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37 of 40 people found the following review helpful:
4.0 out of 5 stars
CAN'T HELP MYSELF, November 28, 2000
By A Customer
C'mon. Admit it. Embarrasing though it may be, you probably have one. One of those films that by almost any standard of good taste is considered to be pure trash -- but you adore it just the same. Well, "The Carpetbaggers" is my source of shame and delight. Yes, it's cheap and tawdry, unintentionally laughable at times, and held together (barely) by a script with many a line in need of a rewrite. It sports hair styles and costumes that, although undeniably lavish, are often anachronistic to the 1920's and 1930's (those decades in which the story is set). Performances range from extreme and over-the-top to downright comatose. But this early 1960's contribution to the breakdown of the American cinema's once strict moral code never loses its ability to do what Hollywood does best -- to entertain. It's a film filled with a grand potpourri of characters ranging from an arrogant and ruthless Jason Cord (a wooden George Peppard) to a lushly lascivious Rina Marlowe (a questionably sexy Carroll Baker), from a charmingly unctuous (i.e., villanous) Dan Pierce (Bob Cummings) to a bubbling and bouncy Monica Winthrop Cord (a totally engaging Elizabeth Ashley). Classic character actors and actresses (e.g., Charles Lane, Tom Tully, Audrey Totter) abound. And Elmer Bernstein's jazz score boasts a main theme that is pulsatingly decadent. Yes, "The Carpetbaggers" is all flash and fire with very little substance. But I love it. Can't help myself.
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19 of 19 people found the following review helpful:
5.0 out of 5 stars
Not frequently mentioned: A complex movie!, September 3, 2000
By A Customer
This movie starts out with a bang in the first five minutes. Itkept me on the edge of my seat throughout the entire movie. It is a movie that I have remembered since I saw it the very first time years ago. George Peppard and Carol Baker are at thier top performance levels, and the movie keeps moving with intricate subplots going at all times. Many reviews mention the tycoon who is cruel and calculating, the insights into the movie business, complex personal relationships, but few mention the situations that created these characteristics in him, one being a incident that is never totally shown or explained, but partially shown then implied, not explained thoroughly. This particular subplot may then get missed and is psychologically of great impact if one looks for and finds it. For music fans, the soundtrack is fabulous, I have had it on Lp for almost 15 or more years, and it is one of very few soundtracks where I am willing to just listen to the music without always seeing the movie, it is wonderful all on it's own. Just on it's own, the music is well worth buying the movie. I sincerely appreciate Amazon for still carrying what many might consider an old, and outdated movie. I don't believe times have changed that much, much of it would still apply today. For anyone that likes phychological plots and mystery this is a movie for you, even if not, the other subplots make it a very worthwhile movie to have. I would recommend it to anyone, and especially George Peppard fans. END
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24 of 26 people found the following review helpful:
2.0 out of 5 stars
Hey, Paramount! You got it wrong once again!, December 19, 2003
By A Customer
This review is from: The Carpetbaggers (DVD)
What a shame! This wonderfully trashy movie deserved better treatment on DVD! When Paramount released "The Carpetbaggers" on LaserDisc years ago, they used the "censored" US version instead of the more "racy" European cut. I was one who wrote them about this, but apparently no one at the office took notice or cared, so here is the US cut once again. What is missing is Ms. Baker's nude back sitting in her budoir when her stepson comes in to tell her that she is now a widow. Ms. Baker's almost nude behind is also displayed within the short montage in Paris before she goes down with the chandelier; in the scene missing she poses on a divan for a group of painters. (This image was even depicted on an American lobby card! People must have wondered where it went!) Not much to cry about maybe, but fun in any case! If these scenes were not to be found in the Paramount vaults in Hollywood, they could have asked for them from any surviving European print - existing for sure in decent condition in state archives in both Sweden and Denmark.
Now, please let us have other Paramount trash classics on DVD from this era: "Harlow", "Sylvia" and "Where Love Has Gone", to mention just a few! And please make sure they're mastered from first class COMPLETE prints! Is this asking too much?
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