Customer Reviews

Cecilia Bartoli - Mozart Portraits

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It was Maria Callas who complained that Mozrt is too carefully sung by singers - as if they're on their tiptoes. Well, on this disc is a singer who doesn't sing as if she's on her tiptoes; she breaks all the steroetypes associated with Mozart's music (you know, the period style-followers and those who argue that Mozart should be sung lightly)and gives us a completely emotional portrayal of the composer's heroines. Of the many pieces represented, I found the two beautiful Giovanni arias most satisfying, although all are wonderfully sung. Batti, batti is sung with a delicateness that makes you feel like you're eating the sweetest chocolate and enjoying every moment of it. In quali...Mi tradi is sung with a grittiness that really portrays the true emotions of Donna Elvira, who is a broken woman - the feisty singing og the recitativo almost sounds like the vengeful Medea (but thankfully, it isn't quite that extreme). Every note Bartoli sings portrays some kind of emotion - she is a singer who really has a joie de vivre in her singing. Every note is a joy to hear because she is transmitting her own joy for singing. I have rarely heard such a natural commuinicator in singing, which I regard as the highest form of art. In Exsultate, jubilate Bartoli sings like the words - exalted and jubilant. The Alleluia is a sheer joy to hear. Everything on this disc is simply great. I have always said that music is about communication of emotions and this is precisely it. I am not just writing all sorts of superlatives because I'm a huge fan (I am a huge fan though), but because she fulfils the meaning of music through her singing and serves the composer as faithfully as she can. She is a singer that makes you feel great about living. There can't be many performers who can do that. Brava.

...the day Cecilia Bartolli was born. Talk about blessed -- all this and such a versatile voice, too. Mozart would have been delighted.

However, I don't think she's perfect. Yet. This recording is, however. The orchestra has just the right timbre to complement the richness of her voice. And it is a rich voice. In fact, my main complaint is that I think she has outgrown Mozart's Susanna. Her voice is perfect for the Countess, and the rendition here of E Susanna non vien! is utterly charming and believable, with just the right touch of pathos.

The other aria that bothered me was the Batti, batti, o bel Masetto. She just sings it beautifully, of course, but it deserves more con fuoco at the beginning (she is, after all, begging to be beaten!) and more espansivo at the end, possibly with a touch of arrogance. Callas sang it that way once.

I prefer Kathleen Battle's Alleluia because she's more precise. Bartolli sings it "scorrevole." It's easy for her, as easy as a mother will sing a lullabye to a child. To me, this prayer needs vocal fireworks -- like an explosion of faith and gratitude. Bertolli can do it, she just chooses not to. That's why I can't fault her for it. After all, she made the album, it's her choice.

In all I really love this album and I love her voice. How wonderful it must be to have the ability to open your mouth and have such musical richness issue forth. The pleasure alone has to be worth all the work and effort it takes to make it that way.

this got me hooked on Cecilia Bartoli. I heard the Mozart Exultate Jubilate over the radio, every hair on my body upright & quivering with delight. She sings it like you dream to hear someone sing it. Heavenly! And then you disover the rest of the cd is like unpacking a treasure chest - one gem following the other. Don't just sit there, buy it :) For once in your life, you will NOT be sorry :)

It was Maria Callas who complained that Mozrt is too carefully sung by singers - as if they're on their tiptoes. Well, on this disc is a singer who doesn't sing as if she's on her tiptoes; she breaks all the steroetypes associated with Mozart's music (you know, the period style-followers and those who argue that Mozart should be sung lightly)and gives us a completely emotional portrayal of the composer's heroines. Of the many pieces represented, I found the two beautiful Giovanni arias most satisfying, although all are wonderfully sung. Batti, batti is sung with a delicateness that makes you feel like you're eating the sweetest chocolate and enjoying every moment of it. In quali...Mi tradi is sung with a grittiness that really portrays the true emotions of Donna Elvira, who is a broken woman - the feisty singing of the recitativo almost sounds like the vengeful Medea (but thankfully, it isn't quite that extreme). Every note Bartoli sings portrays some kind of emotion - she is a singer who really has a joie de vivre in her singing. Every note is a joy to hear because she is transmitting her own joy for singing. I have rarely heard such a natural commuinicator in singing, which I regard as the highest form of art. In Exsultate, jubilate Bartoli sings like the words - exalted and jubilant. The Alleluia is a sheer joy to hear. Everything on this disc is simply great. I have always said that music is about communication of emotions and this is precisely it. I am not just writing all sorts of superlatives because I'm a huge fan (I am a huge fan though), but because she fulfils the meaning of music through her singing and serves the composer as faithfully as she can. She is a singer that makes you feel great about living. There can't be many performers who can do that. Brava.

If Bartoli's sheer range (come on, she can hit the notes. She isn't really a mezzo-soprano) doesn't impress you on this CD, her incredible finesse in dynamic contrast will assuredly seduce you. She touches on the high notes like a pearl drop, her tone left to resonate beautifully for our pleasure. She handles the roles of Mozart's timeless characters in Figaro, Don Giovanni, and Cosi with excellent vocal subtleties and ornamentations. The last track, Exsultate Jubilate, Bartoli handles with ease, while other singers sound as if they were a mouse being chased by a cat. It is the best recording of Mozart's Alleluia I have ever heard, and exclamation point to these wonderful Portraits of Mozart.

"Exultate, Jubilate" seems to be one of those works which every soprano records at some point in her career. Among others, I've heard recordings by Barbara Bonney, Sumi Jo, and Kathleen Battle. But if I had to choose only one recording of "Exultate, Jubilate" to content myself for the rest of my life, it would definetly be this recording - Cecilia Bartoli's. She sings gloriously, with such an infectious joy that I've never heard in the others (Sumi Jo comes close, but still too careful and measured). The orchestration is also great - big and full of gusto, just like Cecilia's voice.

I haven't listened closely to the rest of the disc, but from what I have, it is just as well done as the "Exultate, Jubilate" (especially the Countess's "Dove Sono" and Despina's humorous "In Uomini, in Soldati"). As one reviewer pointed out, this recital would have made Mozart proud - I heartily agree.

This is one of my very favorite discs--Mozart singing as I think it should be. While Bartoli may not have the ideal tone color for some of these--very diverse--roles, her interpretations approach perfection. She doesn't just sing the part, she becomes the character.

For example, Fiordiligi. Well-known sopranos such as Te Kanawa, Caballe, and Fleming have sung the role with some success. Bartoli's reading makes those women's attempts seem soulless and clunky. Her phrasing is totally appropriate; her breath control astounding, and the coloratura/high-note issues are handled not just with skill, but with meaning. She is incisive, impassioned, introspective, remorseful--whatever the text and music demand. Her "Per pieta", in particular, is the most moving I have ever heard.

The rest of the music is handled with equal attention--Despina, Susanna, the Countess, Zerlina, Donna Elvira--all these become real people, with distinct personalities, under Bartoli's care. "Exsultate, jubilate" is just as impressive. I cannot help wondering what opera would be like if other singers gave as much to their performances as Bartoli gives to these.

If I could own just ONE Mozart recital disc, it would be this one. (Though Renee Fleming's Mozart collection is superb as well). I believe that the two arias for Fiordiligi in COSI FAN TUTTE included here are among Bartoli's very finest recordings to date. But all of the arias on this CD are memorably performed. Please buy "Mozart Portraits"!

It was Maria Callas who complained that Mozrt is too carefully sung by singers - as if they're on their tiptoes. Well, on this disc is a singer who doesn't sing as if she's on her tiptoes; she breaks all the steroetypes associated with Mozart's music (you know, the period style-followers and those who argue that Mozart should be sung lightly)and gives us a completely emotional portrayal of the composer's heroines. Of the many pieces represented, I found the two beautiful Giovanni arias most satisfying, although all are wonderfully sung. Batti, batti is sung with a delicateness that makes you feel like you're eating the sweetest chocolate and enjoying every moment of it. In quali...Mi tradi is sung with a grittiness that really portrays the true emotions of Donna Elvira, who is a broken woman - the feisty singing of the recitativo almost sounds like the vengeful Medea (but thankfully, it isn't quite that extreme). Every note Bartoli sings portrays some kind of emotion - she is a singer who really has a joie de vivre in her singing. Every note is a joy to hear because she is transmitting her own joy for singing. I have rarely heard such a natural commuinicator in singing, which I regard as the highest form of art. In Exsultate, jubilate Bartoli sings like the words - exalted and jubilant. The Alleluia is a sheer joy to hear. Everything on this disc is simply great. I have always said that music is about communication of emotions and this is precisely it. I am not just writing all sorts of superlatives because I'm a huge fan (I am a huge fan though), but because she fulfils the meaning of music through her singing and serves the composer as faithfully as she can. She is a singer that makes you feel great about living. There can't be many performers who can do that. Brava.

This is magic as all her other recoding are.Cecilia is a wonderful recoding artist and I say that with high praise.I grew up listen to the greatest recording artist ever The Beatles.So I love a well design (musically) CD that opens you open to new ways of looking at music and her recording have done that for me.Until last summer I never listen to one opera recording.At this point I have all of Cecilia's CD's.Let's put it this way you have Mozart and Cecilia how can you go wrong?

" Let me take you down,because I'm going to ....."

Enjoy.