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20 of 21 people found the following review helpful:
4.0 out of 5 stars
A RICH, COMPELLING STORY, November 20, 2004
The life of writer Sandor Marai has all the elements of a dramatic novel, regrettably a tragic one. Born in the Austro-Hungarian Empire in 1900, he had established an enviable reputation in only 30-some years. His nobility, humanism and hatred for the Fascists earned him the enmity of Admiral Horthy's Hungarian regime and later the malevolence of the Communists who were to be in power. All copies of his books were destroyed, and his work was banned forever. Disillusioned and in despair he left his beloved country, first to find sanctuary in Italy and then in the United States. In 1989 he took his own life never knowing of democracy's return to his native land. Some five years later three of his works were found in French translations. In 2001 we were privileged to have the first English translation of one of his novels, Embers. It was published to great acclaim, as I feel certain that Casanova in Bolzano will be received. In an opening author's note Marai makes it clear that the only actual event in this story is Casanova's escape from an unspeakably horrid cell in Venice's ducal palace in 1796. What follows is totally fiction - ah, but what fiction it is. With the assistance of a defrocked priest, Balbi, Casanova makes his way to an Italian village, Bolzano. Once there he demands and is given the finest rooms by an innkeeper who at first distrusts the pair because of their ragged appearances and lack of luggage. But Marai has given Casanova a silver tongue, one which commands, influences, and, of course, woos. Bolzano is far from what most would consider a safe haven because some years before Casanova had dueled with the duke of Parma for the love of Francesca, then a 15-year-old girl. The Duke got the better of Casanova but did not take his life, rather making him promise never to see Francesca again. Now, the duke is an old man and has come upon a note Francesca has written to her former lover asking to see him. She, too, has changed over the years. Married to the Duke she is no longer a susceptible teenager but a rather willful woman. Will the two meet? Throughout his richly told tale Marai treats readers to painterly details and ruminations pertaining to the human condition - desire, honor, love, duty. Here is a novelist whose life was far too short, yet he speaks to us as if he were alive today. And his voice is sublime. - Gail Cooke
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
Exquisite Adult Entertainment, June 16, 2005
The second Marai novel to be published in English by Knopf. If Embers was primarily about friendship, Casanova is primarily about love between man and woman. It is clear that Marai understood people better than most writers of the twentieth century, or in fact any that come to mind. From his writing, one assumes that Marai must have lived, really lived. Casanova is Bolzano is not a young man's (or woman's) book. Its insights speak to those who have lived a good chunk of life already, exploring human ambition and disappointment, youth and age, celebrity and exile, and the complicated relationship of love and sex. It's a mature work from a mature writer. It is also not a historical novel; it has precious little to say about the eighteenth century, or Italy, or even specific characters. The characters in Bolzano are not even "characters," as such-- in fact, the name "Casanova" does not appear once, outside of Marai's introduction (the original Hungarian title is "Vendégjáték Bolzanóban," which also does not mention "Casanova"). It's about people, archetypes. How does it compare with Embers? It starts off a little more slowly (The NYTimes review called it, "a novel of exquisite slowness and refreshing oddity"), but quickly picks up for one classic Marai scene: two people in a room meeting again for the first time in years.
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9 of 9 people found the following review helpful:
5.0 out of 5 stars
EXEMPLARY READING OF AN INTRIGUING STORY, April 5, 2005
Who better to read this inspired story of Casanova than the acclaimed Simon Prebble? His English accent and rich tenor add immeasurably to a listener's pleasure. Combine these with his ability to inhabit all make of diverse characters within a single reading and you have an audio book head and shoulders above the rest. In an opening author's note Marai makes it clear that the only actual event in this story is Casanova's escape from an unspeakably horrid cell in Venice's ducal palace in 1796. What follows is totally fiction - ah, but what fiction it is. With the assistance of a defrocked priest, Balbi, Casanova makes his way to an Italian village, Bolzano. Once there he demands and is given the finest rooms by an innkeeper who at first distrusts the pair because of their ragged appearances and lack of luggage. But Marai has given Casanova a silver tongue, one which commands, influences, and, of course, woos. Bolzano is far from what most would consider a safe haven because some years before Casanova had dueled with the duke of Parma for the love of Francesca, then a 15-year-old girl. The Duke got the better of Casanova but did not take his life, rather making him promise never to see Francesca again. Now, the duke is an old man and has come upon a note Francesca has written to her former lover asking to see him. She, too, has changed over the years. Married to the Duke she is no longer a susceptible teenager but a rather willful woman. Will the two meet? Throughout his richly told tale Marai treats us to painterly details and ruminations pertaining to the human condition - desire, honor, love, duty. Simon Prebble treats us to a superb reading. - Gail Cooke
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