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The Carter Family Collection
 
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The Carter Family Collection [Paperback]

The Carter Family (Author), Fred Sokolow (Author)
4.0 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

August 1, 1999
This deluxe book features 32 songs from "The Royal Family of Country Music," plus an introduction & family history, rare photos, a chronological discography, and analysis of their technique and music. Songs include: Bury Me Under the Weeping Willow * Can the Circle Be Unbroken * Cannonball (Cannonball Blues) * Coal Miner's Blues * Engine One-Forty-Three * Foggy Mountain Top * Hello Stranger * John Hardy Was a Desperate Little Man * Little Joe (Darling Little Joe) * Lonesome Valley * Wabash Cannonball * Wildwood Flower * and more. Includes a brief bio of Carter Family discoverer Ralph Peer.

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Customers buy this book with Bluegrass Guitar Classics: 22 Carter-Style Solos $7.95

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Product Details

  • Paperback: 128 pages
  • Publisher: Hal Leonard Corporation; Otab edition (August 1, 1999)
  • Language: English
  • ISBN-10: 0793588804
  • ISBN-13: 978-0793588800
  • Product Dimensions: 11.8 x 8.9 x 0.4 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #874,926 in Books (See Top 100 in Books)

More About the Author

Fred Sokolow is best known as the author of a library of instructional books and DVDs for guitar, banjo, Dobro, mandolin, lap steel and ukulele. There are currently over a hundred of his books or DVDs in print, sold all over the world. Fred has long been a well-known West Coast multi-string performer and recording artist, particularly on the acoustic music scene. The diverse musical genres covered in his books and DVDs, along with several bluegrass, jazz and rock CDs he has released, demonstrate his mastery of many musical styles. Whether he's playing Delta bottleneck blues, bluegrass or old-time banjo, 30s swing guitar or screaming rock solos, he does it with authenticity and passion.

Born in Los Angeles September 14, 1945, by the early 1960s Fred was well known in the California bluegrass scene, playing with Jody Stecher, Brantley Kearns, Sandy Rothman and Eric Thompson. Relocating to Berkeley, he toured and recorded with a hippie rock band throughout most of the 60s, the Bay Area-based Notes From the Underground (Vanguard Records). In the early 70s Fred performed with R&B, rock, country and bluegrass bands. By 1975 Fred had played with bluegrass luminaries like John Herald, Frank Wakefield and Jerry Garcia, had opened for the Dead, the Doors, B.B. King, Country Joe and the Fish and countless other acts, and he was playing in jazz combos with some of the Bay Areas best studio players.

In 1975 Fred returned to Los Angeles. He recorded two ground-breaking banjo albums for Kicking Mule Records and began touring with Bobbie Gentry and Jim Stafford, playing rock guitar, bluegrass banjo and lap steel. He also toured with the folk group the Limeliters, juggling seven different instruments. By the end of the 70s he had begun writing instructional books (methods, transcription books and arrangement books) for all the music print publishers: Mel Bay, Hal Leonard, Warner Brothers, Carl Fischer and more. He recorded a banjo video for Hot Licks, and several guitar videos for Stefan Grossman's Guitar Workshop. His transcription books became known for their accuracy, and his method books were lauded for their clarity and effectiveness in music magazines all over the world. He began teaching guitar and banjo seminars in music camps and stores, and he taught classes at the reknowned McCabes Music in Santa Monica.

Fred currently lives in Santa Monica and primarily performs retro jazz guitar with some of LA's finest musicians, playing and singing songs of the 30s and 40s. He often plays and records with British ex-rock star Ian Whitcomb. And he plays bluegrass, blues or rockabilly whenever the opportunity arises. He's active on the studio scene, playing on other people's albums and on numerous TV and movie soundtracks, and he was a musical advisor on Michael Mann's latest film, Public Enemies. Fred also records and performs with children's artists like Dan Crow, Greg & Steve, KPFK's Uncle Ruthie and Paul Stookey. He relishes the diversity of his portfolio: he played lap steel on the Tonight Show, mandolin on Rick James' last CD, played Dobro with Chubby Checker and won on the Gong Show (playing bluegrass banjo), jammed at the House of Blues with Junior Brown...and he performs with the legendary folksinger Tom Paxton whenever Tom comes to California.

Fred holds the title of official banjo player for the TV show Survivor. His music has graced many television shows and commercials, as well as recent movies like Peter Bogdanovitch's "The Cat's Meow." His recent "Fred Sokolow Jazz Quartet" and "Fred Sokolow Sings & Plays Fats Waller" CDs showcase his unique style of playing and singing jazz standards. A performance video of his jazz quartet was released recently, featuring guest stars Lawrence Juber, Ian Whitcomb and Junior Brown. Fred's recent bluegrass/old-timey CD "One More River to Cross," spans generations, as it features his long-time friend & musical partner Brantley Kearns, with whom he has played since they were teenagers, and it also introduces Zachary Sokolow, Fred's son, with whom he has been gigging for the last few years.

Fred's "Fretboard Roadmaps" series is an international best-seller. He conducts seminars up and down the West Coast and recently taught a week-long blues class for the National Guitar Workshop and a Dobro class for Steve Kaufman's Akoustic Kamp in Knoxville, Tennessee. Fred continues to perform and create instructional material, and is regarded as an authority on many musical genres, particularly what is now called "Americana."

 

Customer Reviews

6 Reviews
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Average Customer Review
4.0 out of 5 stars (6 customer reviews)
 
 
 
 
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7 of 7 people found the following review helpful:
5.0 out of 5 stars A must for playing Carter Family songs, May 29, 2003
By 
M. Pool (Chicago, IL USA) - See all my reviews
(REAL NAME)   
This review is from: The Carter Family Collection (Paperback)
Fred Sokolow's description of Maybelle Carter's "scratch" style and slide guitar techniques are simply written and easy to follow. The combination of having the lyrics, standard notation and guitar tablature is fantanstic! A beginner can easily get into most of these songs, if you can get beyond re-tuning. But it would probably take a more advanced player to appreciate the nuances of her playing. I also play banjo and have used the standard notation to compose banjo solos. No matter what your level of guitar, if you love the Carter Family songs, you'll love this book!
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Superbly accurate transcriptions, September 4, 2008
By 
Timothy Byrne "tbyrnestl" (Seattle, WA United States) - See all my reviews
(REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: The Carter Family Collection (Paperback)
This guy has an amazing ear. When you listen to the recordings over and over again with the transcriptions in front of you, you can eventually get to where you can net out the autoharp ground and hear the individual notes on Maybelle's guitar. With the exception of simplifying the rhythm of the solos these are all spot on. That's pretty amazing. Tabs and notes are shown for all of the solos.
Even if you don't really want to learn the Carter catalog, the book is still useful for picking up licks here and there. Once you start Carter-picking (with a thump and a single finger pick) you'll use it every now and again. It's a very intuitive style of play once you get it down, and there's no better way to get it down than to learn three or four classic solos.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars Great book!, September 11, 2006
This review is from: The Carter Family Collection (Paperback)
To add to the rest:

This is from the "recorded version" series so they're true transcriptions of the original recordings (nice to see the Peer International copyright on the bottom from way back when). I hate approximations and other peoples' renditions, and as a beginner they confuse me, so this is just what I was looking for.

The exercises for Maybelle's styles are simple but really helpful and make a lot of sense. You'll figure out soon enough that "old" does not necessarily equal "simple" and most of the modern versions of these songs use a lot of ironing out tricks to clean up what is essentially pretty difficult to play time-wise in the original.

A fine book. Just hoping they come out with added songbooks in the future.
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