From Library Journal
At Forever and Forever, a Florida trailer park, the old folks wait passively for the ambulance to take them to the morgue. And that's the way its one-armed owner, Stump, likes it. For him, "Forever and Forever equals quiet and solitude and stillness and death." But Too Much, the voluptuous young woman who shares Stump's bed (and bathtub), has other plans. Proud of her power to "bring life where there had only been death, to bring joy and celebration where there had only been resignation and despair," she grimly sets out to do just that. From the author of The Mulching of America (LJ 11/15/95) comes another savage satire with the usual Crewsian elements: grotesque characters, bizarre situations, and black humor. Unfortunately, it lacks another element found in Crews's best novel, The Gypsy's Curse (LJ 4/1/74): humanity. The characters here are so repulsive and nasty that the reader doesn't care what happens to them. Even Too Much is too much. And for all the talk about joy and celebration, there is really very little. For larger fiction collections.
- ?Wilda Williams, "Library Journal"Copyright 1997 Reed Business Information, Inc.
Crews is a Rabelaisian satirist who toys with the more gothic aspects of southern literature, particularly in this kinky tale. Readers will know that they've entered the realm of the absurd as soon as they meet Too Much, a flexible and lusty beauty right out of
Lil' Abner, tight cutoffs, big boobs, and all. Too Much descends on a Florida trailer park called Forever and Forever like a hurricane, riling everyone at this purgatory for old folks who are too raggedy to enjoy retirement but not quite broken down enough for a rest home. Too Much easily seduces Stump, the bitter, one-handed vet who owns this depressing settlement, then unceremoniously deposes him while stirring up long-forgotten appetites in the Old Ones, with her five-alarm body and nihilistic faith in what she calls the "chance of ultimate possibility." Crews is funny, his plot is nearly surreal, and his playing with our notions of good and evil is clever and entertaining, but this is, at base, a very silly novel.
Donna Seaman