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Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson
 
 
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Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson [Hardcover]

Peter Ames Carlin (Author)
4.2 out of 5 stars  See all reviews (34 customer reviews)


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Book Description

July 25, 2006
Brian Wilson was the visionary behind America's most successful and influential rock band. And as the leader of the Beach Boys, he sold 100 million records, produced Pet Sounds, and built a catalog of songs that continues to define the sound and feel of American popular music. He also became one of the culture's most mysterious and tragic figures. But after spending years lost in a wilderness of despair, Wilson has fought his way back to productivity. And now with teh release of Smile - the masterwork that nearly undid him - he has returned to music's center stage.

Now Peter Ames Carlin, who conducted in-depth, exclusive interviews with dozens of sources and listened to hundreds of hours of unreleased studio recordings and live music, tells a uniquely American story of the band, the music, and the culture the Beach Boys both sang about and helped create. Carlin brings a fan's passion, a seasoned journalist's objectivity, and a cultural critic's insight to his subject, and the result is a magesterial and authoritative account of the Beach Boys' visionary figure, who has emerged into a new era of creativity.


Editorial Reviews

From Publishers Weekly

In this exhaustive tome, former People magazine writer Carlin chronicles the lives of the Beach Boys and Brian Wilson. By now the Wilson story is well-known, and Carlin doesn't stray much from the script: Wilson's abuse at the hands of his cantankerous father, Murry; his decline into depression; his drug use; and the band's slide from the top of the charts, singing about surfing and fast cars, to the depths of despair and, ultimately, Wilson's redemptive 2004 release of Smile. While the major beats of the story may not be news to fans, Carlin's comprehensive research adds an entirely welcome perspective. Based on numerous primary interviews, and parsing through hundreds of hours of unreleased studio tape, he succeeds in rendering an immediate and often heart-wrenching look at both the psychological abuse and the artistic muse that prodded Wilson to greatness and paralyzing depression. In one memorable passage drawn from the studio session tape, Carlin renders the torment endured by Wilson at the hands of his father during the recording of the hit "Help Me, Rhonda." It is moments like these, mixed in with Carlin's sober insights, that raise this effort a cut above the standard rock biography. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

The near-miraculous appearance of Smile in 2004, 37 years after Beach Boys leader Brian Wilson abandoned that ambitious concept album, has opened the door for another biography of rock's most notoriously troubled genius. To a great extent, Wilson's life is the Beach Boys life. He dominated the band, writing and producing virtually all the hits of its early 1960s heyday, before drugs and mental problems sidelined him. Carlin perforce covers the Beach Boys' rise, fall, and subsequent resurrection as a nostalgia act, as well as their internecine feuds, keenly poignant because the key band members were brothers and cousins. Yet, having enjoyed the cooperation of his subject, he sensitively and compassionately focuses on Brian; and having heard hundreds of hours of unreleased recordings and interviewed many of Brian's collaborators and associates, including the surviving Beach Boys, he emphasizes the music. A Beach Boys fan before he was a senior writer at People (he's since moved on), Carlin proves the ideal person to pen a highly readable and substantive book on this particular rock legend. Gordon Flagg
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 336 pages
  • Publisher: Rodale Books; 1ST edition (July 25, 2006)
  • Language: English
  • ISBN-10: 1594863202
  • ISBN-13: 978-1594863202
  • Product Dimensions: 9.1 x 6.3 x 1.4 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (34 customer reviews)
  • Amazon Best Sellers Rank: #164,399 in Books (See Top 100 in Books)

More About the Author

Peter Ames Carlin is a journalist and occasional writer of books, a resident of Portland, Oregon, an occasional modern dancer (no, really) and so much more, or possibly less, depending on your perspective.

He is also the author of PAUL McCARTNEY: A LIFE (Touchstone, November, 2009) and CATCH A WAVE: THE RISE, FALL AND REDEMPTION OF THE BEACH BOYS' BRIAN WILSON (Rodale, 2006).

The journalism career, ongoing since 1985 (approx.) includes many years of free-lancery in Portland (High points including cover stories in the New York Times Magazine and the Los Angeles Times Magazine, plus also co-authorship of BEYOND THE LIMITS (Little, Brown, 1993), the autobiography of mountaineer Stacy Allison. Then came the New York years, serving as a senior writer at People magazine (highlights: profiles of Brian Wilson, Ernest Hemingway and a brief, exciting jaunt to the first-ever rock 'n' roll fantasy camp). Then back to Portland to be The Oregonian newspaper's tv critic (highlights: Many, many trips to the TV Critics Association press tours in and around Los Angeles). These days he serves The O as a roving cultural reporter, a job which changes from day to day according to whim, fact and fancy. Mostly whim.

On a personal level: A wife and three children; a dog; running (when not injured), cycling (ibid) and swimming (when everything else fails). Piano and guitar. Listens to a lot of music, reads as much as possible, watches the better tv shows. Mostly cable, it seems.

The modern dance thing: A brief, yet explosive career as part of Linda Austin's Boris and Natasha Modern Dance troupe. All untrained (read: unskilled) guys, including, for some reason, prominent politicians, an artist, a bicycling advocate, and PAC. Three performances, all spring 2009, two at Austin's own space in Portland, the third (and last), in front of 3,000 people at Portland's Keller Auditorium, as part of the hugely successful fundraiser for Oregon Ballet Theater. Fellow performers, including principal dancers from the Joffrey, the NYC ballet, the SF ballet, and more, were remarkably patient, kind and non-violent, considering what we were doing to their beloved art, right on the same stage. You can find it on youtube. Search for 'Boris and Natasha on catnip.' It's short, weird and arguably disturbing.

 

Customer Reviews

34 Reviews
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Average Customer Review
4.2 out of 5 stars (34 customer reviews)
 
 
 
 
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29 of 31 people found the following review helpful:
3.0 out of 5 stars Less than expected, January 8, 2007
By 
This review is from: Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson (Hardcover)
I am a big fan of the music of Brian Wilson and the Beach Boys. I had listened to Peter Carlin discuss the book with Bob Edwards on XMPR radio and thought it sounded really interesting (particularly his discussion of his meetings with The Wondermints and the creation of the Smile CD two years ago) despite the fact that so much has already been written about Brian.

On the pro side, I thought this was a very well-written book that carries the reader along quickly and enjoyably. Carlin has taken a clear-headed approach and avoids getting mired in the grotesque stories of Murray Wilson's alleged abuse (though he doesn't stray from discussions of Murray either). Further, although I suspect Mike Love might disagree, I think he gives the reader a fair amount of insight in to the frustrations that the other members of the band may have experienced in dealing with Brian after he stopped touring (and especially from Pet Sounds on) and how that impacted their relationships.

However, on the con side: I think the book really doesn't spend nearly enough time detailing the "Fall, and Redemption" of Brian. Though he mentions some incidents on airplanes in the early/mid 1960s, the bizarre behavior in the decades thereafter, and some of the behavior of "Dr." Landy, I don't feel like it was detailed enough for me to get much insight into what caused the breakdowns and fall (and what the fall really entailed) and whether the redemption was truly a redemption (his descriptions of a waxy Brian performing make me question whether he has returned to health).

Further, although I appreciate Carlin's skeptical eye regarding past Beach Boys biographies, interviews and other writings, I feel like the book is somewhat too reliant on them and that there are too few new revelations in the reporting.

I recognize that it is difficult to encapsulate an approximately 45 year career and 60 year life into 300 pages, but I feel like the net result was less meaty than I had hoped.
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32 of 35 people found the following review helpful:
5.0 out of 5 stars Catch A Perfect Book, August 1, 2006
By 
Amazon Verified Purchase(What's this?)
This review is from: Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson (Hardcover)
This is a beautifully written book about a highly gifted artist. When I had to put "Catch A Wave" down to get some work done, I'd put on whatever Beach Boy song I had been reading about while I worked, including "Pet Sounds Sessions." I also felt complelled to listened to my old Three Dog Night Album not knowing why until I read page 130. Along with the insight into Brian's life, this book stirred up a lot of memories, creative juices and deep intuition. Thank you Peter Ames Carlin for a great read on my favorite musician and for the energy of Catch A Wave.
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27 of 32 people found the following review helpful:
4.0 out of 5 stars Personal Traumas and Triumphs, July 28, 2006
By 
Robert M. Burlingam Jr. (Villas, NJ United States) - See all my reviews
(REAL NAME)   
Amazon Verified Purchase(What's this?)
This review is from: Catch a Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson (Hardcover)
Brian Wilson remains one of the most gifted and innovative American writers and producers. He paid the price. David Leaf's masterwork The Beach Boys and The California Myth (1977) gave us a glimpse of the tortured artist. Wilson's own autobiography Wouldn't it Be Nice (My own story-1991)was tainted with Eugene Landy's own summarizations. Tim Whites 1996 Biopic The Nearest Farthest Away Place was also fresh and revealing.
The Book does not offer any new material to ponder, but a rather the repaved thoroughfare of the Brian Wilson looking glass. Everything is researched thoroughly and correctly, but bares nothing that a bonofide Brain Wilson fan wouldn't have already known.
I think there is plenty of existing literature available now or otherwise. Brian Wilson Biopics are always a good reads, however one tends to wanna quench his or her need to search each subsequent bookwork for saucier detailing on Wilson's personal traumas in lieu of his personal triumphs.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
tack piano, vocal sessions, good vibrations, surfer girl
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Beach Boys, Van Dyke, Brian Wilson, Pet Sounds, Los Angeles, Rolling Stone, New York, Mike Love, Capitol Records, Warner Brothers, David Leaf, Stan Love, Tony Asher, Murry Wilson, Dennis Wilson, Endless Summer, Stephen Love, Beverly Hills, Smiley Smile, Terry Melcher, Wouldn't It Be Nice, Bruce Johnston, David Marks, Four Freshmen, Michael Vosse
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