From School Library Journal
Starred Review. Grade 5-10–The history of art is long and complex, yet Sayre has managed to show 50 major works of art from 22,000 B.C. to A.D. 1964 and successfully summarize the background of each one, the artist, and its social and historical context as well as the reason(s) it is important. The masterpieces discussed begin with
Woman from Brassempouy and conclude with René Magritte's
The Son of Man. The author's breezy style captures interest early on and is easy enough for beginning art students while remaining informative for teens. Many of the world's cultures are represented and a variety of techniques are explained: woodblock printing, painting, tapestries, primitive carving, sculpture, and more. The full-color reproductions are at least a quarter-page in size, though most are larger. A funky, framed inset box gives the title, medium, size, artist, and year the work was created. Though some pages seem a little crowded, the layout is energetic enough to forgive the loss of white space. A time line runs along the outside edge of the pages, with an asterisk marking the date of the depicted pieces. A dazzling and accessible introduction to art history.
–Heather E. Miller, Homewood Public Library, AL Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Gr. 3-7. In less than 100 pages, Sayre manages to present a lavishly illustrated world tour of art, from a prehistoric figurine carved from a wooly mammoth tusk to Andy Warhol's watershed 1962 painting of a Campbell's tomato soup can. Printed on thick paper, each spread features a sharply reproduced image of an individual artwork, a time line placing the work in history, and a story about the artist, the medium, or the piece's origins. Unfortunately, several typos and at least one factual error (a reference to carbon monoxide in human breath, rather than carbon dioxide) undermine the text, and, just as frustrating, there are no notes or bibliography. Still, despite these reservations, this is an accessible, visually engaging, multicultural survey of art, a rarity for this age group, and young readers will come away with a better understanding of the complex societies, across the ages and continents, that responded to their worlds through art. Keeping in mind the cautions mentioned above, suggest this to teachers, as a versatile resource for classroom sharing across the curriculum.
Gillian EngbergCopyright © American Library Association. All rights reserved