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The Celebrated Jumping Frog of Calaveras County, and Other Sketches (1867) (The Oxford Mark Twain)
 
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The Celebrated Jumping Frog of Calaveras County, and Other Sketches (1867) (The Oxford Mark Twain) [Hardcover]

Mark Twain (Author), Shelley Fisher Fishkin (Series Editor), Roy Blount Jr. (Introduction), Richard Bucci (Contributor)
4.3 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

The Oxford Mark Twain March 6, 1997
Out of print for well over a century, Mark Twain's first book features 27 devilish and quicksilver sketches the author wrote while living in California and Nevada.


Editorial Reviews

About the Author

Shelley Fisher Fishkin, Professor of American Studies, University of Texas, Austin.

Product Details

  • Hardcover: 288 pages
  • Publisher: Oxford University Press, USA (March 6, 1997)
  • Language: English
  • ISBN-10: 0195114000
  • ISBN-13: 978-0195114003
  • Product Dimensions: 8.5 x 6.5 x 0.9 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #4,861,301 in Books (See Top 100 in Books)

More About the Author

Shelley Fisher Fishkin's broad, interdisciplinary research interests have led her to focus on topics including the ways in which American writers' apprenticeships in journalism shaped their poetry and fiction; the influence of African American voices on canonical American literature; the need to desegregate American literary studies; American theatre history; the development of feminist criticism; the relationship between public history and literary history; literature and animal welfare; and the challenge of doing transnational American Studies. Although much of her work has centered on Mark Twain, she has also published on writers including Gloria Anzaldua, John Dos Passos, Frederick Douglass, Theodore Dreiser, W.E.B. Du Bois, Paul Laurence Dunbar, Charlotte Perkins Gilman, Erica Jong, Maxine Hong Kingston, Tillie Olsen, and Walt Whitman.

Dr. Fishkin is a Professor of English and Director of the Program in American Studies at Stanford University. After receiving her B.A.from Yale College (summa cum laude, phi beta kappa), she stayed on at Yale for a masters degree in English and a Ph.D. in American Studies, and was Director of the Poynter Fellowship in Journalism there. She taught American Studies and English at the University of Texas from 1985 to 2003, and was Chair of the Department of American Studies. She is a Life Member of Clare Hall, Cambridge University, England, where she was a Visiting Fellow, and has twice been a Visiting Scholar at Stanford's Institute for Research on Women and Gender. She has been awarded an American Council of Learned Societies Fellowship, was a Fulbright Distinguished Lecturer in Japan, and was the winner of a Harry H. Ransom Teaching Excellence Award at the University of Texas.

Dr. Fishkin is the author, editor or co-editor of over forty books and has published over eighty articles, essays and reviews. Her work has been translated into Spanish, Japanese, Chinese, Russian, Georgian, and Italian, and has been published in English-language journals in Turkey, Japan, and Korea. She is the author of: From Fact to Fiction: Journalism and Imaginative Writing in America (winner of a Frank Luther Mott/Kappa Tau Alpha Award for outstanding research in journalism history) (Johns Hopkins, 1985); Was Huck Black? Mark Twain and African-American Voices (selected as an "Outstanding Academic Book" by Choice) (Oxford, 1993); Lighting Out for the Territory: Reflections on Mark Twain and American Culture (Oxford, 1997), and Feminist Engagements: Forays Into American Literature and Culture (selected as an "Outstanding Academic Title" by Choice) (Palgrave/Macmillan, 2009). She is the editor of the 29-volume Oxford Mark Twain (Oxford, 1996; Paperback reprint edition, 2009), the Oxford Historical Guide to Mark Twain (Oxford, 2002), "Is He Dead?" A New Comedy by Mark Twain (University of California, 2003), Mark Twain's Book of Animals (Univerisity of California Press, 2009), and The Mark Twain Anthology: Great Writers on his LIfe and Work (Library of America, 2010). She is also a producer of the adaptation of Twain's "Is He Dead?" which had its world debut on Broadway at the Lyceum Theatre in 2007, and was nominated for a Tony Award. She is the co-editor of Listening to Silences: New Essays in Feminist Criticism (Oxford, 1994); People of the Book: Thirty Scholars Reflect on Their Jewish Identity (Wisconsin, 1996); The Encyclopedia of Civil Rights in America (M.E. Sharpe, 1997); Mark Twain at the Turn of the Century, 1890-1910 (Arizona Quarterly, 2005); 'Sport of the Gods' and Other Essential Writing by Paul Laurence Dunbar (Random House, 2005), Anthology of American Literature, ninth edition (Prentice-Hall, 2006), Concise Anthology of American Literature, seventh edition (Prentice-Hall, 2010), and a special issue of African American Review devoted to the work of Paul Laurence Dunbar (autumn 2007). From 1993 to 2003 she co-edited Oxford University Press's "Race and American Culture" book series with Arnold Rampersad. She was co-founder of the Charlotte Perkins Gilman society, and has been president of the Mark Twain Circle of America and chair of the MLA Nonfiction Prose Division. She recently finished a term as President of the American Studies Association, and gave keynote talks during the last five years at national American Studies conferences in China, Denmark, Ireland, Japan, Korea, Russia, Taiwan, the United Kingdom, and the U.S. Her research has been featured twice on the front page of the New York Times, and in 2009 she was awarded the Mark Twain Circle's Certificate of Merit "for long and distinguished service in the elucidation of the work, thought, life and art of Mark Twain." She is t a member of the Board of Governors of the Humanities Research Institute of the University of California, and is a founding Editor of the new online Journal of Transnational American Studies [see http://news.stanford.edu/news/2009/march11/fishkin-publishes-american-studies-journal-030409.html and http://humanexperience.stanford.edu/twainanimals].



 

Customer Reviews

3 Reviews
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Average Customer Review
4.3 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

3 of 3 people found the following review helpful:
5.0 out of 5 stars excellent, July 27, 1998
By A Customer
"Jumping Frog" is a wonderful, hilarious story (among a group of several other great ones) that my father read to me as a kid. If you love Twain, get it.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars Can frogs really be "THAT" big?, January 22, 1999
By A Customer
Yes - they can. At Heights Elementary in Pittsburg California back 35 years ago or so we would have a jumping frog contest every year in the circles used for kick ball. All the kids would bring giant frogs and let them go from the center of the ring. OH MY! It was so much fun - all because of this book (I am still scared of frogs to this day) but I love the book and every kid should read it.
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3.0 out of 5 stars America's Story Teller, November 29, 2010
This review is from: The Celebrated Jumping Frog of Calaveras County, and Other Sketches (1867) (The Oxford Mark Twain) (Hardcover)
How does one assign a rating to Mark Twain? One obvious possibility is to give them all his works five stars. It could easily be argued that they all deserve it. On the other hand, giving them all the same rating would make ratings useless as a comparison between his works. One could look at how Mark Twain would rate his own work, but in the case of "The Celebrated Jumping Frog of Calaveras County and Other Sketches", published in May of 1867, it seems likely that Twain would have given it one star, given that he bought and destroyed all the plates for it. However, a one star rating would be a crime against literature and completely inappropriate for this collection. Ultimately, I can't see giving this book a rating below three stars, which might appear a bit low, but it does leave appropriate room for higher ratings for those of his works which are superior to this one.

The Oxford Mark Twain series is a wonderful collection. Each book is a facsimile of the first editions of his works (with a few noted exceptions), and the works are supplemented with a "Foreword" by the editor, an "Introduction" from a writer for whom the work had particular impact, and an "Afterword" from a scholar who examines the work in the context of the time and place in which it was written. The editor of the series is Shelley Fisher Fishkin, a professor of American Studies and English and an author of multiple books on Mark Twain. The "Introduction" in this volume is by Roy Blount Jr. and the "Afterword" by Richard Bucci.

In the "Introduction" by Roy Blount Jr., he states that he believes this is Twain's finest book. He indicates that the reason that this is true is because it is the only book which contains writings before Twain met the Honorable Anson Burlingame, and that without this book we wouldn't have any of Twain's later work. It is an interesting argument, but the last part doesn't really hold up because none of the sketches were published here for the first time, and Mark Twain had developed a name for himself before this book was published and probably would have continued writing if it had never been published. That being said, the core of the argument, i.e. that these works were important for the development of Twain as a writer, is certainly valid. The "Introduction" as a whole is humorous at times, but overly long and while Blount makes a joke of the padding he included, it was excessive to my tastes.

The original book is a collection of 27 sketches by Twain which were published in various newspapers around the country. In a couple of cases, the editor merged some of Twain's writings from multiple columns, and in many cases they do not appear under their original titles, but there are no pieces which appear here for the first time. Seven of these works were published during the American Civil War, and the rest were published in the year and a half after it ended with dates ranging from "Curing a Cold" (September 20th, 1863) through "Concerning Chambermaids" (December 15th, 1866). Many of these pieces are rich with Twain's humor and appreciation of the absurd, and some are a bit more thoughtful. The book is fairly short, and Roy Blount Jr. questions the omitting of certain of Twain's other works which he feels should have been included, in particular "The Great Prize Fight" and "Uncle Lige", as well as questioning some of the other editorial decisions. It is difficult to argue with this, as the reader certainly would appreciate more content.

The sketches vary in length, with many of the sketches only a few pages long, and others extending for more than 10 pages, but none of them are very long with the longest being the combination of columns which form "Answers to Correspondents" which is 24 pages. There is a lot to appreciate here, from the well known title piece, to the odd "An Item which the Editor Himself could not Understand", this is an enjoyable collection of short writings, and while it can't measure up to the greatness of "Adventures of Huckleberry Finn" or some of Twains other works, it should not go unnoticed, and thankfully Twain failed in his desire to destroy all the copies in existence, for we would be much poorer without it.
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