Product Details

• Actors: Melanie Griffith, Stephen Dorff, Alicia Witt, Adrian Grenier, Lawrence Gilliard Jr.
• Directors: John Waters
• Writers: John Waters
• Producers: Anthony DeLorenzo, Fred Bernstein, John Fiedler, Joseph M. Caracciolo Jr., Mark Tarlov
• Format: Color, NTSC
• Subtitles: Spanish
• Rated: R (Restricted)
• Number of tapes: 1
• Studio: Live / Artisan
• VHS Release Date: January 23, 2001
• Run Time: 87 minutes
• Average Customer Review: 3.6 out of 5 stars  See all reviews (82 customer reviews)
• ASIN: B000055WG9
• Amazon Best Sellers Rank: #684,620 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

John Waters spoofs independent filmmaking at its most absurd fringe with this affectionate portrait of a guerrilla filmmaking collective that declares war on Hollywood drivel. Bitchy screen queen Honey Whitlock (Melanie Griffith, whose kewpie doll voice and aging baby face are right at home) is kidnapped by would-be auteur Cecil (Stephen Dorff), a slogan-spouting bottle blonde with a cult-like crew of cinema outlaws called "The Sprocket Holes." Cecil has declared war on Hollywood with the ultimate underground movie, "Raving Beauty," and his reluctant star Honey soon adopts her young misfit captors like a worried Mommy as her cultural cachet rises: the falling star has turned into a cult cinema rebel. It's a bizarre revision of the Patty Hearst story (with Hearst herself in a supporting role) full of film insider jokes and '60s revolutionary references, but it's more spoof than satire. Waters's primitive style is often clumsy, and the picture moves in fits and starts, but the cast's enthusiasm brings it to life. Waters has always celebrated misfits, outcasts, and cultural rebels and their self-made families, and this is his most outrageous, anarchic such bunch in decades. Through all the shootouts, bomb throwing, and fights with angry teamsters and suburban moms, there's an odd sense of innocence to the enterprise. It's as if Waters wants to remind us: it's only a movie. --Sean Axmaker

From The New Yorker

The new John Waters picture takes its place in the long and semi-honorable tradition of Hollywood self-scorn. The title character is an underground movie director (Stephen Dorff) dedicated to the demolition of standard studio pap. Surrounded by his gang of guerrilla technicians, he kidnaps a lustrous star (Melanie Griffith) and forces her to play the lead in his latest slice of zero-budget decadence. As Cecil and his crew attack multiplexes and movie sets, it's never quite clear where they or Waters are pointing their radical rage: at the process of filmmaking, at the national theatre chains, or at those citizens of a free America who exercise their right to watch baloney. The movie promises to be funny, should be funny, and spends most of the time teetering on the brink of being funny, but it just isn't funny. The trouble is that real events have overtaken the conceit; there are plenty of young indie directors out there who, fired by the success of "The Blair Witch Project" and the Dogme group, have every hope of getting their spicy, home-baked pictures onto the big screen. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Most Helpful Customer Reviews

13 of 14 people found the following review helpful:

5.0 out of 5 stars Long Live Guerrilla Film-Making, January 31, 2001

By A Customer

This review is from: Cecil B Demented (DVD)

Even if you're not a fan of John Waters, which I am, this movie is worth seeing at least twice. Despite Melanie Griffith's somewhat tepid acting,its absolute absurdity at times will have you laughing long and hard. And not only is it a spectacular comedy but, like all John Waters films, it's got something to say. Cecil and the Sprocket-Holes' absolute disgust of mainstream film, while taken to ridiculous measures, makes one think: Why ARE there so many movies based on video games? Why do we insist on re-making wonderful foreign films just so we don't have to read subtitles? WHY ARE THERE TWO BRADY BUNCH MOVIES?????? Being something of a film coneisseur myself, as well as an aspiring film-maker, this movie held a lot more than a few laughs for me. I often found myself screaming obscenities along with Cecil's misfit gang. Stop the mass distribution of mediocre films. Yeah! Bring back the dream. Yeah!!! Family (as in "family films") is just another word for censorship! YEAH!!!!! Power to the people who punish bad cinema! YEAH!!!!! Ok, so perhaps I need to get a life. Be that as it may, Cecil B. Demented is still a great flick. If nothing else, watch it for the laughs...and the Christmas Trees. You'll see.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Instead of wasting your money on another Kevin Costner movie, December 25, 2000

By 

Tracey P (Granite City, IL United States) - See all my reviews

This review is from: Cecil B Demented (DVD)

We all know John Waters, and if you don't maybe you should ask yourself why this selection should interest you in the first place. He has created B rate films that were sure to shock the audience, and force them into convulsions. That was the late seventies, and yes everyone must "grow up" (and I use this term loosely.) This movie, unlike most of his work does have a political issue to accompany the unique behaviors displayed by the unique characters. It is a message of insulting the conformist society that pays to see movies like "Runaway Bride," at the theatre. His characters are, as always, well developed and completely motivated in the genre created by Waters. If you believe that society should revolt against the spoonfed cinema forced down the public's throat, like we are mentally challenged infants, this film is definitely for you. It is a movie that is non-passive in its message that it is better to have a strong and passionate viewpoint than no viewpoint at all. DEMENTED FOREVER!

5 of 5 people found the following review helpful:

4.0 out of 5 stars One "DEMENTED" Film!, April 11, 2001

By 

Reviewer - See all my reviews

This review is from: Cecil B Demented (DVD)

Mainstream movies and the studio system, as well as independent films and filmmakers, are sliced, diced, hammered and shredded by writer/director John Waters in his biting and funny satire, "Cecil B. Demented," starring Stephen Dorff and Melanie Griffith. Railing against convention and adamant in his quest, a young man who wants to make a statement about bad movies, the way they're made, those who participate in these cinematic transgressions and those who flock to theaters to see the final product, dubs himself "Cecil B. Demented" and sets out to make a "real" indie film. Toward this end, he assembles a group of like-thinking would-be filmmakers and forms them into a lethal band of cinematic guerrillas he names the "Sprocket Holes," and has them take jobs at and infiltrate a theater in Baltimore that is about to hold a lavish premiere of a new movie featuring Hollywood star Honey Whitlock (Griffith). Honey herself is scheduled to attend, and Demented's plan is to kidnap her and force her to star in his film, which will be shot "ambush" style, intruding upon real people and situations, rolling film and getting it in the can before anyone knows what happened. He hopes. Dedicated to making the kind of movie that should be made, the Sprocket Holes are not only willing to die for their art, but go so far as to take a vow to remain chaste until the film is completed.

"Demented" is by turns outrageous, violent and hilarious, and-- some would say, subjectively speaking-- that Waters pushes the envelope of good taste to the limit. But then again, he usually does, and it usually works. Anyone who knows John Waters' movies knows what to expect (indeed, anticipate), but those who come to his work unawares may be in for a jaw-dropping eye opener. When satire is done well it can cut both ways; this one is, and it does. Movies made by the studios for no other purpose than to make a buck, and which contain no artistic merit whatsoever are the obvious target of Waters' barrage, but so are the "auteur," legends-in-their-own-minds "indie" filmmakers with a penchant for taking themselves too seriously. Along the way, Waters is having a laugh at himself, even as he laughs along with his fellow filmmakers at both ends of the spectrum, those at whom his shots are being fired.

As Demented, Dorff takes a somewhat over-the-top and highly energized approach to the character, in a performance punctuated with exclamation points. But he leaves no doubt in the mind of the viewer that he IS Cecil B. Demented. And you know that come what may, there's going to be no stopping him. Griffith, meanwhile, adds a nice touch as Honey, a character through whom we see all the transparencies of a Hollywood "star," whose career has never been hampered by bad acting. Inured of a caustic and ego driven personality, she nevertheless manages to garner some sympathy as the story moves along and her vulnerable side is exposed. Griffith is perfect for the part, which is something of a good natured nudge in the ribs of her own image. As intended, it's just another instance of Waters pulling aside the curtain to reveal what is really behind the facade.

In a supporting role, Alicia Witt gives a memorable performance as Cherish, the porn star who sees her co-starring role with Honey in Demented's film as a way of legitimizing her career, while at the same time thumbing her nose at the industry that has for so long shunned her "talents." The additional supporting cast includes Adrian Grenier (Lyle), Larry Gilliard Jr. (Lewis), Maggie Gyllenhaal (Raven), Jack Noseworthy (Rodney), Michael Shannon (Petie), Harriet Dodge (Dinah), Zenzele Uzoma (Chardonnay), Eric M. Barry (Fidget), Erika Lynn Rupli (Pam), Mink Stole (Mrs. Mallory), Patty Hearst (Fidget's Mother), Ricki Lake (Libby) and Kevin Nealon (Himself). A film that will definitely get your attention, "Cecil B. Demented" sets pretentiousness on it's ear by saying what most people think but rarely say due to the constraints of social protocol. Waters crosses some lines and doesn't pull any punches with this one, which may make it a bit hard for some to take; but movie lovers in general, and aficionados of independent film especially, should get a real kick out of it. It may be a bit skewed, but it's all a part of the magic of the movies.