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Carr, O'Keeffe, Kahlo: Places of Their Own
 
 
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Carr, O'Keeffe, Kahlo: Places of Their Own [Paperback]

Ms. Sharyn Rohlfsen Udall (Author)


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Book Description

September 1, 2001
This groundbreaking book compares the art, lives, and achievements of three great artists of the Americas: Emily Carr of Canada, Georgia O'Keeffe of the United States, and Frida Kahlo of Mexico. Each became her country's preeminent woman painter in the twentieth century, and all explored similar issues in their painting. Sharyn Udall shows how each artist searched for an authentic, personal identity and analyses in detail the issues these women faced in relation to nationality, nature, gender, and the creation of a personal mythology. Although their work is visually disparate, certain interesting themes connect Carr, O'Keeffe and Kahlo, and Udall draws on rich archives and uses specific works of art to illustrate the differences and similarities among the three. By viewing their work collectively, she shows how we can illuminate in new ways the art of a continent. This book will serve as the catalogue for "Carr, O'Keeffe, Kahlo: Places of Their Own", an exhibition on view at the McMichael Canadian Art Collection from 30th June to 9th September 2001. The show then travels to the Museum of Fine Arts, Santa Fe; the National Museum of Women in the Arts, Washington, D.C.; and the Vancouver Art Gallery.


Editorial Reviews

From Library Journal

Comparatively sparse visually, Udall's work explores many different facets of Kahlo, Emily Carr, and Georgia O'Keeffe. In the opening essay, independent historian Udall assigns Kahlo the role of the woman artist exploring her heritage and identity through art. This essay sets the tone for the rest of the book. By grouping Kahlo, Carr, and O'Keeffe, Udall is able to show how traditional, native values influenced the work of each artist and how being a woman altered the subject and tone of each piece she created. It is interesting to note the way men are presented in these two books. For example, Diego Rivera, credited with being a supportive husband by the male essayists in Lozano's work, is seen as a selfish, cheating manipulator by Udall, who chooses to delve into the complexity of Rivera and Kahlo's relationship instead of presenting the glossed over, one-sided view found in Lozano's book. Overall, however, both books are strong. Frida Kahlo is a visually breathtaking and exciting read. Places of Their Own offers small, if lovely and useful, reproductions of some paintings, but the rich analysis of the lives of these three artists is what matters here. Jointly, these two works offer the most comprehensive visual and academic study of Kahlo available yet. Recommended for all serious art collections. Rachel Collins, "Library Journal"
Copyright 2001 Reed Business Information, Inc.

Review

"Lavishly illustrated and clearly written, this book sheds new light upon the lives of these celebrated artists." -- Antiques Journal

. . . [R]ich analysis of the [artists'] lives. . . The most comprehensive. . . academic study of Kahlo. . . yet. Recommended for all serious art collections. -- Library Journal

Product Details

  • Paperback: 376 pages
  • Publisher: Yale University Press (September 1, 2001)
  • Language: English
  • ISBN-10: 0300091869
  • ISBN-13: 978-0300091861
  • Product Dimensions: 11 x 7.1 x 0.9 inches
  • Shipping Weight: 2.4 pounds
  • Amazon Best Sellers Rank: #399,427 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
The paintings of Frida Kahlo, Emily Carr, and Georgia O'Keeffe all demonstrate a special connectedness to place. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
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Key Phrases - Capitalized Phrases (CAPs): (learn more)
Emily Carr, Georgia O'Keeffe, New York, New Mexico, Frida Kahlo, The Natural Self, United States, Lake George, British Columbia, Mexico City, Group of Seven, The Spiritual Core, Lawren Harris, The Public Self, Vancouver Art Gallery, Bear Lake, Casa Azul, European American, Diego Rivera, Museum of Modern Art, San Francisco, Native American, Indian Church, Trevor Mills, White Place
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