Casualties Of War Extended Cut 1989 NR CC

Amazon Instant Video

Available in HD
(121) IMDb 7/10

From visionary director Brian De Palma, war is war, but murder is murder. Michael J. Fox and Sean Penn star in this action-packed Vietnam war saga in which one soldier thought he had a license to kill and another dared to stand in his way.

Starring:
Michael J. Fox, Sean Penn
Runtime:
2 hours, 0 minutes

Available to watch on supported devices.

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Product Details

Genres Military & War, Drama
Director Brian De Palma
Starring Michael J. Fox, Sean Penn
Supporting actors Don Harvey, John C. Reilly, John Leguizamo, Thuy Thu Le, Erik King, Jack Gwaltney, Ving Rhames, Dan Martin, Dale Dye, Steve Larson, John Linton, Vyto Ruginis, Al Shannon, Wendell Pierce, Sam Robards, Maris Valainis, Darren E. Burrows, Sherman Howard
Studio Columbia Pictures
MPAA rating NR (Not Rated)
Captions and subtitles English Details
Purchase rights Stream instantly and download to 2 locations Details
Format Amazon Instant Video (streaming online video and digital download)

Other Formats

Customer Reviews

We want someone to do the right thing.
Joseph E. Loudon
This is a flawless film about the true atrocities of the Vietman War and one mans struggle to find justice for the innocent.
Paul Steventon
The squad leader (Sean Penn) has no moral conscious and his ego gets the best of him.
Timotee

Most Helpful Customer Reviews

59 of 61 people found the following review helpful By D. W. MacKenzie on April 29, 2003
Format: VHS Tape
Casualties of War is a unique film. There are many films that depict wartime atrocities. This one stands above the rest because of it's character development. We get to know the guilty parties, and they are not purely evil, but are in many ways quite ordinary. They seem like regular US GI's at first, just trying to survive day by day.
Sean Penn's character (Sgt Meserve) leads them into an abyss, and only one of them (Eriksson, played by Micheal J Fox) refuses to enter. The others commit murder and rape, while Eriksson cringes. The separate perpetrators display trepidation, anxiousness, remorse and the lack thereof. Other characters exhibit cynicism and callousness. Their victim shows her fear alone.
This film is effective because it shows all but one of the soldiers as having different and human sides. Eriksson and Diaz (John Leguizamo) know that what is happening is wrong, but one fails to stop it, and the other participates. Meserve comes up with absurd lies to try to justify what they are doing, not only for Eriksson, but for the others, and it seems even for himself. Only one character in this film (Clark) is completely inhuman. His sadistic fervor and amoral smugness makes him appear as a monster, plain and simple.
This film is effective because it shows seemingly normal men in a descent into utter barbarism. Thuy Thu Le sets the mood for this by portraying the terror of their victim so well. Sympathy for the victim will surely make anyone cringe. But, it is by showing that the perpetrators, except Clark, are like most anyone that this film has its' strongest affect. How would we each fare if faced by such a situation? Who among us would stand against it? Who would succumb to it? This film strikes deeper than any horror film, with obviously inhuman monsters. It shows real people who become monsters, and is therefore vastly more effective- even more so because it all really happened.
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30 of 32 people found the following review helpful By Joseph E. Loudon on March 8, 2003
Format: DVD
Director Brian DePalma explained during the excellent "Marking Of" feature that he had wanted to make this film for nearly two decades. Why do so many truly great stories take soooooo long to reach the screen? Is it because studio executives believe everything must be dummy-downed or that American audiences can't bear to watch a real horror story like "Casualties of War"?
And this is a truly gut-wrenching story. You don't just watch this movie, turn the "off" switch and that's it. This story stays with you. It should.
"Casualties of War" depicts, painfully and directly, the dehumanizing nature of war. Yet, through Michael J. Fox's character (Eriksson), we see that even under these extreme circumstances, the most courageous people cling to their humanity. They don't completely resign from the human race.
Personally, I consider this film far superior to any other made about the Vietnam war -- better than the much overrated "Platoon" and even "Apocalypse Now."
For "Casualties of War" puts a very real human face on its story. While much has been said about Sean Penn's menacing and Michael J. Fox's tormented performances -- both are excellent -- I won't soon forget Thuy Thu Le, the actress who portrayed the innocent girl raped and butchered.
I'm flabbergasted that one critic called this film "unbearable" because the victim was given so little to say and was so passive. Just how aggressive was this tiny "girl" supposed to be when confronted by an armed squad? She spoke but no one could understand her. They didn't care what she had to say. She wasn't human to them. And that's the whole point.
What will haunt me when I recall this movie is the expressions on Thuy Thu Le's face. Horrified. Frighted. Confused. Innocent.
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24 of 28 people found the following review helpful By A Customer on May 17, 1999
Format: VHS Tape
Along with Apocalypse Now and Full Metal Jacket, Casualties of War is one of the finest films about the Vietnam war. It should not, however, be viewed in the format available on VHS cassette, which is panned and scanned (at times, half of the image is missing). Like all De Palma films, it ideally should be viewed in a theater on a huge screen with stereo sound in order to achieve its full, emotionally draining, and audio-visually stunning impact. Since that opportunity won't come very soon for most people, wait until it comes out on DVD, at least so that you can get the letterboxed image and digital sound. Fox, Penn, Leguizamo, Reilly and the rest of the cast give memorable, at times haunting performances. Morricone's thoughtful score is exquisitely, operatically dramatic. And De Palma, muting some of his more baroque techniques, neverthless continues to explore his recurrent thematic concerns, pushing them to their logical conclusions in a war genre that is new to him only in environment if not in spirit (most of his films are about violent atrocities perpetrated by men). The film failed at the box office when it was released in theaters, probably because it disturbed audiences who wanted a friendlier vision of Vietnam, in which American soldiers were at least martyrs, if not heroes (such as Platoon, Born on the 4th of July, Coming Home, and the like). Other viewers complained that De Palma made his film too late in the Vietnam cycle, that his film retold a too familiar story.Read more ›
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