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8 of 8 people found the following review helpful:
4.0 out of 5 stars
Good prog metal band from Norway!, January 8, 2004
Hm, let's see....
The 1st thing that comes to mind here, after listening to the whole album is not Dream Theater, as some other reviewer said.
Instead, this singer seems to scream Geoff Tate.
I love it though, he is an excellent singer, as good as those of bands like Secret Sphere (my fave), Labyrinth, Kamelot, Rhapsody.
I hear a bit of Queensryche and their own style mixed to proggy epic metal (or call it power/speed metal or what have you), which makes for a flowing listening, very enjoyable, although this type of band tends to be a bit repetitive....
In my opinion, as far as I've been able to notice, only Secret Sphere was able to grow a bit more versatility than those other bands I've mentioned (Pagan's Mind included), with their 3rd cd Scent Of Human Desire.
I don't think I have a favorite on this Celestial Entrance, but I didn't notice any minor numbers either, everything is played well, professionally. Great production!
But, another point they share with all of the above mentioned bands, maybe the guitar solos at times could be a little less predictable, especially as far as choice of notes.
Personally, when I'm playing a solo, I don't like to hit the root note of every chord that's playing (especially the 4th of the key), and all these bands seem to be doing that a lot.
All of you who play guitar, like me, will probably understand what I mean.
I like fast scales too, and on this CD it's been done pretty well, like for example on the solo on Through Osiris Eyes.
Pretty good songwriting, for the most part, and arrangements; for example, I like the chord progression of the opening verse of Entrance Stargate....very tasteful vocal melody, the style was Geoff Tate, but that made it more interesting to me.
Fair balance, also, of heavier, prog and more melodic moments.
I particularly like the keyboard parts on this cd.
Overall, very good CD to listen to when you need something uplifting to bang your head to. It will grow on you every time you'll listen to it too!
At least it did me.
I also like this one better than the new Dream Theater, which, for me, is a lot to admit, since DT is my fave band.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars
Transcendence Pt. 2, August 15, 2003
By A Customer
To start, I must say I was a huge fan of Crimson Glory (CG) when they broke with Transcendence. In the 80's, Transcendence and Rage for Order were groundbreaking. Crimson glory imploded and Queensryche went alternative. Enter DT with Image and Words...the disk that saved prog until....Pagan's Mind.The singer reminds me of Midnight from CG and the production is excellent. The guitars are clean and very crunchy, the drums are tight yet powerful while the bass gives it weight (the keys are dominate in some places but, its ok). There are 2 guitars in this band but they are not the yngwie-type speed freaks. Their solos seem to have some thought behind them which, as you may know, can be lacking in some prog bands {ahem.....Magnitude 9}. For old and new fans of prog, you'll like this disk. Not bad at all. I cant wait for their new stuff.
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11 of 14 people found the following review helpful:
4.0 out of 5 stars
Definitely Worth a Purchase, September 1, 2004
While other power metal bands are out there usually rehashing the same idea over and over again (dungeons and dragons/ Lord of the rings power metal), PM have taken it a step further. Yes, they are at the core technically a power metal band, but have put strong progressive elements (dramatic keyboards, dialogue, unstandard song structures) to their sound unlike other bands. Not that these other bands are all bad, but a lot of the music is hard to differentiate.
A lot of people say the music has lots of elements of Dream Theater and Queensryche, sort of a fusion of modern prog metal and classic power rock. Now i myself have never heard Queensryche before, but I have heard Dream Theater, and this to me sounds similar to what they would sound like if they went went power metal (which means, yes! Melody!!!)
Guitars on this one are pretty thick, and w/ mid-tempo melodic riffs which lay on chorus amp sound effects, there's a very "icey" feeling in the guitars that at times is so soothing you'll feel like you're listening to a soundscape record (during the slower parts of course). The solo's have a very classic power rock influence on them (and at times so do the riffs); they're melidious although not always catchy, but it's mostly the actual sound effect of the guitar that pulls you in, they sort of sound like something you'd hear Van Halen or Def Leppard playing but not as corny. Vocals are very high pitched at times and definitely test lots of range; fans of James Labrie, Russell Allen and Daniel Heiman will definitely appreciate the pipes on this guy. Lots of melody is also added w/ atmospheric keyboard arrangements, which at times are also very Dream Theateresque, but at others are very dramatic and cold sounding. Bass and Drums are well audible due to amazing production where everything comes out crystal clear. Songs are pretty long, generally averageing around 7 minutes, so you do get your money's worth.
Most tracks on this one are great, like the stellar opener "Osiris' Eyes," w/ its soaring vocal chorus and catchy verses, it's a great way to kick off a record. The second track didn't really do much for me, there are too many power chord riffs, and though the verses do use some nice sounding clean guitar, it's not enough to catch my ears so this is really just a track I tend to skip sometimes (although not a BADLY written song). The third track, "Of Epic Questions," which seems to be about questioning God, I dig, it's got a cool keyboard opening and a catchy chorus that can get stuck in your head easily. Track 5 "Dimensions of Fire" I love and always make sure to play it when I pop in this disc. The riff is pretty old school sounding but still has a modern melodic razor edge and the vocals on this do an amazing job of layering upon the guitar chords. The dramatic keyboards help a lot also, although the middle of the song has some wierd dialogue as do a couple of other tracks. Tracks 6 and 7 are pretty good but just don't have that dramatic catchy edge i look for and realy only play those songs sometimes. I do like them for the guitar work though.
The highlight of the CD is tracks 8 and 9, the "Childhood" instrumentals. The first is only a few minutes long but it's basically a very groovy sounding acoustic which builds slowly into electric power chord epicness and puts me in a vast trance during each listen. The music is very soundscape,like I had mentioned before, and images of icey caves, snowy mountains, cloudy clear skies, and vast beautiful landscapes easily falls into mind when being whisked away by this and the next track. The second 9'15 sec instrumental is almost brilliant. The hard hitting track is sort of split into different segments but is still quick and has got LOTS of catchy power chord arrangements and beautiful keyboard work intertwined w/in. Definitely the type of track to soothe you after a long hard 8 hour work shift. The song ends w/ some of the most graceful and melodic guitar flaming finger soloing I've ever experienced. Things slow down as the piano ballad on track 10 follows. It's short but sweet and relaxing, almost romantic - more images of icey caves come to mind. "Aegean Shores" (track 11) I would say is ok but nothing incredible,and the 10 minute finale on this one could've definitely been better but does include some really nice keyboard and vocal work. Guitars solos on this one are very well done too.
Though I could've lived w/o a few tracks (hence the 4/5 star review), another small hindrence to me would have to lie w/in the melodies. While they are all very nice sounding, a lot of them feel recycled, like I've heard them used before. This might be because instead of complex vocal and keyboard hooks (where about 85% of the melody on this CD comes from), they opt for tone switching somewhat to the style of Fear Factory. Sort of like if you only hit 4 keys on a keyboard to create a melody, hold each of them individually for about 2 or 3 seconds then switch to the next note, and repeat.
Overall though, I'm definitely happy I got this, the cold chilly feelings of good hooks and progressive elements will definitely intrest those fans of bands like Dream Theater, Symphony X, Rhapsody, Lost Horizon, Spock's Beard, and other prog bands. I heard their first album was better so I'm excited about picking up that one soon also.
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