from: CAROUSEL SOUNDTRACK (Audio CD)

The sumptuous orchestrations, superb vocal and dramatic interpretations (courtesy of Alfred Newman/Ken Darby) and the wonderful stereo sound make this the finest recording of the score to date. True it is incomplete but until the new 1994 cast recording this was true of all prior releases. The CAROUSEL WALTZ is heard in its entirety (7:11) though this performance is not heard in the film. Likewise YOU'RE A QUEER ONE, JULIE JORDAN and BLOW HIGH, BLOW LOW appear on the album but not in the film - excised from the final print due to running lengths. This is the first time the first half of the WALTZ is heard in stereo. The stereo LP cut it in half. Barbara Ruick is a wonderful Carrie and her MR. SNOW is the definitive version - there's a musical intro not heard in the film. IF I LOVED YOU has little of the bridging dialogue but is superbly sung by MacRae and Jones and sumptuously orchestrated. Part of the bridge "I can just see myself..." is not heard in the film. JUNE is a fabulous stereo sound spread with exceptional work from Claramae Turner as Nettie and the chorus and orchestra - this contains a musical intro and closing music not heard in the film. The SOLILOQUY is MacRae's finest hour dramatically and vocally and is the best recording of the song to date. The first half of WHEN THE CHILDREN ARE ASLEEP heard here does not appear in the film - it is an infectious performance vocally (Ruick and Robert Rounseville) and orchestrally. A REAL NICE CLAMBAKE is rousing - here another musical intro not in the film. STONECUTTERS CUT IT ON STONE (again with a musical intro not in the film) is great fun and very well done - part of the women's chorus is not in the film. Jones' WHAT'S THE USE OF WONDRIN is plaintive and introspective - a fine performance. Turner is again fabulously voiced in YOU'LL NEVER WALK ALONE. The poignant reprisal of IF I LOVED YOU is first recorded here. The Finale as heard here does not appear in the film, with the exception of the last repetition of the title concluding the work, tacked onto this recording of Jones and chorus performing YOU'LL NEVER WALK ALONE. Not present here are: GERANIUMS IN THE WINDER and THE HIGHEST JUDGE OF ALL. Recording time differs in liner notes and jewel case as either 50:53 or 47:08 - my calculations favor the latter. All in all, a superb, extremely sensitive combination of acting, singing and orchestration - the finest moment for this score. A must have!

15 of 15 people found the following review helpful:

4.0 out of 5 stars MacRae and Jones soar in this tragic R&H musical, February 10, 2007

By 

Yi-Peng (Singapore) - See all my reviews

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This review is from: Carousel (1956 Film Soundtrack) (Audio CD)

This film adaptation of Carousel came shortly after the Oklahoma! film and reunited Gordon MacRae and Shirley Jones. Although the film was not well-received at the box office, the soundtrack shows MacRae, Jones and the superb cast performing their roles to their heart's content. Their performance helps bring out the pathos in this tragic R&H musical, which Rodgers himself considered his favourite of all his works.

MacRae shines vocally as Billy Bigelow, bringing an open-hearted musicality and sincerity to his stout-hearted portrayal. MacRae stands out in Billy's pivotal Soliloquy, which some reviewers have considered one of the finest vocal performances of the 20th century. He is well-partnered by Shirley Jones, who lends her tender voice and personality to her portrayal as Julie. Listen to the chemistry they exude during the pivotal If I Loved You duet, as if they're overcoming their shyness and drawing sustenance from each other with their love. The supporting cast also gives its all in performing their roles. Claramae Turner's hearty Nettie brims with sincerity, warmth and tenderness, and she leads a rousing rendition of June is Bustin' Out All Over and renders You'll Never Walk Alone touchingly. Barbara Ruick and Robert Rounseville are superb as Carrie and Mr. Snow, although I admit I would have liked a little more humour. I also admit I would have liked Cameron Mitchell as Jigger to sound more sinister, like Fisher Stevens did in the 1994 Broadway revival recording. But even as it is, everyone sings gloriously and is given sumptuous backing from Alfred Newman's superb arrangements and the 20th-Century Fox Orchestra, when it shines out in the ballets.

If I'm adding to the praise of these critic-proof performance, you'll wonder, why am I giving only 4 stars? Well, it's because the extra sound effects from the unreleased sequences tend to jar after a while. I know some of you are complaining that the dance sequences are plagued by extraneous sound effects and noise. I share the same feelings too and also wish that the producers had utilised the original studio pre-recordings for a sumptuous listening experience. However, let us at least be grateful that Didier Deutsch and his production team have made these unreleased sequences available on a soundtrack CD reissue. At least it's a step in the right direction before the entire canon of R&H film soundtracks (yes, including South Pacific and The Sound of Music) gets its due as deluxe 2-CD sets, complete with underscore.

However, don't let this gripe dissuade you from buying this soundtrack. It offers a complete musical experience that one could only dream of in the previous CD reissues of the soundtrack. And it demonstrates the element that Rodgers & Hammerstein were discovering in their musicals.

16 of 18 people found the following review helpful:

4.0 out of 5 stars It's great, except for..., May 22, 2002

By A Customer

This review is from: Carousel (1956 Film Soundtrack) (Audio CD)

This remastered and expanded edition of Carousel has never sounded better. Here we have the entire contents of the original soundtrack LP plus a whole slew of other, unreleased tracks. The previously released tracks are taken directly from the soundtrack album masters. The unreleased tracks are lifted from the edited film soundtrack. Because of this we notice a slight difference in fidelity between the released and unreleased cuts. The unreleased tracks are nice, except that on a music only CD we do not need to be bombarded with extra sound effects such as hand clapping and foot stomping (a good example is the "June" dance sequence). Those are appropriate when viewing the picture, but not when listening to it in soundtrack form. Similar sound effects are also had with the remastered OKLAHOMA, MY FAIR LADY, and (to a small extent) THE KING AND I and THE MUSIC MAN. For future releases of this album (and Oklahoma, which suffered the same downfall) more effort should be made to locate the original recording masters, where they exist, and incorporate them into the album.

If you can get past that, CAROUSEL has never sounded better. Gordon MacRae and Shirley Jones are in top form, and fresh from their successful pairing in the Academy Award Winning OKLAHOMA (1955). Barbara Ruick and the rest of the support cast are excellent as well. While I dearly love the 1945 Original Broadway Cast album of CAROUSEL, the recording methods of 1945 will forever keep that album sounding like it was recorded in 1945 for 78 RPM records.

Those that still have their copies of the previous (1993) CD release of CAROUSEL will want to hang onto them, as that album is how a music only CD of Carousel should sound.