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Cave Paintings and the Human Spirit: The Origin of Creativity and Belief
 
 
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Cave Paintings and the Human Spirit: The Origin of Creativity and Belief [Hardcover]

David S. Whitley (Author)
4.1 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

January 10, 2009
The magnificent prehistoric art discovered in caves throughout France and Spain raises many questions about early human culture. What do these superbly rendered paintings of horses, bison, and enigmatic human figures and symbols mean? How can we explain the sudden flourishing of artistic creativity at such a high level? And in what ways does this artwork reflect the underlying belief system, worldview, and life of the people who created it?

In this fascinating discussion of ancient art and religion, Dr. David S. Whitley--one of the world's leading experts on cave paintings--guides the reader in an exploration of these intriguing questions, while sharing his firsthand experiences in visiting these exquisite, breath-taking sites.

To grasp what drove these ancient artists to create these masterpieces, and to understand the origin of myth and religion, as Whitley explains, is to appreciate what makes us human. Moreover, he broadens our understanding of the genesis of creativity and myth by proposing a radically new and original theory that weds two seemingly warring camps from separate disciplines.

On the one hand, archaeologists specializing in prehistoric cave paintings have argued that the visionary rituals of shamans led to the creation of this expressive art. They consider shamanism to be the earliest known form of religion. By contrast, evolutionary psychologists view the emergence of religious beliefs as a normal expression of the human mind. In their eyes, the wild and ecstatic trances of shamans were a form of aberrant behavior. Far from being typical representatives of ancient religion, shamans were exceptions to the normal rule of early religion.

Whitley resolves the controversy by interweaving the archaeological evidence with the latest findings of cutting-edge neuroscience. He thereby rewrites our understanding of shamanism and its connection with artistic creativity, myth, and religion.

Combining a colorful narrative describing Whitley's personal explorations at key archaeological sites with robust scientific research, Cave Paintings and the Human Spirit makes for engrossing reading. It provides a profound and poignant perspective on what it means to be human.


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Editorial Reviews

Review

"A beguiling and compelling take on the precise moment in history when art and religion first collided and human civilization began. At the same time, it's a fascinating inside look at the life of a working archaeologist who seeks to answer the ultimate question of what distinguishes us from other creatures on earth. An accomplished and important book by a gifted author --- exciting, provocative, and illuminating." --Jonathan Kirsch, Author of The Grand Inquisitor's Manual: A History of Terror in the Name of God

"New finds, new insights, new ideas, therefore new disputes are enlivening study of the famous painted images in the Ice Age caves. David Whitley, himself active in the field, gives an enticing personal account - informed,
smart, sharp" --Christopher Chippindale, Museum of Archaeology & Anthropology, University of Cambridge, England

"The cave paintings of France and Spain, which date from 35,000 to 10,000 years ago, have posed an intriguing enigma since they were first reccognized. Experts have debated, and ordinary people have wondered, why they were painted and what they might mean. David Whitley's take is one of the more original interpretations, and certainly an interesting one. And the man can write. His descriptions of the sites and the art in the caves are captivating and poetic. And the man can write."
--Jean M. Auel, Author

"A beguiling and compelling take on the precise moment in history when art and religion first collided and human civilization began. At the same time, it's a fascinating inside look at the life of a working archaeologist who seeks to answer the ultimate question of what distinguishes us from other creatures on earth. An accomplished and important book by a gifted author --- exciting, provocative, and illuminating." --Jonathan Kirsch, Author of The Grand Inquisitor's Manual: A History of Terror in the Name of God

"New finds, new insights, new ideas, therefore new disputes are enlivening study of the famous painted images in the Ice Age caves. David Whitley, himself active in the field, gives an enticing personal account - informed,
smart, sharp" --Christopher Chippindale, Museum of Archaeology & Anthropology, University of Cambridge, England

"A beguiling and compelling take on the precise moment in history when art and religion first collided and human civilization began. At the same time, it's a fascinating inside look at the life of a working archaeologist who seeks to answer the ultimate question of what distinguishes us from other creatures on earth. An accomplished and important book by a gifted author --- exciting, provocative, and illuminating." --Jonathan Kirsch, Author of The Grand Inquisitor's Manual: A History of Terror in the Name of God

"New finds, new insights, new ideas, therefore new disputes are enlivening study of the famous painted images in the Ice Age caves. David Whitley, himself active in the field, gives an enticing personal account - informed,
smart, sharp" --Christopher Chippindale, Museum of Archaeology & Anthropology, University of Cambridge, England

About the Author

David S. Whitley, PhD (Tehachapi, CA), who has served as Chief Archaeologist at UCLA, is a Principal at ASM Affiliates, Inc., an archaeological consulting firm. He is also an adjunct professor in the School of Geographical Sciences at Arizona State University and the author of Introduction to Rock Art Research, selected by Choice in 2006 as an Outstanding Academic
Title.

Product Details

  • Hardcover: 322 pages
  • Publisher: Prometheus Books (January 10, 2009)
  • Language: English
  • ISBN-10: 1591026369
  • ISBN-13: 978-1591026365
  • Product Dimensions: 9.1 x 6.1 x 1.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #523,548 in Books (See Top 100 in Books)

More About the Author

I decided to become an archaeologist when I was three years old, and determined that I would study cave paintings (rock art) when I was 12. No one told me, at the time, that rock art was an ignored topic in American archaeology (I have wondered, ever since, whether that was an appropriate age to make a major career decision). Regardless of cause, I primarily write about prehistoric art and religion, which I find harder to study, and consequently much more interesting, than the standard archaeological topics of tool technology and diet. We may be what we eat (as the saying goes), but it makes for boring conversation--and not terribly compelling archaeological research either, in my opinion.

The point of departure in my studies is the rock art of far western North America. My understanding of this art primarily derives from Native American ethnography--anthropological accounts of tribal religions and practices. Though the deep prehistoric past certainly differed from historical conditions, ethnographic descriptions provide us with the best models for reconstructing the prehistoric unknown. In my latest book, CAVE PAINTINGS AND THE HUMAN SPIRIT, I've used this understanding as a springboard for examining the ultimate origin of art and religion.

I live near Tehachapi, California, in a forest of blue oak trees. When I'm not working or writing, I ride my faithful old ranch horse, Twelve,through the mountains. It's the best way to think.


 

Customer Reviews

7 Reviews
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Average Customer Review
4.1 out of 5 stars (7 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 10 people found the following review helpful:
4.0 out of 5 stars Cave Paintings and the Human Spirit, December 4, 2010
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This review is from: Cave Paintings and the Human Spirit: The Origin of Creativity and Belief (Hardcover)
As an aerchaeologist working for the State of California and as a CRM specialist, I have been to (and worked at) many of the rock art sites discussed in Whitley's book. Also, I have spent much of my life among different Native American communities, so his discussion of shamanism resonated with me. I have been teaching anthropology courses at night at a local Community College and found his insights useful in explaining human beliefs in rock art (so-called for lack of a broad enough and accurate enough defining term...). I read his book and others he has published in tandem with three related recent publications by David Lewis-Williams (the Mind in the Cave, Inside the Neolithic Mind, and Conceiving God) and recommend that those people wishing to learn about cognitive archaeology, religion, first art, shamanism or other "near-the-mark" topics read these four books as a group, in order of publication date. Very enlightening.
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11 of 12 people found the following review helpful:
5.0 out of 5 stars Stunning Achievement, January 8, 2009
This review is from: Cave Paintings and the Human Spirit: The Origin of Creativity and Belief (Hardcover)
If you have ever looked at a prehistoric painting on rock or a carving into rock, this book is a must read. Whitley takes the reader on a journey that will delight. For those who love big thoughts and big ideas, backed up by real writing and detailed research, this book is a must. For those who love mysteries that are unraveled through careful thought and twists in a story, this book is a must. For those like to sink their teeth into details that nobody else has written about, let alone done painstaking research, this book is a must. But most importantly, it is just a fun read.
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7 of 8 people found the following review helpful:
5.0 out of 5 stars Archaeological evidence and analysis blends with insights in evolutionary psychology and neuroscience, March 14, 2009
This review is from: Cave Paintings and the Human Spirit: The Origin of Creativity and Belief (Hardcover)
CAVE PAINTINGS AND THE HUMAN SPIRIT: THE ORIGIN OF CREATIVITY AND BELIEF offers a college-level discussion of ancient art and religion by one of the world's foremost experts on cave paintings. Archaeological evidence and analysis blends with insights in evolutionary psychology and neuroscience to provide a new understanding of shamanism and its connections with early myth and religion. While this could have been featured in our 'spirituality' section, it's reviewed here for its importance to college-level science holdings, as well.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
shamanistic rock art, chronometric results, shamanistic interpretation, rock varnish, shamanistic trance, shamanic trance, rock art research, neuropsychological model, cave art
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Native American, Chauvet Cave, New World, Trois Frères, North America, Ice Age, Coso Range, Jean Clottes, Old World, Mojave Desert, South American, University of Arizona, Native California, South African, Robert Bégouën, European Paleolithic, David Lewis-Williams, Western Europe, Salon of the Bulls, United States, Franz Boas, Côa Valley, Bering Strait, Upper Duoro, Homo Sapiens
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