Customer Reviews

Casanova

5 star:		(32)
4 star:		(47)
3 star:		(9)
2 star:		(12)
1 star:		(2)

 

 

If you're old enough to have seen the "Carry On" movies the first time around, or have watched them on DVD on "oldies night", (don't worry, we're not going to ask your age) you'll see the resemblance to this funny take on the world's greatest lover. Slapstick, double entendres and misunderstandings abound, as Heath Ledger tries to fill the trousers of the legendary lothario without getting a broken back in the process.

It takes place in 1753 in Venice, a time when no woman is safe from the charms of Casanova, not even those confined to the convent. Luckily for him he has friends in the right places and escapes being strung up for debauchery (a big word which in the movie means that he shakes a lot of bedsprings without the benefit of a marriage license)

After going one conquest too far, his friend the Doge insists that Casanova get married ASAP, or face exile from Venice. Exile is not a possibility, as we learn early in the movie that he has a very good reason for sticking around, so marriage it is, and the lady to whom he pledges his troth is not only a virgin, but extremely willing to be wed. In a classic case of bad timing, he then meets the one woman worthy of his affection, and she turns out to be a cross-dressing (but only when necessary to prove a point) feminist writer who hates every bone in his body. She unfortunately is betrothed to a corpulent but very wealthy lard merchant (Oliver Platt) whom she has never set eyes on before, the union having being arranged by her late father as an insurance policy for the family fortune.

If you're still with me after all that, things get even more complicated when Jeremy Irons shows up as Inquisitor Pucci, out for the bewigged head of Casanova as a gift for the hangman's noose.

The important thing is not to attempt to take this movie seriously as a period piece, or as a factual account of the life of Casanova. It is a historically set spoof of the life and especially the times of Casanova and should be taken with a pinch of salt - or was that lard?


Amanda Richards, July 10, 2006

What a fun romantic flick about the infamous womanizer, Giacomo Casanova. Gorgeous settings, exquisite costumes, and lively music bring this wonderfully delightful story to life--not to mention the stellar cast! Heath Ledger stars, of course, with Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, and I have to include Omid Djalili (a great comedian actor!). I'm not a big Heath Ledger fan, but I really like him in this movie--he definitely portrays the womanizer role very well. I guess "Casanova" is considered to be a 'chick flick,' but guys can get a real kick out of this movie, too. (Believe me. In the movie theater that I went to, the guys were bursting with laughter just as much as the girls were). As stated in the movie poster, this is: "A partially true story about lies told, virtue lost, and love found." I definitely recommend it to anyone looking for some great, light-hearted entertainment. Expect plenty of laughs!! Enjoy!

This is the first of Hallstrom's films that I've seen, and I gather it's by no means typical of his recent work. However, I found it immensely entertaining. It bears little reference to the Chevalier de Seingalt's life, but once you've got over that (ideally before you see it) it is highly enjoyable. The imaginative and brilliant photography of a Venice peopled with the colourful characters and costumes of the ridotto in the city's heyday makes the film worth seeing for that alone. Venice should always look this good; its inhabitants should always wear the costume of this period.

Then the acting is good and plausible. I spent some time trying to work out who it was that Heath Ledger reminded me of, and eventually realised that it was Russell Crowe, not so much in looks as something about his manner. Jeremy Irons is hilarious and others well up to par. The film was well-paced, building to a comic finale.

I think the great point is to grasp that the whole thing was clearly conceived as a sort of Commedia dell'Arte, knockabout farce with very little sex but plenty of misunderstandings, mistaken identities and laugh-out-loud moments. And, of course, love. I thought it was made in very much the manner that operas like The Marriage of Figaro or The Barber of Seville would have been conceived and performed in when they first came out - in fact it shed new light on those for me.

Not a great film - it's a bit too slight for that - but a good, well-made, highly enjoyable romp.

Casanova is a minor gem of a film. It is carefully bracketed as a memoir of Casanova, who is busy in his old age writing his memories in his famous book. However, this is worth paying attention to, because in a film of masks, deceptions and subterfuge, this too is perhaps the best of all possible masks. Giacomo Casanova may be many things to many people (particularly the women of Venice), but he is a very human being, if he would but know it.

After spending the greater part of his youth in pursuit of being the pursuer ('be the flame, not the moth,' he says as he gives advice to a young man in need of help courting his love) rather than the pursued, he has finally had to promise (the Doge and the Inquisition) that he will mend his ways and marry. But, in typical Casanova fashion, the woman he intends is the unofficial intended of another, and the woman he wants is not his intended, but intended to another. If you can't quite keep pace, you might be on to something. For Casanova's desire (not to be confused with his intended) is intended to another, whose identity Casanova 'borrows' to better woo her.

In the end, this is a fairly standard but well-done costume drama of mistaken identities, plots going awry, and love triumphant (of course it would have to be, for after all, this is Casanova). Heath Ledger plays a very serviceable Casanova (no pun intended, well, perhaps a little intended); Sienna Miller plays the fair Francesca, a woman with a brain far in advance of her time (she is some ways portrayed as a female da Vinci-esque character). Lena Olin plays Francesca's mother, who has arranged a marriage for Francesca, which certainly does not involve Casanova. Charlie Cox plays Francesca's brother, Giovanni, jealous of the attentions Casanova is paying to his unannounced intended across the canal (in an interesting twist, Charlie Cox played in 'The Merchant of Venice' the year before this film was made, together with Jeremy Irons).

I was very pleased with the role played by Oliver Platt, the merchant of Genoa (coming to Venice, a very subtle, witty reversal on Shakespeare) - he played the intended of Francesca, a pupil of Casanova, a lard merchant of wealth and fame, and in the end one of the good guys. Tim McInnerny plays the hapless but good-intentioned Doge. However, highest praise goes to Jeremy Irons, who plays the papal visitor/inquisitor, Bishop Pucci, who, if he isn't threatening inquisitorial tortures on illiterate philosophers or falling over backwards in boats is promising to restore the virginity of young maidens. Irons provides a delightful mixture of terror and farce that plays in both comedic and dramatic ways, and he looks every inch the post-medieval bishop.

The sets are stunning - of course, this was filmed on location in Venice, so how could they be otherwise? The music is well-selected and drawn into the overall film, using Italian and Italian-influenced compositions of the Renaissance and later periods heavily.

This is a fun film, with an unexpected ending in several ways, but love reigns triumphant, and Casanova (in a very interesting twist) both 'gets the girl' and continues his amorous ways - but I'll not spoil it for you.

this is a really cute funny romantic comedy. i thought that it was very well done and it was not completely focused around sex. actually i was surprised at how little romance scenes there were considering the R rating. this film probably could have been PG 13, but either way it was still great. heath ledger is the perfect casanova and while this movie is centered around him, sienna miller's role was also very good along with oliver platt and jeremy irons. the cast is great and so is the movie. i would recommend it to anyone just looking for something romantic and fun!

Casanova (Ledger) is searching for a wife. It seems that, if he cannot show he is living a more respectable life, he will be kicked out of Venice. You see, Casanova is a womanizer with many conquests, and his actions have upset the Church. He is quickly engaged to Victoria (Dormer), a woman with a pure reputation. Of course, as soon as that is arranged, he meets Francesca (Miller), a feminist who hates all he stands for. He pretends to be someone else to get into her good graces, and soon finds out she is engaged to Papprizzio (Platt), a man whom she has never met. Meanwhile, arriving in Venice to find Casanova, is Pucci (Irons), one of the Vatican's most known and feared inquisitors.

"Casanova" is more entertaining than the average romantic comedy, if that is what you would call this movie. Part comedy, part historical piece, "Casanova" has an odd tone that somehow earns is an undeserved R rating. This movie is PG-13 at worst, and the MPAA rating handed down is stupifying. Ledger and Miller are adequate as the leads, getting the job done, but not amazing. The scene stealer in this film is Oliver Platt as the rotund Papprizzio. He is funny every time he is on screen. The story is entertaining, and will be tolerable for men as well as the women who drag them to see it.

Casanova is a light-hearted farce and meant to be satirical. The plot doesn't make much logical sense, but that doesn't prevent the movie from giving you a fun romp through 18th century Venice. This is definitely a girlie flick or date movie. Don't expect to gain too much insight into Casanova's character. If you suspend all belief in the plot, expect a few easy laughs and a feel-good feeling when you leave the theater. There are some awkward and flat moments, and, like Chinese food, you'll soon feel hungry for meatier fare, but I felt I got my $8 worth. Jeremy Irons' and Oliver Platt's performances were worth every single penny.

Casanova is an enjoyable film. Alot of fun and very entertaining. Everyone involved are terrific. I love Heath Ledger as Casanova. I think its so great that he has two very different movies out on dvd ( Brokeback Mountain & Casanova ) that showcase his talents and versatility. I enjoy him in light farce just as much as in drama. Casanova is a delight to add to Mr.Ledger's filmography and definitely to all Heath Ledger admirers, such as myself. :)

This movie is simply rich and sumptuous to look at. To these days, I can never comprehend why movies of substance are always spoken in English theatre accent particularly when this particular movie is set in Venice. That aside, Heath Ledger seems to be enjoying himself playing the title role after Brokeback Mountain, and what contrasting movies they are. Sienna Miller is simply brilliant as the head-strong, independent feminist whose character despises and abhors towards the reputation of Casanova but who in the end, would succumb to his sincerity and charm, and the one woman who would tie Casanova down to a monogamous relationships. Oliver Platt is hillarious as the fiance of Siena's character but who in the end would fall in love with her mother instead; need we say anymore about Jeremy Irons and Lena Olin who are also tremendous in their portrayal of the Vaticans authority that is to bring Casanova to "justice" and Sienna's character's mother who wish for her daughter's marriage to the prince of Genoa to offset the family's mounting debt; and then, there are also Casanova's loyal sidekick, Sienna's character's younger brother who is infatuated with his neighbour's daughter and who, on the other hand is totally obsessed with Casanova. The whole cat and mouse chase and of Casanova needing to be ahead of everyone else before he gets caught is what made this movie so pleasurable and funny to watch. I thoroughly enjoy this movie and would recommend all matured viewers to share the experience.

-Casanova- is a lovely valentine to Venice, w/a mix of [deliberately] mistaken identities, nomes de plume, duels, horse-drawn carriages, & a hot-air balloon ride into the star-spangled skies. Heath Ledger, succesfully throwing aside his -Brokeback Maintain- gay identity, sparkles as the wry witty woman-loving rake w/a heart of gold. & Sienna Miller shines as Francesca, his brainy equal, a woman who thinks as sharply as she fences.

Betrothed to the Lard King of Genoa [Oliver Platt, hilarious in a 'fat suit' he barely needs], Francesca encounters & falls in love w/Casanova, who pretends 1st to be his servant, then the Lard king himself. Casanova, meanwhile, is engaged to the chaste Victoria [played as a lascivious layabout by Natalie Dormer], w/whom he was infatuated pre-Francesca. Francesca's brother Donato [Stephen Greif, sparkling in a callow way] is in love w/Victoria, her mother Andrea [a sweetly lovesick Lena Olin] wants Francesca to marry a'substantial man, like your father'. & then there's the Inquisition, led w/snarling perfection by Jeremy Irons...

W/all the 'I'm him, no I'm *him*'confusion, the heady excitement of Carnivale [as Casanova tries to be 3 people at the same time], that moonswept balloon ride which reverses several storylines & starts new 1s, the hilarity of the scenery-gnashing Inquisition, & the *many* jokes about Lord Paprizzio's girth & heft, this is a comic fantasy for most ages...