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Summer Reading
Browse the best books of the summer including popular series, classics, and editors' picks in our Teen Summer Reading Store. |
Catalyst, Laurie Halse Anderson's third novel for teens, is a deftly fashioned character study of a seldom explored subject in YA fiction: the type-A adolescent. Teens will identify (if not exactly sympathize) with prickly Kate instantly, and be shocked or perhaps secretly pleased to discover that life is no easier for the honor roll student than it is for the outcast. Anderson earns an A plus for this revealing and realistic take on life, death, and GPAs. (Ages 12 and older) --Jennifer Hubert --This text refers to the Hardcover edition.
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The plot follows an 18-year-old straight A chemist named Kate. Her father is a preacher, which makes the story interesting, because Kate is an active aetheist. She runs at night, irons clothes, cleans her brother's room, anything to get herself out of bed. This causes many of her friends (mainly Mitch, her boyfriend) to worry, but she explains that she can't sleep. Kate is trying to get into MIT, the college that her mother went to, and didn't apply to any 'safety' schools, so if she doesn't make it to MIT she's not going to college. The story also follows Teri Litch, Kate's neighbor, though Kate is still the main character.
Catalyst will keep you guessing. It's not a boring, predictable book, and I was surprised so many times in this book that it's not even worth it to write them down. Though the plot was unpredictable, the book still flowed extremely well. Happiness, confusion, loss, anger, grief, and unconditional love were all wrapped up inside, and I can assure you that this book is definately worth reading. :)
But, getting back to Laurie Halse Anderson and to Merryweather High, the setting for SPEAK, and now for CATALYST... What? Yes, indeed, Laurie returns us to the land of the infamous Mr. Neck, and Hairwoman, and Andy the Beast--none of whom we get to see here. The story is set at the end of the school year following SPEAK, and Melinda, in another of Mr. Free-man's classes, does actually make a cameo appearance. So, knowing all of this ahead of time, you are possibly going to open this book and look for it to grab you by the throat and mystify you the way you were immediately mystified by Melinda Sorrentino's treatment on the bus and in the auditorium on her first day at the school.
Right?
Well, get over it! This is a whole different chemical equation:
Kate Malone, minister's daughter, star student, and runner, is a senior who lives for her acceptance letter to MIT--the only college she has bothered to apply to.
"Insomnia rocks, actually. You can get a lot done if you don't sleep. I've turned into a hyper-efficient windup Kate doll, super Kate, the über-Kate. I wish this had happened last year. It would have given me more time to study for my AP exams."
She introduces us to her family:
"Toby and I are the proton and neutron of our atomic family unit. Dad is the loosely bonded electron, negatively charged, zooming around us in his own little shell."
She introduces us to her group of friends:
"Sara slides her sunglasses across the table. I take off my glasses and put them on. The room mellows to a golden, SFP-protected glow...They are all out of focus now, but...I'd recognize these shapes anywhere. Sara Emery, my BF, is a self-described Wiccan Jewish poet. This would send most parents screaming to the therapist's office, but the Emerys are totally cool with it. I've been asking them to adopt me for years.
Travis Baird is to Sara as water is to fire: opposite and necessary. Trav is a freakazoid good guy with a taste for body art. The vice principal in charge of discipline has been aching to bust him for four years. He refuses to believe that good things can come in colorful packages.
A warm hand snakes around my waist. My knees buckle and the hand pulls me down into the very familiar lap of Mitchell A. Pangborn III--my friend, my enemy, my lust."
She introduces us to the story's outcast, a tough female named Teri Litch:
"The ugly girl, the one who smells funny, studies carpentry at vo-tech, stomps around with sawdust in her hair, and has fists like sledgehammers. Teri beat me up every year in elementary school, fall and spring. I turned the other cheek for a while, then I learned to run. Intelligent life pursues self-preservation."
And she introduces us to her "sad excuse of a motor vehicle, a Yugo named Burt."
But who or what is the catalyst here is one of the things you're going to have to read the book to find out.
...
CATALYST, which alternately had me crying and laughing, is a moving story that seeks to knock us off our little career tracks long enough to see what's really important. <P...
Laurie Halse Anderson has once again crafted an unforgettable young adult novel filled with literary brilliance. This CATALYST sure got one [heck] reaction out of me! ...
If nothing else, "Catalyst" takes a brave stab at delving deeper into a topic that is seldom explored. Many "young adult" books deal with depressed, addicted, or low-achieving teenagers, yet "Catalyst" does just the opposite. Lori Halse Anderson begins the books with several well-done chapters showing just how driven, obsessive, and in some ways, dysfunctional Kate really is. Readers can literally feel how much Kate WANTS to go to MIT, and Kate's frayed nerves about being admitted and her subsequent denial over not being accepted are vividly brought to life.
But after those first few chapters and Kate's "breakdown" over the MIT issue, the book loses something. It seems that as we continue reading "Catalyst," the Teri Litch situation takes up more and more of the story line, and instead of being a good complication in the story, it merely seems to distract from the issue of Kate resolving her feelings about MIT, college, and failure. I kept wating for Kate to sit down, "take stock," and come to grips with her disappointment. But that never happened. Kate and her family are in a whirl of activity concerned with the Litches from the moment their house burns down, and this activity totally cosumes the latter half of the story. The end of the book is too hurried and unrealistic, and does not seem like a satisfactory resolution to all of the problems Kate has faced during the book. Finally, the characters in this book just seemed a little too distant and surreal. I can't totally describe this, but the book seemed a little too dream-like, and Kate's confusion over MIT and then about how to deal with Teri just seemed too distant and detached.
In conclusion, it's hard to know what to say. I'd say read this book, simply for the numerous moments of excellent writing and the portrait of a teenager who is the opposite of the many typically seen in "young adult" novels. But don't expect a novel that stays excellent to the very end and has completely "down-to-earth" characters. Like I said, in "Catalyst," the story's chemistry is just not quite perfect.