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Carry That Weight: The Story of the Beatles [Hardcover]

Ernst Schultze (Author), Ernst E. Schultze (Author)
3.8 out of 5 stars  See all reviews (8 customer reviews)


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Book Description

June 1998
This novel assumes the Beatle story a great deal more complex, unsettling and unknowable than the popular biographical myth. Like the classic story of Oedipus the Beatles had within them the elements that would eventually lead to their downfall: their intelligence and willingness to puncture traditional cultural reality -- the very characteristics that made them such carefree, brazen, and wildly appealing figures. Huge sums of money was involved in their story and the 1969 Zeitgeist was baying for blood all over the world, the pressure to come up with the "Next Big Album" time after time cannot have been much fun. Problems associated with enormous fame led Lennon to deep and angry disillusionment and the original McCartney to his death -- and his his look-alike replacement to the edge of sanity. A ferocious argument among the group comes to its drunken climax in the now famous Studio number 2 at Abbey Road. Angry and frustrated, Paul runs outside during a lightning storm, roars off in his car and is killed. Not so far fetched!

The taxes flowing in from their world revenues bailed the English economy out of tough times. Those in tune with that historic moment know England was adrift in a sterling crisis and revenues coming in from the work of the Beatles were pouring in from around the world, bringing the British government out of tough economic times. The British Empire could not let the Beatles die with Paul. The government and the record company set in motion a cover-up and a replacement for the dead McCartney, for England had the legal tools to do so at the time.

The look-alike replacement grew up in an orphanage and is more talented than the original Paul, thus the "Sergeant Pepper" Album is very different from previous Beatle music. The other members of the band grow weary of the Beatle road, wanting to quit and attempt a normal life. Paul is new to Beatledom and enjoys his newfound "family" in the Band. He wants the group to go on but because of his destructive ways developed in the orphanage he ends up destroying the very group he needed most. The turmoil builds to the sad ending on Paul's doorstep.


Editorial Reviews

Excerpt. © Reprinted by permission. All rights reserved.

From Chapter 9: "You know McCartney," John said wiping his mouth with the back of his hand. "if any of the rest of us could tune our instruments when I started the Quarrymen you wouldn't be here at all. And you just wanted Pete out cause he looked better than you. And let us face facts; Stu was not great but you wanted his place at base guitar. Makes you look pretty fart-faced do you not think?"

"One more slug of that bottle and we all look pretty fart-faced," George said.

"I have had it with your insults about me and my music." Paul said.

He turned as if to run out the door but the door was not there. He ran into the wall bouncing off it very hard. A hush fell over the studio as the others stood looking at him in shock at how drunk he actually was. No one said anything as he got up and turned around to face them again.

"I've had it with this life in hell; god or no god I'm gonna have me some fun. I'm gonna see what my new machine will do on the way home. It's a fast machine and a clean machine."

"Clean machine you say?" John said. "Lets us have a look."

Paul found the door and ran out of the studio, the door slamming behind him.

"He needs to call a cab," John said. "he is pretty out-of-it and he needs to calm down. He is in a bad place psychologically. I think the tours did some strange things to his head. I'll go after him."

John ran down the hall and out into the pitch black night. The breeze smelled like rain, lightning flashed in the distance. It lit up the short wall in front of the studios. When the lightning flashed he could make out the dark shape of the Synagogue to his left and up the road a bit. Paul's silhouette was visible running up the street in front of the Synagogue, seemingly frozen in a different position with each flash. John was struck by the awe of the sight and the moment. He thought back on his dream about Stu.

From Chapter 7: . . . . In the back of the limousine John was thinking about Cynthia and the problems with being on tour.

. . .what the hell, he had lots of holes in his being over lots of people he had loved. In his life he had loved them all. And yet he had really chased them out of his life for the big pay-off. The pay-off of ultimate pain. The pain in the hole in his life from the absence of a loved person. And of all the friends and lovers he had known Cynthia made the largest hole and the greatest pain. It was a hole bigger than Uncle Charlie, maybe Julia.

Sometimes he wondered, only sometimes, if all the holes' people had in them from missed loved ones could fill the Albert Hall. He knew that holes he had from the absence of people he had loved and chased out of his life could have filled the universe at that moment.

Much of the pain he knew would never leave. It just stayed inside his being somewhere like a brick and tugged at his mind till death did it part. . . .

From Chapter19: Brian ran to his limo and called the police for help. John leaned out the window of the bedroom. Patti was holding on to Cynthia's feet as she was leaning over the edge of the roof, dangling like an ornament from a Christmas tree. She was screaming for the crowd below to "be good to one another, ya got to love one another."

Patti was terrified but held on tight to Cynthia.

"Hold on to her for god sake," John squealed out the window.

"She is the mother of me child, do not let go of her."

He looked out over the wall surrounding the estate. The red lights of the police car were in sight, the ambulance not far behind. John thought of the mountain of drugs at the celebration knowing they were enough to put the entire crowd behind bars for life. He ran to the closet removing his best black silk cape and top hat and his brass cane.

He slipped off his fringed leather jacket and threw the cape on over his shoulders. He ran down the stairs and stood in front of the mirror to rehearse.

In front of the mirror he placed the black top hat on his head at a slight angle and practiced holding his cane a few seconds.

"Hello! No -- Good afternoon," he said with a sweeping bow and his top hat in hand.

No, that will not do. he thought.

John looked out the window to see the police walking up to the mansion.

"Hold on to her Patti, I will take care of the police," he reassured her. Patti let out a loud grunt of approval.

There was a loud rap at the door. John grabbed the door knob and swung the door open. Two police stood before him.

"GENTLEMEN!" he yelled as he bowed holding the cane high and to his side. They both jumped a bit with surprise.

"Did you know that a woman is hanging from your roof -- over the edge and she is yelling at the people in your grounds?" one policeman said. Cynthia responded as if by cue.

"You all must love each other. You must kiss and make up and what ever you do -- What ever you do -- take no wooden nickels and -- and do not do anything I would not do," Cynthia screamed at the crowd below.

John and the officers looked up at her.

"Yes, it is me wife. She is not well and she takes some pleasantry in yelling congenial things at people while she hangs from the roof. It is a valuable pass-time for her."

"Well he is John Lennon," one of the officers said as he turned to look at his fellow officer.


Product Details

  • Hardcover: 260 pages
  • Publisher: Xlibris Corp; 1 edition (June 1998)
  • Language: English
  • ISBN-10: 0738800163
  • ISBN-13: 978-0738800165
  • Product Dimensions: 9.7 x 5.9 x 0.9 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #7,950,700 in Books (See Top 100 in Books)

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8 Reviews
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Average Customer Review
3.8 out of 5 stars (8 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
4.0 out of 5 stars daedyllaersiluap, December 6, 1999
By 
Ernst provides a fascinating read that blends fact and fiction seamlessly enough to convince the casual Beatle fan that he or she is looking in on the Fab Four through a hole in the wall (maybe even the one where the rain gets in:) Being well above average in my Beatles knowledge (though by no means an expert), I am amazed at the factual details in the book, and the magical mystery tour into fiction that will leave readers scratching their heads to figure out which is which. This is especially true when it comes time for William Campbell to take over.

On the other hand, there are a few discrepancies, and several omissions which are sure to disappoint the more knowledgeable fans. Reading this book, the casual fan will think that the Fab Four recorded "Love Me Do" and achieved instant fame -- there is no mention of previous recording attempts (and the numerous rejections) leading up to this event. There is a wealth of Sgt. Pepper in the book, but little or nothing on Magical Mystery Tour, the "White album" or Abbey Road, which is surprising considering the wealth of clues available for material in this book. The number of typos and printing errors is also very distracting and annoying. Although these are surely no fault of the author, it did leave me asking myself "didn't anybody proofread this thing?!"

All in all, though, Ernst provides a fascinating viewpoint from a refreshingly new angle; sure is a lot more fun than reading the typical mundane third-person bio.

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5 of 6 people found the following review helpful:
5.0 out of 5 stars A refreshing new book on the Beatles, August 23, 1998
By A Customer
This review is from: Carry That Weight: The Story of the Beatles (Hardcover)
As a devout (second generation) Beatles fan I have read all of the Beatles books I have been able to get my hands on. Upon reading "Carry That Weight: The Story of the Beatles" I am struck with the realization that I have only enjoyed two kinds of Beatles books. On the one hand, there are the books giving a run-down on what the Beatles were doing at any given moment in their lives as Beatles. The author of this genre portrayed the Beatles as an historic set of facts. I was never able to believe any one could really know where this group was at any given moment, they were too powerful. On the other hand there are the biographies that seem very much based on all those written before it, the author claiming to have been with the Beatles (first hand) or with the group vicariously through old accounts of the Beatles in the media. In either case there is not much more than a report of "Beatle facts" which never really explained the quality of the music. "Carry That Weight does explain it -- for me. Neither the first hand nor the media-based books rang true. The author of "Carry That Weight" takes all of the credible facts from these biographies, I suppose, what with his interviews from London and EMI, his personal experience and actually writes a story, that is a first. And the story he writes seems stunningly real. Being a Beatles scholar myself, his dialog fits the facts as I know them. I have not read such a refreshing approach in all the attempts on the Fab four so far. The most intriguing part may be that this new treatment of the death of Paul also fits the facts and that is chilling. As a long-time Paul McCartney fan, the last thing I want is for Paul to be an imposter. I became angry at the very thought. After reading the book, not only do I find it rather sexy that Paul was killed and replaced, I believe it. The book takes all the facts of the "rumor" and makes it all quite plausible. Now I am quite willing to accept that Paul is Billy Shears, and it is something to be celebrated rather than scorned. That is just my opinion of course.
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7 of 9 people found the following review helpful:
5.0 out of 5 stars A controversial Beatle Story, April 21, 2000
By A Customer
This review is from: Carry That Weight: The Story of the Beatles (Hardcover)
I knew as soon as I was into the first few chapters of this book it would become controversial. The story line alone is enough to drive a true-blue McCartney fan insane given the idea of having been duped all these years by William Campbell, who is the 60s replacement (and lost twin) for the dead Beatle. The writing breaks all the rules, thus driving an eighth-grade English teacher mad, but for me it just added to the intriguing texture of the book. The writing style may be good portrayal of the the pace and the life of the band during Beatlemainia and what it must have felt like to them. The story is highly political and that is new in the approach to Beatle history. It makes clear that the Beatles were staunch anti-Vietnam war protestors, thus making a bunch of old patriots angry I would think And John is highly critical of the American political process, which explains why his FBI files are now of keen interest to fans. It even suggests John and Brian may have been killed by a government conspiracy (British or American), maybe to cover up for the interests participating in the replacement of Paul and all the money made because of it. One thing the book is not is inaccurate in its everyday life description of them, though it is promoted as fiction. It follows much of what is known about the facts of Beatle life, giving great insight as to what it must have been like. It follows the theory behind the rumor of the death and replacement of Paul without use of the clues given in the Beatles own music. It goes much beyond a cheap attempt at cashing in on the popularity of the Beatles as most, maybe all, previous books on them have been, and takes a pretty decent first-time stab at creativity with the whole phenomenon.
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