This icily innovative thriller begins with every parent’s worst nightmare, when Davis Moore’s teenage daughter is brutally raped and murdered by an unknown assailant. It gets worse. For Davis Moore is a fertility doctor, dealing with cutting-edge genetic reproductive techniques. It’s a controversial and dangerous occupation: Moore has already been the object of a fanatic’s assassination attempt. But for a father driven half-mad by grief, his work presents one startling and dangerous opportunity–the chance to look into the face of his daughter’s killer.
Cast of Shadows
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Editorial Reviews
Amazon.com Review
Set in a not too distant future after human cloning is legalized, this debut thriller is a disquieting pseudo-scientific meditation on what happens when the teenage daughter of a leading fertility specialist is brutally murdered and her father uses his professional skills and a bit of DNA extracted from the death scene to create a copy of her killer. Unlucky, unlikely Justin Finn is the result of Dr. Davis Moore's faith that one day he’ll look into the eyes and soul of the man who raped and strangled Anna Kat and understand what drove him to do it. His plan destroys his marriage, compromises his professional ethics, and threatens his own life, but all these complications pale next to the repercussion his efforts to clone Anna Kat's murderer have on the young man whose future is as predestined as his origins. Despite the shades of Robin Cook that hover over this intricately woven and unsettling mystery, Guilfoile's pacing is solid, his characterizations well drawn, and his own future as a writer assured. --Jane Adams
--This text refers to the
Hardcover
edition.
From Publishers Weekly
Guilfoile's engrossing debut novel takes a high-concept look at the age-old but still provocative question of nature vs. nurture. The story centers on Chicago fertility doctor Davis Moore, a pioneer in the field of cloning, whose teenage daughter, Anna Kat, is raped and murdered. When no leads pan out, a desperate Moore secretly uses the killer's DNA to clone him, with the unsuspecting aid of a client couple, so that one day he'll be able to identify the killer by his resemblance to the clone. The novel spins out over more than two decades, following the rocky development of the cloned boy, Justin Finn (whose parents know nothing of his potentially problematic DNA), Moore's monitoring of the young man and Moore's own complicated life. Though nominally a thriller, the book's jolts and tension are driven by character rather than plot, with the unpredictability of Moore, Justin and two other characters keeping the reader constantly off balance. Anna Kat's killer remains an active menace and is eerily close to the Finn family, and the novel also offers a nuanced and chillingly believable portrait of a religious zealot and terrorist, Mickey the Gerund, who racks up a lot of abortion clinic bombings and doctor kills over the years. Guilefoile displays a deep interest in his characters (backstories for all abound), and if his plot is a bit of a patchwork, the novel as a whole is rich and involving.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
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Customer Reviews
Most Helpful Customer Reviews
21 of 24 people found the following review helpful
By Bookreporter
Format:Hardcover
I thought I was going to dislike CAST OF SHADOWS. The premise seemed flimsy at best. The daughter of a physician is murdered. The physician, a pioneer in the field of reproductive cloning, is able to obtain the DNA of her murderer and engineers his cloning for the purpose of identifying the killer. Yawn. It sounded vaguely like a plot that Michael Crichton would have rejected, and wisely so, sometime back in the 1980s. And the author, Kevin Guilfoile, was stuck in my memory bank as a kind of self-styled humorist whose work had left me with the vague impression of someone who is clever but not smart. I accordingly cracked the binding of CAST OF SHADOWS with the thought that I could try it for an hour or so and then leave it unread.
Well, I didn't have to get very deeply at all into CAST OF SHADOWS before I realized that this debut novel is quite like the house of one of the characters in the story: much, much bigger on the inside than it looks from the outside, full of twists and turns and corners and surprises. The aforementioned physician, Davis Moore, is a sympathetic character --- his teenage daughter is murdered --- but he's not entirely a likeable guy, kind of sanctimonious, full of self-justification, and content to follow rules until he has a reason to break them. Moore uses his medical practice as a vehicle to exact revenge. One can understand the concept of revenge, especially in a case like this, but there isn't exactly full disclosure exercised here with respect to Moore's patient or to the resulting life in being, at least not initially. Moore keeps track of Justin Finn, the cloned child. And yes, indeed, he comes to resemble someone very, very twisted.
But this is more than a tale of rough judgment and exacted revenge. Guilfoile crafts a tale that is riveting, excruciatingly suspenseful, and intellectually challenging. Part speculative fiction, part suspense and part horror, CAST OF SHADOWS deals with a future so close that it is not just around the corner but is only a half-block away and approaching fast. Guilfoile's story is peppered with a number of interesting, and flawed, supporting characters, and also introduces an online virtual reality game called Shadow World. Shadow World plays an integral part in the novel, to the extent that it is a character unto itself. It is such a fascinating concept, in fact, that it alone is worth the investment in the book.
CAST OF SHADOWS also presents a number of moral and ethical issues in dramatic settings, all of them difficult, all of them important. It is also much deeper than one would expect. Guilfoile takes the reader through so many twists and turns, particularly at the end, that it is only after extended reflection that one realizes what a truly steep and wild ride it has been. As complex as Guilfoile's plot is, however, he so carefully lays out his path that it is impossible for the reader to get lost.
CAST OF SHADOWS is a book that will be read, savored, discussed, and argued for some time to come. It is simply, and surely, not to be missed.
--- Reviewed by Joe Hartlaub
Well, I didn't have to get very deeply at all into CAST OF SHADOWS before I realized that this debut novel is quite like the house of one of the characters in the story: much, much bigger on the inside than it looks from the outside, full of twists and turns and corners and surprises. The aforementioned physician, Davis Moore, is a sympathetic character --- his teenage daughter is murdered --- but he's not entirely a likeable guy, kind of sanctimonious, full of self-justification, and content to follow rules until he has a reason to break them. Moore uses his medical practice as a vehicle to exact revenge. One can understand the concept of revenge, especially in a case like this, but there isn't exactly full disclosure exercised here with respect to Moore's patient or to the resulting life in being, at least not initially. Moore keeps track of Justin Finn, the cloned child. And yes, indeed, he comes to resemble someone very, very twisted.
But this is more than a tale of rough judgment and exacted revenge. Guilfoile crafts a tale that is riveting, excruciatingly suspenseful, and intellectually challenging. Part speculative fiction, part suspense and part horror, CAST OF SHADOWS deals with a future so close that it is not just around the corner but is only a half-block away and approaching fast. Guilfoile's story is peppered with a number of interesting, and flawed, supporting characters, and also introduces an online virtual reality game called Shadow World. Shadow World plays an integral part in the novel, to the extent that it is a character unto itself. It is such a fascinating concept, in fact, that it alone is worth the investment in the book.
CAST OF SHADOWS also presents a number of moral and ethical issues in dramatic settings, all of them difficult, all of them important. It is also much deeper than one would expect. Guilfoile takes the reader through so many twists and turns, particularly at the end, that it is only after extended reflection that one realizes what a truly steep and wild ride it has been. As complex as Guilfoile's plot is, however, he so carefully lays out his path that it is impossible for the reader to get lost.
CAST OF SHADOWS is a book that will be read, savored, discussed, and argued for some time to come. It is simply, and surely, not to be missed.
--- Reviewed by Joe Hartlaub
24 of 29 people found the following review helpful
Format:Hardcover
I'm a sucker for certain types of commercial bait - a review that compares a pop record favorably to a transitional Beatles record like "Revolver" or "Sgt. Pepper's," or a jazz record to "Kind of Blue" or "Saxophone Colossus," or a novelist to "Faulkner" or "Roth." What got me on to Kevin Guilfoile's Cast of Shadows was a reviewer's approving nod to "this modern-day Frankenstein tale" - a line that summoned up Ur-resonances within me that have jangled through my neural system since first fired in a movie theater 50 years ago. (That comparison, it turns out, was apparently concocted by a Knopf publicist and eagerly grabbed up by several hook-hungry, imagination-deprived book "critics.")
So that's how I have the book in my hands.
For the first 100 pages or so, I found the story of fertility specialist Davis Moore, his murdered daughter, his slipping marriage and slow-fuse relationship with an attractive female colleague, and his hope-against-hope plan to clone his daughter's murderer slow going but plausible, with cloning, its politics, and its ethical and religious implications interestingly evoked and explored. Strangely, as the pace picked up and little Justin Finn's development is chronicled, the book began gliding into implausibility - in Guilfoile's near-future Chicago, pace and plausibility seem inversely related. There were more key coincidences than a Dickens novel, more than a fair share of character-motivation issues, and an epic 20-year time span that seems disproportionate to the book's preoccupations, which, although weighty, are distinctly less than epic. This is, at bottom, a futuristic murder mystery.
By the time I was in the second hundred pages, however, I was not only invested in the story but hooked: I was rooting for Guilfoile, wanting the book to work for its daring to take up difficult ethical and philosophical themes - regardless of the hard time the author had in finding the literary voice for such exposition (sometimes a neat aside, other times a clunky lecture, but generally striking a good rhetorical balance). I thought Justin, the cloned boy, an absorbing, complex, believable character, and I liked the way Guilfoile used the "Shadow World" computer-game subtext that, with the exponential information-technology advances of the past decade, seemed the least contrived element of a storyline I suspect Guilfoile felt forced to "over-contrive."
Knowing he had a nice idea, Guilfoile also knew he needed a lengthy fictional timespan to play it out - at least 300 pages for two decades and a fuller, more populated world. He thus invented a large cast of characters, some of whom do the heavy literary lifting across long spans of time (but who in that long stretch generally undergo little change). Many others comprise a long list of "fifth business" types who matter very little, and appear very briefly, but whom Guilfoile makes essential in one way or another to advancing his story. With all this, and despite its bursts of energy, Cast of Shadows struck me as a fairly long 320 page book that during my beach week had me flipping back and forth in keeping the Jackies and Joans and Sallies and Marthas straight.
Among the book's considerable attractions, however, is Guilfoile's literary deftness. He observes closely, sees things at an odd angle, and turns a handsome descriptive line. For instance, "He liked to grip a book with both hands, as if the knowledge were entering through his fingers instead of his eyes" to describe the precocious Justin's intense preference for hardcovers over paperbacks. And Guilfoile dares to ruminate on philosophical themes - he has a clear eye for the ethical issues surrounding fertility and abortion, enjoys parsing them, and has a taste for the Great Books and the eternal moral questions, references to which are sprinkled throughout his book. Yes, he's capable of producing a howler or two - how about "The words drilled into his heart and uncorked a gusher of rage"? And he sometimes likes to overdescribe the inconsequential - "He let a sip of Shiraz trickle down the back of his throat." Consider such passages a first-time novelist's entitlement of Mulligans (and hope for a more attentive editor next time around). Guilfoile can write.
Cast of Shadows isn't Frankenstein (although The Modern Prometheus theme is front and center), and Guilfoile isn't Mary Shelley, but he's ambitious in much the same way, and his book is worthy: a clear cut above most summer fare - more literary and cerebral than the average thriller, daring to take on large moral and religious themes, leading the reader to weigh serious issues that we may indeed find ourselves grappling with in not too long a time, but still with a measure of thrills and ingenious twists...and a conclusion I found quite satisfying. I don't think Cast of Shadows will haunt my imagination, but I have no difficulty recommending it for late-summer reading lists.
So that's how I have the book in my hands.
For the first 100 pages or so, I found the story of fertility specialist Davis Moore, his murdered daughter, his slipping marriage and slow-fuse relationship with an attractive female colleague, and his hope-against-hope plan to clone his daughter's murderer slow going but plausible, with cloning, its politics, and its ethical and religious implications interestingly evoked and explored. Strangely, as the pace picked up and little Justin Finn's development is chronicled, the book began gliding into implausibility - in Guilfoile's near-future Chicago, pace and plausibility seem inversely related. There were more key coincidences than a Dickens novel, more than a fair share of character-motivation issues, and an epic 20-year time span that seems disproportionate to the book's preoccupations, which, although weighty, are distinctly less than epic. This is, at bottom, a futuristic murder mystery.
By the time I was in the second hundred pages, however, I was not only invested in the story but hooked: I was rooting for Guilfoile, wanting the book to work for its daring to take up difficult ethical and philosophical themes - regardless of the hard time the author had in finding the literary voice for such exposition (sometimes a neat aside, other times a clunky lecture, but generally striking a good rhetorical balance). I thought Justin, the cloned boy, an absorbing, complex, believable character, and I liked the way Guilfoile used the "Shadow World" computer-game subtext that, with the exponential information-technology advances of the past decade, seemed the least contrived element of a storyline I suspect Guilfoile felt forced to "over-contrive."
Knowing he had a nice idea, Guilfoile also knew he needed a lengthy fictional timespan to play it out - at least 300 pages for two decades and a fuller, more populated world. He thus invented a large cast of characters, some of whom do the heavy literary lifting across long spans of time (but who in that long stretch generally undergo little change). Many others comprise a long list of "fifth business" types who matter very little, and appear very briefly, but whom Guilfoile makes essential in one way or another to advancing his story. With all this, and despite its bursts of energy, Cast of Shadows struck me as a fairly long 320 page book that during my beach week had me flipping back and forth in keeping the Jackies and Joans and Sallies and Marthas straight.
Among the book's considerable attractions, however, is Guilfoile's literary deftness. He observes closely, sees things at an odd angle, and turns a handsome descriptive line. For instance, "He liked to grip a book with both hands, as if the knowledge were entering through his fingers instead of his eyes" to describe the precocious Justin's intense preference for hardcovers over paperbacks. And Guilfoile dares to ruminate on philosophical themes - he has a clear eye for the ethical issues surrounding fertility and abortion, enjoys parsing them, and has a taste for the Great Books and the eternal moral questions, references to which are sprinkled throughout his book. Yes, he's capable of producing a howler or two - how about "The words drilled into his heart and uncorked a gusher of rage"? And he sometimes likes to overdescribe the inconsequential - "He let a sip of Shiraz trickle down the back of his throat." Consider such passages a first-time novelist's entitlement of Mulligans (and hope for a more attentive editor next time around). Guilfoile can write.
Cast of Shadows isn't Frankenstein (although The Modern Prometheus theme is front and center), and Guilfoile isn't Mary Shelley, but he's ambitious in much the same way, and his book is worthy: a clear cut above most summer fare - more literary and cerebral than the average thriller, daring to take on large moral and religious themes, leading the reader to weigh serious issues that we may indeed find ourselves grappling with in not too long a time, but still with a measure of thrills and ingenious twists...and a conclusion I found quite satisfying. I don't think Cast of Shadows will haunt my imagination, but I have no difficulty recommending it for late-summer reading lists.
6 of 6 people found the following review helpful
By Michael Thal
Format:Paperback
We show the parts of ourselves that we want the world to see. The secrets are hidden behind a façade. Our shadow lives are the private lives we share with few. Such is the premise of Kevin Guilfoile's debut novel, Cast of Shadows.
The setting of this psychological thriller is in the near future when human cloning is legal. The cast of characters includes Dr. Davis Moore, a Chicago fertility doctor specializing in reproductive cloning and his teenage daughter, Anna Kat. Sam Coyne is a successful young Chicago lawyer. Justin Finn is a clone and Martha Finn his mother. Mickey the Gerund is a religious fanatic doing the Lord's work for The Hands of God. And Sally Barwick is the detective who unravels secrets.
After Anna Kat's brutal rape and murder, Dr. Moore breaks the law and creates a clone from evidence found at the crime scene. The book progresses around the fate of this young boy, Justin Finn, and lives of the people affected by the two crimes. Undercover, Moore observes his creation, waiting for the day his daughter's killer's face will become realized.
But things aren't what they seem. Through an intricately woven original plot Guilfoile creates a fast paced gripping thriller that keeps the reader guessing up until the final shattering pages. This is a must read.
The setting of this psychological thriller is in the near future when human cloning is legal. The cast of characters includes Dr. Davis Moore, a Chicago fertility doctor specializing in reproductive cloning and his teenage daughter, Anna Kat. Sam Coyne is a successful young Chicago lawyer. Justin Finn is a clone and Martha Finn his mother. Mickey the Gerund is a religious fanatic doing the Lord's work for The Hands of God. And Sally Barwick is the detective who unravels secrets.
After Anna Kat's brutal rape and murder, Dr. Moore breaks the law and creates a clone from evidence found at the crime scene. The book progresses around the fate of this young boy, Justin Finn, and lives of the people affected by the two crimes. Undercover, Moore observes his creation, waiting for the day his daughter's killer's face will become realized.
But things aren't what they seem. Through an intricately woven original plot Guilfoile creates a fast paced gripping thriller that keeps the reader guessing up until the final shattering pages. This is a must read.
Most Recent Customer Reviews
4.0 out of 5 stars
"If you always face the sunshine, the shadows will always fall behind...
What drew me to this novel was the contemporary theme which was so vividly described that it stayed in my mind once the novel ended. Read more
Published 16 months ago by michael a. draper
5.0 out of 5 stars
Intricate and full of surprises
I read a lot of thrillers. This is one of the most gripping I've read in years. It combines elements of the best of Michael Crichton, Michael Connelly, and perhaps Robin Cook. Read more
Published 22 months ago by T. Stroll
4.0 out of 5 stars
a good read
This book by Guilfoile is a very interesting read. The thesis is certainly new and fresh, because a cloned child is in the mix of motives and themes. Read more
Published on December 8, 2010 by J. Robert Ewbank
4.0 out of 5 stars
A really good read!
I found the book suspenseful, surprising, creative and thought provoking. At times I had some difficulty following the various storylines, but it was well worth it. Read more
Published on September 15, 2010 by Beatrix Potter
4.0 out of 5 stars
Health care tech gone awry...
I bought this book when it first came out based on reviews in the Chicago Tribune, which praised it quite highly. Read more
Published on August 31, 2009 by S. D. Beallis
4.0 out of 5 stars
A Gripping Philosophical Thriller
Even though I'm a little late to the party (this book came out a few years ago), I'm very happy I found the time to read the debut from Kevin Guilfoile. Read more
Published on December 20, 2008 by William F. Aicher
5.0 out of 5 stars
Complex plot, suspenseful read
Kevin Guilfoile's superb novel Cast of Shadows explores the consequences of a vicious crime, the rape and murder of seventeen-year-old Anna Kat. Read more
Published on December 10, 2008 by Debra Hamel
5.0 out of 5 stars
A Tragedy of Errors
This story is a true tragedy. If just one small thing had been changed in the beginning, most of the horror that comes about later would not have happened. Read more
Published on February 25, 2008 by E. LaGrange-Fiermonte
5.0 out of 5 stars
WHEN WILL HE WRITE A NEW NOVEL!?
I read this a while ago when I got my hands on an advance copy and was thoroughly impressed. This novel has so many twists an turns that I could not put it down until I was... Read more
Published on July 1, 2007 by Dominique
3.0 out of 5 stars
Imaginative and Original, but Falls Short as a Thriller
CAST OF SHADOWS was one of the most hyped debut thrillers of 2005. When it finally came out in paperback, I decided to give it a try. Read more
Published on August 8, 2006 by Thriller Lover
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