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Cell [Audiobook, Unabridged] [Audio Cassette]

Stephen King (Author), Campbell Scott (Reader)
3.4 out of 5 stars  See all reviews (1,032 customer reviews)


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Book Description

January 24, 2006
A través de los teléfonos móviles se envía un mensaje que convierte a todos en esclavos asesinos. Pocos se escapan de su fuerza y estos tendrán que sobrevivir en un mundo totalmente transformado.

Clayton Riddell no tiene teléfono móvil, su esposa, Sharon, tampoco. Están separados pero en contacto constante por su hijo Johnny Gee. Sus padres le han regalado un móvil para cosas urgentes. Saben que muy a menudo no lo lleva encima y por eso le riñen.
El uno de octubre Clay viaja a Boston por una entrevista de trabajo y de repente cuando pasea por el parque es testigo de escenas espeluznantes, escenas totalmente inexplicables: gente en la calle que hablando por el móvil se convierten repentinamente en monstruos asesinos, atacan y matan a todos los de su alrededor. Los coches chocan entre sí. Es una escena de caos sangriento, incendios, alarmas.. . incomprensible. Ya no hay canales de radio ni televisión, ni servicios de ningún tipo. Nada que pueda poner orden. Clay entiende que todo ha sido causado por un mensaje a través de los móviles. Consigue refugiarse en un hotel junto con otro hombre Tom McCourt y una adolescente, Alice, los dos sin móvil. Deciden abandonar la ciudad para averiguar si la situación es la misma en el resto del país. Para Clay, lo más importante es localizar a su hijo que, espera que hoy no lleve su móvil encima.
Los tres emprenden su viaje a pie hacia la ciudad donde vive Johnny y su madre. Andan de noche cuando los locos no se mueven. De día se esconden en casas abandonadas. En su camino se encuentran con otros que se han salvado pero son pocos y descubren que los locos se han convertido en una especie de zombies telepáticos. Estos se juntan de día en grandes masas, llamados por música transmitida por altavoces, en estadios de deportes. De noche duermen. Están controlados por los sonidos. Andan y andan hacia un solo destino.
La mujer de Clay ha sido víctima de la gran destrucción pero su hijo parece haber sobrevivido y Clay y sus dos compañeros siguen su pista. Van de ciudad en ciudad, entre cadáveres y zombies asesinos, entre el caos y la destrucción, hasta llegar a la ciudad de su destino.
Y allí Clay encontrará a Johnny, no el Johnny de antes, pero quizás algún día aprenderá de nuevo a ser un niño “normal”. El mensaje de los móviles va perdiendo toda su fuerza pero...el mundo nunca volverá a ser lo mismo.
--This text refers to an out of print or unavailable edition of this title.

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Editorial Reviews

Amazon.com Review

Witness Stephen King's triumphant, blood-spattered return to the genre that made him famous. Cell, the king of horror's homage to zombie films (the book is dedicated in part to George A. Romero) is his goriest, most horrific novel in years, not to mention the most intensely paced. Casting aside his love of elaborate character and town histories and penchant for delayed gratification, King yanks readers off their feet within the first few pages; dragging them into the fray and offering no chance catch their breath until the very last page.

In Cell King taps into readers fears of technological warfare and terrorism. Mobile phones deliver the apocalypse to millions of unsuspecting humans by wiping their brains of any humanity, leaving only aggressive and destructive impulses behind. Those without cell phones, like illustrator Clayton Riddell and his small band of "normies," must fight for survival, and their journey to find Clayton's estranged wife and young son rockets the book toward resolution.

Fans that have followed King from the beginning will recognize and appreciate Cell as a departure--King's writing has not been so pure of heart and free of hang-ups in years (wrapping up his phenomenal Dark Tower series and receiving a medal from the National Book Foundation doesn't hurt either). "Retirement" clearly suits King, and lucky for us, having nothing left to prove frees him up to write frenzied, juiced-up horror-thrillers like Cell. --Daphne Durham --This text refers to the Hardcover edition.

From Publishers Weekly

What if a pulse sent out through cell phones turned every person using one of them into a zombie-like killing machine? That's what happens on page six of King's latest, a glib, technophobic but compelling look at the end of civilization—or at what may turn into a new, extreme, telepathically enforced fascism. Those who are not on a call at the time of the pulse (and who don't reach for their phones to find out what is going on) remain "normies." One such is Clayton Riddell, an illustrator from Kent Pond, Maine, who has just sold some work in Boston when the pulse hits. Clay's single-minded attempt to get back to Maine, where his estranged wife, Sharon, and young son, Johnny-Gee, may or may not have been turned into "phoners" (as those who have had their brains wiped by the pulse come to be called) comprises the rest of the plot. King's imagining of what is more or less post-Armageddon Boston is rich, and the sociological asides made by his characters along the way—Clay travels at first with two other refugees—are jaunty and witty. The novel's three long set pieces are all pretty gory, but not gratuitously so, and the book holds together in signature King style. Fans will be satisfied and will look forward to the next King release, Lisey's Story, slated for October. (Jan. 24)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Product Details

  • Audio Cassette
  • Publisher: Simon & Schuster Audio; Unabridged edition (January 24, 2006)
  • Language: English
  • ISBN-10: 0743554329
  • ISBN-13: 978-0743554329
  • Product Dimensions: 8.6 x 5.2 x 2.3 inches
  • Shipping Weight: 1.3 pounds
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (1,032 customer reviews)
  • Amazon Best Sellers Rank: #2,227,136 in Books (See Top 100 in Books)

More About the Author

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. Among his most recent are the Dark Tower novels, Cell, From a Buick 8, Everything's Eventual, Hearts in Atlantis, The Girl Who Loved Tom Gordon, and Bag of Bones. His acclaimed nonfiction book, On Writing, was also a bestseller. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

 

Customer Reviews

1,032 Reviews
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Average Customer Review
3.4 out of 5 stars (1,032 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

46 of 52 people found the following review helpful:
4.0 out of 5 stars Don't Use Your Cell Phone, June 8, 2008
This review is from: Cell: A Novel (Hardcover)
The wonderful thing about King's new novel, Cell, is that he takes a relatively ordinary phenomenon of contemporary life and turns it into a shocking horror fest. This is King's great talent, and no one does it better. From the pet cemetary in the woods to the nice family doggie (who now has rabies), King populates his middle-class American landscape with familiar things that have now turned nightmarishly psychotic. In Cell, King jams an urban myth into the highest gear. What if cell phones didn't cause cancer? What if they did something much worse? What if they turned the user into a zombie killing machine? From the first page to the last, you're hooked. It doesn't matter if the reading calories are empty; you can't stop reading. That's why King, above everything else (and perhaps in spite of everything else) has remained the best selling author in the world. You can't stop reading him.

Donald Gallinger is the author of The Master Planets
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217 of 270 people found the following review helpful:
4.0 out of 5 stars You'll never think of those words: "Can you hear me now?" in quite the same way again..., January 26, 2006
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This review is from: Cell: A Novel (Hardcover)
If for no other reason, I thank Stephen King for taking those five words which haunt tv commercials:, "Can you hear me now?" and turning the phrase into something more than merely annoying..and into the realm of the truly ominous. While it might seem obvious to some of us that cell phones are horrible little devices, it still takes a pretty talented writer to write a book about evil spread by cell phones...and to keep readers riveted the entire time. I was one of those readers. Like King, I refuse to have a cell phone, an "electronic leash". No thanks.

But I'm really digressing here. Back to The Cell . If you think you don't like King's "supernatural" or "horror" style, I'd urge you to give The Cell a chance. I read it from cover to cover in one sitting.
I can't say it is the best book he's written but it was still a fine read and had many of the trademarks of King's superior writing - excellent characterization, an unpredictable plot and just enough plausability to make me think, "WHat if?" What if there WERE some way to use cell phones to affect people's brains, to create insanity in our population, with results leading to the brink of civilization's collapse?

It is to King's credit that he not only raises these questions but kept me wanting to find out what happened next, to see what happened to Clayton, a guy who happens to be away from home when all hell breaks out. By the time it does, I was already intrigued by this guy, someone who was trying to figure out a way to curry his estranged wife's favor, who had the usual worries and imperfections of the average man. He was no hero, just an ordinary guy, just trying to get by, thinking about his career and the next step in his day, the usual stuff..when everything changes in an instant and he faces the type of test that he never could have foreseen, not in his usual routine..nope, not him. All aroud him, people are attacking each other and there doesn't seem to be a reason why. Clayton is forced to think quickly to save himself and others, without any inkling of WHY all this is happening...at least, not at first.

I won't go into any of the "symbolism" that I'm sure some critics will have a field day exploring, maybe something about how cell phones represent "terrorists" and the horror and uncertainty akin to the type that hit New Yorkers after 9/11, when normal life was suddenly a speck in the distance. A detailed talk about symbolism and metaphor is for someone else to write.
All I can add is that I found this book to be one heck of a good way to spend the day, allowing me to forget about the small irritations in my own life (the dishes in the sink, the piles of laundry) and to ignore the twinges of guilt about that for a bit longer. I needed an excuse to avoid that, feeling tired and burned out on that particular day.

I'm glad I put off my usual routine a bit longer because when I finally came up for air, bleary-eyed at 4 in the morning after reading the very last lines in the book, I felt oddly reinvigorated. I stayed up most of the REST of the night washing dishes and finishing laundry as my nerves settled (thanks, King) but didn't regret a moment of the time I'd spend deviating from my usual routine...well, okay, maybe a little...but it was still worth it.
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36 of 42 people found the following review helpful:
5.0 out of 5 stars Rumors of King's retirement greatly exaggerated, January 24, 2006
This review is from: Cell: A Novel (Hardcover)
And I, for one, am glad King is still writing--even if I was nervous about picking up my cell phone for a couple of days!

The editorial reviews tell you everything you need to know about the plot, so I won't repeat it here.

When I read this book I saw comparisons to two novels; one of those books is Dean Koontz's "The Taking." Although the plots are superficially the same--a trip through a nightmare world--the books are very different in style, in tone, and in the "whys" underlying them. [Depending on your point of view, by the way, you'll find King's explanation either inspired or exasperating.]

The comparisons to the zombies of George A. Romero's movies are fairly obvious, but the descriptions of human life after the Pulse, for Clay and his band of struggling "normies," and of non-human life, if you will, for the "phoners," reminded me of a more classic novel, Richard Matheson's "I Am Legend." [King has noted his admiration for Matheson in the past, and, in fact, "Cell" is dedicated to Romero and Matheson.] What scared me most about this novel, as with "Legend," was the fact that everything in the book felt like it really *could* happen here.

And that plausibility carries through to the ending. It's difficult to write an ending for a book like this one, but King managed to write one that makes sense without false optimism (as the book's prologue notes, most of America is dead by the time the book ends) *or* unnecessary pathos.

All in all, King fans will be thrilled by this book; as an added bonus, it also includes an excerpt from King's next novel, "Lisey's Story" (due out in October 2006), which I am now eagerly awaiting.
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