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Carte Blanche Hardcover – June 14, 2011


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Product Details

  • Hardcover: 432 pages
  • Publisher: Simon & Schuster; First Edition edition (June 14, 2011)
  • Language: English
  • ISBN-10: 1451620691
  • ISBN-13: 978-1451620696
  • Product Dimensions: 9.3 x 6.4 x 1.3 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (352 customer reviews)
  • Amazon Best Sellers Rank: #465,182 in Books (See Top 100 in Books)

Editorial Reviews

Amazon.com Review





Amazon Exclusive: Olen Steinhauer Reviews Carte Blanche

Olen Steinhauer's latest novel, The Nearest Exit features former CIA agent Milo Weaver, whose story began in the New York Times bestselling thriller, The Tourist. His previous work includes a pentalogy of thrillers set during the Cold War, beginning with The Bridge of Sighs and concluding with Victory Square.

How do you bring a character created in 1953 into the modern world without disappointing that character’s millions of followers in the process? This was the challenge faced by Jeffery Deaver when Ian Fleming Publications handed him the responsibility of writing the next official James Bond novel, Carte Blanche. I don’t know how I would have done it, but I do know one thing—Deaver, a specialist in the art of crafting nail-biting suspense, has done it better than I ever could have.

It’s a tightrope walk, balancing the tradition with the requirements of contemporary life, and Deaver handles it with panache. Beautiful women with unlikely but mesmerizing names? Check. (See Ophelia Maidenstone and Felicity Willing.) A top-drawer set of wheels with occasional soliloquies to its grace and power? Check. (The Bentley Continental GT coupé, in this case.) M, Moneypenny, Mary Goodnight, Bill Tanner, Felix Leiter? Check on all counts. A drink on hand that requires extra care from a bartender, but has yet to be named? Check. License to kill? Check, but under a different name: carte blanche.

How about the subtly and unsubtly perverse villains? Naturally, and they come in two sharply defined forms: Niall Dunne, "The Irishman," a brilliant tactician who brings to mind From Russia With Love’s Kronsteen, and his boss, Severan Hydt, the head of a global refuse-collection empire, whose love of decay in all its forms borders on necrophilia. Time spent with Hydt will make you long for a shower.

But what the Fleming aficionado will inevitably notice here are the differences, which turn this latest escapade into what feels, and should feel, like one of those things that are very popular these days: a reboot.

James Bond, a veteran of Afghanistan, is an ex-smoker. Despite run-ins with an MI5 twit named Percy Osborne-Smith, this Bond is more of a team player than I remember him ever being. But where one really notices the encroachment of the contemporary world is in his relations with women. James Bond has become . . . sensitive?

Actually, yes, but never to the point of priggishness. The hard Bond remains, but it’s a different world than it was in 1953, and the women in Carte Blanche—the Bond girls, if you will—are of equal measure to the men. Ophelia Maidenstone, a coworker at ODG (Overseas Development Group, tenuously connected to MI6), besides being ravishingly beautiful, is indispensible—without her, Bond would be dead in the water. And when romance begins to bloom between them we find that, even after he’s left town, she remains, haunting his thoughts so much that after a night with another woman Bond feels, of all unlikely things, guilt.

If this seems very un-Bond, it is, but it’s a testament to Deaver’s strength as a storyteller that the reader so easily accepts that this is Fleming’s world 2.0, and it’s just as dangerous and exciting as it was when Le Chiffre glared from across a card table.

Don’t run from this new world, aficionado, for you’ll be rewarded. Not only with a gripping installment, but with a fascinating subplot concerning Bond’s parents, one that not only piques the reader’s interest but, by the end of the novel, begs for a continuation in the next Bond adventure. This new Bond may be a modern man, but his roots are deep in the past, and if Carte Blanche is any indication, the past will soon catch up with him. I, for one, will gladly be on hand to witness that confrontation.




Review

"A magnificently manic, impeccably researched and at times gory plot, with Deaver’s trademark misdirection and twists flying."—The Washington Post

"His creator may be long gone, but James Bond (with his gadgets, women, and suave lines) lives on in the skillful hands of a suspense superstar."—Malcolm Jones, Newsweek Magazine, "10 Must-Read Summer Books"

"Ian Fleming’s estate tapped American novelist Deaver to pen a new James Bond thriller, and the pairing is as smooth as vodka and vermouth. Yes, the villains are creepy and the women brainy and beautiful, but in a clever reboot, this 007 (who served in Afghanistan) comes armed with a tricked-out cell phone and an appealing sense of empathy."Parade

"Ian Fleming's estate made a superb choice when it turned to thriller writer Jeffery Deaver for this summer's James Bond reboot Carte Blanche. . . . Familiar touches about, from M and Moneypenny to exotic locales. Then, too, Deaver adds a knowing wink . . . A spry spy bash not to be missed.”Christian Science Monitor

Carte Blanche is a fantastic book. . . . Deaver knows psychology and it shines here. Moreover, he knows human relationships . . . as [Ian Fleming’s stepdaughter] best summarized it, Jeffery Deaver truly got it.”Ann Arbor News

“A page-turning, action packed rip-roaring novel with plenty of twists and surprises.”Durham Herald-Sun

“Deaver, if anything, has written a 007 thriller that is superior to the best of Fleming.”San Jose Mercury News

“Jeffery Deaver accepted one of the greatest literary challenges of the new millennium when he agreed to write a new James Bond novel. . . . With Carte Blanche, [he] somehow manages to spin a top-notch 21st-century spy thriller while both respecting Bond and reinventing him.”Washington Independent Review of Books

“This terrific new pastiche will amply reward Bond fans and possibly bring new readers into the fold. Deaver (Edge), an avowed fan of the Fleming canon, has set the novel in the post-9/11 present, and Bond, that icon of the 1960s, handles the transition perfectly. . . . The plot is predictable in a purely Bond-ian way (credibly incredible), but also intricate and inventive, surprising and satisfying—a testament to Deaver’s skill as a storyteller. . . . Fleming purists may balk at the hint of a New Age sensitivity in Deaver's Bond, but they will recognize one of the world's most enduring fictional characters: competent, courageous, charming, and cool.”Publishers Weekly

“Deaver, as fans of his Lincoln Rhyme and Kathryn Dance thrillers would expect, has clearly done his homework. . . . the most impressive feature of Carte Blanche is the ingenuity of the breathless, blood-thirsty plot. A master of misdirection, Deaver manufactures more surprises than anyone flogging an old warhorse can be expected to produce. . . . Kingsley Amis, John Gardner and Sebastian Faulks are among those who have tried to bring Bond back to life. Deaver, though, is in a class of his own: nobody's done it better.”The Evening Standard (London)

“There have been other Fleming impersonators, including Kingsley Amis and Sebastian Faulks, but the author of The Bone Collector is the biggest international name to take the job. He is also one of the world’s smoothest, most devious, thriller writers – a far better craftsman than Fleming, in fact. So could he assume Fleming’s identity rather than write another Jeffery Deaver novel only with a hero called Bond? And could he, for that matter, resist thriller publishing’s current obsession with relentless action inspired by the success of the Bourne movie franchise – and indeed Quantum Of Solace? The answers are emphatically “Yes.” Deaver preserves his book’s timeless feel by largely ignoring modern geopolitics and pitting Bond against a traditionally barking villain . . . [and] adds a series of twists that reveal a Bond with more Sherlockian intelligence than Fleming’s.”The Telegraph (London)

“Fleming was a master of succinct plotting and deft characterization, his books deceptively slim but containing so much. Deaver too is a genius and this publishing marriage was truly made in heaven. Bond fans will enjoy Deaver’s slightly mischievous take on Ian Fleming. Deaver fans will enjoy the taut plotting and the action scenes and, by the way, it is going to make a great movie.”The Sunday Express (London)

"Crucially, the novel proves itself worthy of the 007 logo on its spine by presenting us with one of the most bone-chillingly creepy bad guys in history. . . . Deaver's immaculate sense of pace comes into its own. While giving Bond fans enough of the trinkets they deserve in an official novel, he also keeps the narrative pacey throughout and still allows our hero a few crucial moments of modern self-reflection. . . . It's hard to imagine anyone not being impressed by this novel. "—The Independent (UK)

"After 28 suspense novels, there is no doubt that Deaver knows his way around a thriller plot, and Bond fans should be satisfied with the rollicking pace of 007's new adventure. . . . Deaver is a master of the twist in the tale and he deploys it here with cinematic verve, keeping the reader biting their nails until the last minute. . . . But the author's affection for Bond and for all the tropes that surround him is abundantly clear, so that Carte Blanche reads like a lovingly crafted homage rather than deliberate pastiche. Deaver's Bond is quite recognisably Bond, but a new, streamlined incarnation for a new generation of global fears."—The Guardian (UK)

"It's a tightrope walk, balancing the tradition with the requirements of contemporary life, and Deaver handles it with panache. . . . But what the Fleming aficionado will inevitably notice here are the differences, which turn this latest escapade into what feels, and should feel, like one of those things that are very popular these days: a reboot."Olen Steinhauer, author of The Tourist, The Nearest Exit, The Bridge of Sighs, and Victory Square

"Deaver's enthusiasm for Bond comes through on every page and he puts the gift for plotting that has garnered him such massive popularity to superb use here. So Carte Blanche is excellent fun, a great read and Jeffery Deaver has breathed new life into an old favourite."—Angela Mcgee, Sunday Express (UK)

"Top US thriller writer Jeffery Deaver and iconic spy James Bond prove to be an irresistible combination."—The Express (UK)

"Carte Blanche has enough action to satisfy the most avid of film fans."—Woman's Day (UK)

"Carte Blanche has enough twists and surprises to confine any Bond buff to his chair."—Sydney Morning Herald (Australia)

"A thrill-a-minute, roller-coaster experience . . . [Carte Blanche] will probably spawn many new fans of 007."—Daily Dispatch (South Africa)

"The story's a corker: Bond must find out who's planning to murder thousands of British citizens, and why, before time runs out. Deaver never tries to imitate the style used by Bond creator Ian Fleming but despite the book's modern setting and paraphernalia (Bond still carries a Walther pistol, but he also carries a cellphone), it feels just right."—The Chronicle Herald (Canada)

“A slick, suspenseful story that moves at a rapid pace and won’t disappoint Bond fans.”Waterloo Region Record (Canada)

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More About the Author

Jeffery Deaver was born outside of Chicago in 1950. His father was an advertising copywriter and his mother was a homemaker. He has one younger sister who writes novels for teenagers ' Julie Reece Deaver.

Deaver wrote his first book ' which consisted of two entire chapters ' when he was eleven, and he's been writing ever since. An award-winning poet and journalist, he has also written and performed his own songs around the country. After receiving a Bachelor of Journalism degree from the University of Missouri, Deaver worked as a magazine writer, then, to gain the background needed to become a legal correspondent for The New York Times or Wall Street Journal, he enrolled at Fordham Law School. After graduation he decided to practice law for a time and worked for several years as an attorney for a large Wall Street firm. It was during his long commute to and from the office that he began writing the type of fiction he enjoyed reading: suspense novels. In 1990 he started to write full time.

The author of twenty-two novels, Deaver has been nominated for six Edgar Awards from the Mystery Writers of America, an Anthony award, a Gumshoe Award, and is a three-time recipient of the Ellery Queen Reader's Award for Best Short Story of the Year. In 2001, he won the W.H. Smith Thumping Good Read Award for his Lincoln Rhyme novel The Empty Chair. In 2004, he was awarded the Crime Writers Association of Great Britain's Ian Fleming Steel Dagger Award for Garden Of Beasts and the Short Story Dagger for "The Weekender." Translated into 35 languages, his novels have appeared on a number of bestseller lists around the world, including the New York Times, the London Times and the Los Angeles Times. The Bone Collector was a feature release from Universal Pictures, starring Denzel Washington as Lincoln Rhyme. A Maiden's Grave was made into an HBO film retitled Dead Silence, starring James Garner and Marlee Matlin.

Jeff has also released two collections of his short stories, called Twisted and More Twisted.

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Customer Reviews

Congratulations to Mr. Deaver on a job well done.
Spencer Aronfeld
It was not a book that grabbed you and made you feel like you could not put it down until you finished.
M. Spitzer
Too much history - boring - and trivia - boring - and no character development.
Rex Katz

Most Helpful Customer Reviews

175 of 201 people found the following review helpful By M. Spitzer on June 23, 2011
Format: Hardcover Verified Purchase
Jeffery Deaver is a great writer.

CARTE BLANCHE is a fairly good adventure story (if you are careful to keep track of the long list of organizations and surplus of numerous characters}

The problem ?

It's not really James Bond.

Of course the cover says it is James Bond, and we are told this is a James Bond story.

But if I were to "search and replace" all references to the use of the name James Bond in this novel and substitute another name -------- you would never recognize this was supposed to be a James Bond story.

Yes, there is the attempt to capture the "Fleming Flair" by identifying by specific brand wines, clothes, watches, etc...
But unlike Fleming who was able to make it flow naturally and interestingly; here it feels forced and stiff.

Ian Fleming was once quoted as saying he realized he was not writing great literature but he was writing stories that interested people. He said the secret to a good story is "it keeps the reader turning the page".
Nothing should distract, annoy or hinder the reader from simply flying thru the book effortlessly and enjoyably.
So while Fleming's stories sometimes really stretched the realism and Bond got into some sticky situations that a skilled spy would have easily avoided; the stories were still tons of fun.

I confess, it took some work to get thru CARTE BLANCHE.
It was not a book that grabbed you and made you feel like you could not put it down until you finished.
I said at the beginning, it was a fairly good adventure story, and it was ....... but in a kind of stiff & clinical way.

It may be that Deaver is a good writer (and he is as evidenced by other books of his) ...
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32 of 36 people found the following review helpful By David W. Nicholas on June 22, 2011
Format: Hardcover
I read all of the Ian Fleming James Bond novels while I was in high school, 35 years ago. At the time they were a bit dated: now of course they're almost antiques. Ian Fleming's estate keeps the character alive, hiring various authors to write new versions of the character, with new plots. Apparently, Jeffrey Deaver is the 5th author to take up the charge, and he's decided on a total reboot of the series. What you get, then, is pretty similar to the new Sherlock series that was on the BBC this year; just as that was Sherlock Holmes reimagined in modern London, this is James Bond, the womanizing spy from the '50s and '60s, reimagined as a 21st century, iPhone-carrying, sort-of-spy. He doesn't work for MI6 anymore, instead being employed by a supersecret agency that works to disrupt terrorist organizations and bad actors "by any means neccessary."

Things start out with Bond surveilling bad guys at a restaurant in Serbia, trying to figure out how they're related to a series of messages that Britain's codebreakers have partially deciphered. The bad guys try to derail a train carrying toxic gas, but Bond thwarts them, and the principal bad guy vanishes. Bond pursues him back to London, and of course things begin to get complicated. There is a full cast of characters (or at least their names) from previous Bond books, M, Moneypenny, Felix Leiter, etc., and the action moves along at a very good clip. I read this book cover to cover in about 6-7 hours. There is a twist at the end, though it wasn't that surprising (at least compared with the endings I remember from some of Deaver's other books). Still, the story was satisfying and the "solution" to what the terrorists were after was interesting and believable.

I have enjoyed the few Jeffrey Deaver novels I've read.
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58 of 70 people found the following review helpful By kookoo4books on June 20, 2011
Format: Kindle Edition Verified Purchase
Yes, classicists, it's different. It's contemporary, and it's not written by Ian Fleming. But that wasn't one of the options, now, was it?

Context of my review: I'm a perhaps-unlikely (given my college studies in feminist theory) but committed Bond fan, and a less-consistent fan of Jeffrey Deaver. All said:

I loved Carte Blanche. Deaver did a helluva job making this well-loved character fresh, and giving his readers new insights into a man they thought they could know no better, while respecting and carrying forward much of Bond's oh-so-rich legacy. The story is appropriately complex and unlikely yet engrossing, filled with enough twists and curves to keep me on my toes, but not so many that I got lost or bored. And I especially enjoyed the Deaverian creepiness of the primary villain, and his weirdly twisted romantic relationship. Is the whole thing mildly ridiculous? Of course it is! But that's the magic of Bond, right? You're not supposed to feel like it's real - Bond's is a world we mortals can't hope to inhabit - but man, can we have a good time visiting.

The settings were lush and vibrant - key to a good Bond tale - and much to my delight, the women were strong, intelligent, complex and of course, invariably (though uniquely) gorgeous.

My one regret is that I've finished it already. Give us another one soon, JD?
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8 of 8 people found the following review helpful By H.C. Trapper on January 8, 2012
Format: Kindle Edition Verified Purchase
I thought that this was a very good novel. Kept me up late reading, had enough action to keep my heart rate up, I cared about the characters, and the ending had some good twists. Now, as the matter of this being a Bond novel, it's only so-so. However, realize that this is not Fleming's Bond, but James Bond in the modern world. If you want to Sean Connery Bond, go read the original books. If you want a believable, grittier, more modern 007, buy this book.
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