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| 1. All Day All Night | |||
| 2. Take Me In Your Arms (Rock Me A Little While) | |||
| 3. Every Day I'll Love You More Than Yesterday | |||
| 4. Everty Time I See You I Go Wild | |||
| 5. My Tow Arms -You = Tears | |||
| 6. Keep Stepping (Never Look Back) | |||
| 7. Take My Hand | |||
| 8. Boy From Crosstown | |||
| 9. I Can't Get Along Without You | |||
| 10. I Gave Up Quality For Quantity | |||
| 11. Start With Joy In The Morning | |||
| 12. What Am I Gonna Do Without You | |||
| 13. After Teh Rain | |||
| 14. Let's Talk It Over | |||
| 15. Choo Choo Train | |||
| 16. I've Gotta Get Away | |||
| 17. How Girl | |||
| 18. In The Dark | |||
| 19. Love Trouble Heartache & Misery | |||
| 20. Positively Absolutely Right | |||
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Most Helpful Customer Reviews
19 of 20 people found the following review helpful:
5.0 out of 5 stars
Another Collection of Rare Gems From Motown UK,
By
This review is from: Cellar Full of Motown 2 (Audio CD)
This second volume of rare gems is just as good as the first two-disc set that came out in 2002. Nearly all were previously unreleased on cd (I have the Marvelettes' "Boy From Crosstown" on two other imports so I am not sure why it is included here). What I particularly love about these sets is that they continue to round up quality material by second tier (but first rate) artists from the `60s like Carolyn "My Smile Is Just A Frown Turned Upside Down" Crawford, Kim Weston, Blinky, the Monitors, the Elgins, and my favorite Brenda Holloway. Volume One had way more Brenda recordings, but with the release of her two-disc Anthology earlier in the year which included several previously unreleased tracks, it must be getting harder to dig up quality Holloway rarities. Plus, the focus of this set seems to be on highlighting a greater number of artists, as no one was given more than two tracks.
Following is the track lineup with performers Side 1: Earl Van Dyke - All Day, All Night Eddie Holland - Take Me In Your Arms Gladys Knight & the Pips - Everyday I'll Love You More Than Yesterday JJ Barnes - Everytime I See You, I Go Wild The Elgins - My Two Arms - You = Tears Carolyn Crawford - Keep Stepping (Never Look Back) Dalton Boys - Take My Hand Marvelettes - Boys From Crosstown The Monitors - I Can't Get Along Without You Stevie Wonder - I Gave Up Quality For Quantity Martha & the Vandellas - Start With Joy In The Morning The Spinners - What Am I Gonna Do Without You Kim Weston - After The Rain Marv Johnson - Let's Talk It Over Little Lisa - Choo Choo Train Tommy Good - I've Gotta Get Away The Vows - Show Girl Creations - In The Dark Hattie Littles - Love Trouble Heartache & Misery The Temptations - Positively Absolutely Right Shorty Long - A Woman Just Won't Do Right Side 2: Diana Ross & the Supremes - Honey Bee (Out On The Floor mix) JJ Barnes - Everybody Needs Somebody The Miracles - Hoping the Pause Is Helping The Cause Debbie Dean - Baby Baby I'm In Love Again The Isley Brothers - I Can't Go On Sharing Your Love The Lewis Sisters - Breakaway Four Tops - It's A Lonely World Without Your Love Connie Haines - Midnight Johnny The Contours - Take Him Back If It Makes You Happy Chris Clark - Sweet Loving Terry Johnson - My Spring Time Martha & the Vandellas - Lone Lonely Town The Originals - Nothing In This World Like My Baby The Monitors - Words The Supremes - You've Got To Pay The Price Syreeta - Where Is The Love Blinky - Rescue Me Patrice Holloway - Those DJ Shows Tammi Terrell - My Heart Marvelettes - I Hope You Have Better Luck Than I Did Brenda Holloway - Crying Time
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Another great collection of unreleased Motown gems.,
By
Amazon Verified Purchase(What's this?)
This review is from: Cellar Full of Motown 2 (Audio CD)
Cellarful of Motown vol.1 and now this Vol.2 contain many stellar performances that were panned by Motown for various reasons thus never released. Cellarful Vol.2 is a European pressing only which may be hard to find in American record shops. Some of this stuff is corny while other stuff is noteworthy. The remastering is 24 bit and there are many selections that are stereo. Some people only like HIT records which renders this collection useless to them. Those folks who like strange Motown tunes and performances will be mostly pleased with the contents of Cellarful of Motown, both volumes.
6 of 6 people found the following review helpful:
4.0 out of 5 stars
Must be a big cellar,
By
This review is from: Cellar Full of Motown 2 (Audio CD)
When A Cellarful Of Motown appeared in 2002 the general consensus was that it was astonishing that so many tracks of such amazing quality could have remained languishing unheard in an archive, lost and undocumented for so many years. Even the compilers registered their surprise and doubted there would be enough fresh discoveries to warrant a sequel of previously unreleased material.
Motown was on a phenomenal roll throughout the sixties, with the Hitsville studio in Detroit augmented by a second studio in the Davison area, and further recording and talent spotting operations setting up in New York, Chicago and especially in Los Angeles, where the company eventually relocated. Hitsville seemed to operate around the clock, like a factory, with songs being tried out with various groups and singers in a highly competitive and creative ferment, and an extremely discard rate. A few tracks into Volume 2, three years later, having heard new classic cuts by Earl Van Dyke, Eddie Holland and Gladys Knight, any fears that quality control may have been lowered to fill another double-CD collection were blown away. How could any of these have been deemed unworthy of release at the time? Sometimes a recording remained in the can because the song was released by another artist (often using the same backing track), but often both song and recording were consigned to oblivion. Here, for example is The Boy From Crosstown in its original 1965 version by the Marvelettes, featuring Gladys Horton. A re-recording appeared the following year on an obscure compilation called Year By Year, and the song turned up on Gladys Knight and the Pips' 1968 album Feelin' Bluesy, but was never the single it deserved to be despite two other attempts featuring the Velvelettes, also unreleased at the time. Smokey Robinson and the Miracles' Hoping The Pause Is Helping The Cause could only have improved the Special Occasion album had it been included, and there are six other masterful Smokey songs, five of which have not been heard before, one co-written with his wife Claudette, her only known Jobete composer credit. Chris Clark recently benefitted from a 2CD Anthology with a whole second disc of previously unheard recordings, yet another choice gem not included there, Sweet Lovin', surfaces on this collection. The same could be said of After The Rain by Kim Weston, and the closer Crying Time by Brenda Holloway. There are new finds by artists legendary for not getting released as they deserved at the time - Carolyn Crawford, Patrice Holloway, Hattie Littles and Debbie Dean are just a few who appear once each here and just whet the appetite for more. Some go beyond obscure - the Beatle-influenced Dalton Boys song is a B-side that was replaced by a different track at the last moment, and so was unreleased, but here is an alternative version to that. There are too many highlights to cite individually, but it was intriguing to hear a Monitors recording (Words) with a female lead, presumably Sandra Fagin. There are some towering vocals from Martha Reeves and the Vandellas from 1967 and 1969, and a fresh version by Blinky of Rescue Me produced by Raynard Miner, who co-wrote and produced the Fontella Bass smash original, in stereo, as are seven others including a great Marvelettes track that was almost the follow-up to The Hunter Gets Captured By The Game. I now have every confidence that Volume 3 will contain further revelations.
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