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Case Histories: A Novel
 
 
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Case Histories: A Novel [Mass Market Paperback]

Kate Atkinson (Author)
3.7 out of 5 stars  See all reviews (217 customer reviews)

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Book Description

September 1, 2008
Case one: A little girl goes missing in the night.

Case two: A beautiful young office worker falls victim to a maniac's apparently random attack.

Case three: A new mother finds herself trapped in a hell of her own making - with a very needy baby and a very demanding husband - until a fit of rage creates a grisly, bloody escape.

Thirty years after the first incident, as private investigator Jackson Brodie begins investigating all three cases, startling connections and discoveries emerge . . .

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Editorial Reviews

From Publishers Weekly

Starred Review. Private detective Jackson Brodie finds himself entangled in three distinctly different cases only to thread the needle time and again and come across remarkable connections between them. Susan Jameson delivers an absolutely stunning performance; her classically trained voice is perfect for Atkinsons prose and the shifting point-of-view narration. Though the lead protagonist is male, listeners will never question Jamesons abilities; she brings raw emotion to this tale and her British dialect also gives the story a vintage mystery feel. As Brodie, Jameson is simply flawless, delivering her words firmly and with resoluteness. Hers is a performance that demands repeated listens. A Back Bay paperback (Reviews, Oct. 25, 2004). (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

From Bookmarks Magazine

Critics on the other side of the Atlantic love Atkinson; Behind the Scenes at the Museum won the Whitbread Prize. To Americans’ delight, Case Histories has made the great leap. The novel is not your typical crime genre fare (that is why we placed it within our literary reviews); it’s also a series of family sagas with strong moral frameworks. Atkinson delineates each character with great empathy and depth, revealing his or her motivations, flaws, and healing. She sprinkles her trademark postmodern literary references throughout the book, but this time she’s toned them down, a sign of maturity. The four alternating points of view and framing device create a somewhat labyrinthine situation, and careful readers may pick up clues before they’re supposed to. Minor flaws, really; Case Histories is that "unisex, hard-to-put-down" kind of book (Chicago Sun-Times).

Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an out of print or unavailable edition of this title.


Product Details

  • Mass Market Paperback: 400 pages
  • Publisher: Little, Brown and Company; Reprint edition (September 1, 2008)
  • Language: English
  • ISBN-10: 0316033480
  • ISBN-13: 978-0316033480
  • Product Dimensions: 4.2 x 1 x 6.8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (217 customer reviews)
  • Amazon Best Sellers Rank: #33,102 in Books (See Top 100 in Books)

More About the Author

Kate Atkinson lives in Edinburgh. Her first novel, Behind the Scenes at the Museum, was named Whitbread Book of the Year in the U.K. in 1995, and was followed by Human Croquet, Emotionally Weird, Not the End of the World, Case Histories and One Good Turn.


 

Customer Reviews

217 Reviews
5 star:
 (75)
4 star:
 (68)
3 star:
 (35)
2 star:
 (20)
1 star:
 (19)
 
 
 
 
 
Average Customer Review
3.7 out of 5 stars (217 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

89 of 90 people found the following review helpful:
4.0 out of 5 stars Thoroughly enjoyable., October 29, 2004
By 
Maggie Smith (Portland, OR USA) - See all my reviews
This is my first venture at Atkinson, and I have to say she's a delightful writer to read. She really knows how to hook you.

The story opens with the accounts of three crimes from the perspectives of those who were there at the time. Then, in the present, we meet private investigator Jackson Brodie (a former police inspector) who is dealing with his painful divorce, serious dental problems, and his ever-maturing eight-year-old daughter. Jackson's perspective guides the rest of the narrative through new leads in the three cases, and it isn't long before all three cases are entwined via their connection with Jackson.

While this sounds like a stock mystery novel or something straight off a British crime drama, Atkinson's style offers a little more than the standard mystery fare. She leaps one perspective to another with admirable grace, always managing to keep the many characters and their intertwining narratives totally distinct and completely engrossing.

My only qualms with the story had to do with the plot itself: it's pretty easy to pick up the clues Atkinson drops, and thus, figure out the conclusion well before the ending; and as for the ending--it wasn't as satisfying as it could have been. But her writing is so fluid, by turns funny and poingant, that I couldn't put it down.
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61 of 63 people found the following review helpful:
3.0 out of 5 stars Good but not Great, July 24, 2006
This is the first book I've read of Atkinson's, and while it's fairly entertaining, I'm not quite sure what all the hype is about. The story revolves around 30something ex-cop Jackson Brodie, who plies his private investigative skills in present-day Cambridge, England. He is called upon to look into three cases from the past, which are introduced in the three opening chapters. The first involves the disappearance of a small girl in 1970, the second involves the apparently random murder of teenage girl in 1994, and the third involves the whereabouts of a woman who killed her husband in 1979. As Jackson looks into these different blasts from the past, we also see him struggling with his personal life. Like so many fictional police and detective protagonists he's divorced and estranged from his ex-wife, and barely able to connect with his 8-year-old daughter. He also has a family secret in his past which is alluded to several times before being revealed at the end.

The cases are all quite dark, and Atkinson does a very good job of conveying the sense of sorrow and loss that surrounds each. Jackson pursues them without a lot of hope but with due diligence and as in so many procedurals, discovers threads to each that went unexplored. It's diverting enough, but many of the characters are somewhat superficial, which keeps the book from being as good as it might have been. In the first case, the father is the archetype distracted, brusque professor, each of the four sisters is a "type" (the golden child, the outgoing dramatic one, the repressed lost middle one, the weird religious one), and there's a crone who lives next door with a gazillion cats. In the third story, the murderess is a typical teenage mother with postpartum depression, and the victim is a typical dashing young man who settles down into a somewhat less dashing adulthood. Theo, the father of the victim in the second story is better developed, and a genuinely sympathetic character who still mourns the loss of his daughter. Perhaps most egregiously, we never really get to know Jackson all that well.

The chapters hopscotch between the different storylines, and the plot unravels in the manner of a good airplane or beach read. The writing is all very fluid and professional, although there's no sense of style to mark it. There's some nice bits of humor, some nice bits of human insight, a decent irony here and there. However, there are other elements that are rather clumsily handled, such as the true reason which is unveiled for the missing little girl from the first case, as well as the adult development of one of the two sisters, which is ridiculously forced. Similarly, the dark secret about Jackson's past is totally over-the-top and unnecessary, serving no real purpose in relation to his character. There's also a homeless girl who appears throughout the book whose identity should be pretty obvious very early on, and although Atkinson leaves it unspoken, it's kind of a groaner. To her credit, it's nice that she doesn't quite spell everything out and tie up every loose end in a neat bow. On the whole, it's fairly enjoyable, and I would read another set of Jackson Brodie investigations, but there's nothing particularly groundbreaking here. For a more interesting recent take on the modern British detective story, try Patrick Neate's "City of Tiny Lights."
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54 of 58 people found the following review helpful:
4.0 out of 5 stars Very Enjoyable, Well-Written Character Studies in Mystery Format, December 30, 2005
The Washington Post review has it right. You will like this novel if:
--You enjoy strikingly crafted, humorous phrases that make you applaud the writer's insights regarding the human condition.
--You like stories written in non-linear fashion, where points of view and major characters change from one chapter to the next, incidents are not always revealed in the order in which they occur, new characters suddenly enter the story for no apparent reason, and you get to use your smarts to deduce what is happening. (Fear not; all is eventually and clearly explained.)
--Several engrossing mysterious threads keep you on edge to find out what the explanations are going to be.
--"Howtodealwithit"--conflicted, troubled people trying to straighten out their lives--is as interesting to you as whodunit.

You will not like this novel if:
--You want a slam-bang action thriller with little or no introspection by the characters.
--You're turned off by major changes in story line and characters from one chapter to the next.
--You'd rather not read about incest, (occasional) casual sex, and dysfunctional families with parents who seem incapable of giving love.
--You strongly object to unlikely coincidences that tie plot elements together.

Stephen King rated this as the best novel of the year in ENTERTAINMENT WEEKLY. I couldn't put it down. This was my first Kate Atkinson novel, and I'm going to read all of her others.

Addendum to review: Sorry to report that I did not enjoy Atkinson's earlier novels; found them tedious, difficult, slow, hard to relate to. Think twice before buying any of them.
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