Cello Concerto

Dvorak (Artist), Rostropovich (Artist), Ozawa (Artist), Bso (Artist) | Format: Audio CD

Product Details

• Audio CD (February 3, 1992)
• Number of Discs: 1
• Label: Elektra / Wea
• ASIN: B000005E65
• Also Available in: Audio CD
• Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #170,348 in Music (See Top 100 in Music)

Track Listings

1. Cello Concerto In B Minor: Allegro

2. Cello Concerto In B Minor: Adagio ma non troppo

3. Cello Concerto In B Minor: Finale: Allegro moderato

4. Variations On A Rococo Theme, Op. 33

Customer Reviews

Most Helpful Customer Reviews

24 of 26 people found the following review helpful:

5.0 out of 5 stars Perhaps the best reading of the Dvorak concerto on disc, July 30, 2000

By 

Christopher R. Guin "Former Corporate Book Slave" (Apex, NC United States) - See all my reviews
(REAL NAME)   

This review is from: Cello Concerto (Audio CD)

While there are moments when one could wish for the fuller, lusher sound of the BPO's strings, both Rostropovich's performance and the sound quality lift this recording of the Dvorak B-minor Concerto head and shoulders above the DG version with Von Karajan and the Berlin Philharmonic. Rostropovich pushes the envelope again and again, giving his performance a drive and emotional intensity virtually unmatched by any other reading in the catalogs. Truly a Dvorak to move the soul.

While his playing is masterful in Tchaikovsky's Rococo Variations, here the Karajan/BPO disc reigns supreme.

Rostropovich is ably backed by the Boston Symphony Orchestra under Seiji Ozawa; the winds in particular shine in this superb Erato recording. The perfect disc would couple the Erato Dvorak with the Deutsche Grammophone Tchaikovsky, but if you can't justify both, the Ozawa/Boston Symphony disc is the one to have. This reading of the Dvorak is simply not to be missed.

18 of 19 people found the following review helpful:

5.0 out of 5 stars Still The Best Digital Recording Of Dvorak's Cello Concerto, November 10, 2001

By 

John Kwok (New York, NY USA) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Cello Concerto (Audio CD)

Sound quality purists will certainly want this fine recording; among the most distinguished ever made by Rostropovich, Ozawa and the Boston Symphony Orchestra. Others will want it simply because it is undoubtedly one of the two best performances of the Dvorak Cello Concerto ever recorded - and both were performed by Maestro Rostropovich. Here he plays with a bit more passion than in his earlier Deutsche Grammophon recording, giving a masterful performance that penetrates the very depths of Dvorak's emotionally charged score. Ozawa and the Boston Symphony Orchestra yield one of their finest performances; perhaps the best I have heard of a concerto (Though I will confess that those I've heard with Perlman and Ozawa and the BSO performing the Berg Violin Concerto and Ax and Haitink and the BSO performing Brahms' 1st Piano Concerto are almost as excellent as this recording.). Erato's sound engineers have produced yet another superb recording. The sound quality of the winds and string sections is absolutely impeccable. I also enjoyed Rostropovich's vibrant performance of the Tchaikovsky score; it's just as fine as his earlier Deutsche Grammophon version. I own both this recording and Deutsche Grammophon's; it's a difficult decision for me to decide which has given me more pleasure.

13 of 15 people found the following review helpful:

5.0 out of 5 stars Absolutley Stunning, January 3, 2005

By 

Prescott Cunningham Moore (San Francisco, California) - See all my reviews
(VINE VOICE)   

This review is from: Cello Concerto (Audio CD)

The late Mstislav Rostropovich and Seiji Ozawa deliver probably the greatest digital recording of the Dvorak concerto. For those familiar with the analog Karajan/Rostropovich recording, this digital recording finds the soloist creating a similar impression married with a more supportive Ozawa and the Boston Symphony. Karajan's creamy string sound and often overly-dramatic stylization is replaced here by Ozawa's stricter approach; his handling of the orchestra is masterful in this taught, precise reading. The legendary Boston Symphony responds resplendently and, although they may not highlight the rustic Czech idiom of this music, they certainly bring much charm, warmth, and expected musicality to the accompaniment. But enough about the orchestra - on to Rostropovich.

Rostropovich is as stunning as ever here. His technique is second to none and his rich, full-bodied sound suites the bohemian master's concerto perfectly. Rostropovich's approach in this reading is tighter and stricter than in his Karajan recording, which creates a more focused and more satisfying interpretation. There are too many wonderful moments to highlight within each of the movements, but just to name a few, listen to Rostropovich's dazzling finger work in the opening movement, his subtlety in the wonderful slow movement, and his unstoppable energy in the finale. It is everything you could want the Dvorak Concerto to be.

The Tchaikovsky Rococo Variations are equally fine. Rostropovich and Ozawa give an equally exciting and phenomenal performance of the variations with the proper amount of refined grace and energy.

For those who cannot decide whether to buy Rostropovich under Karajan or under Ozawa, I obviously lean towards the latter, due mainly because Ozawa is a slightly more sensitive accompanist than Karajan and the Boston Symphony's timbral qualities are more appropriate to this music than the Berlin Philharmonic. Still, Karajan's recording is reference and his band equally accomplished. But in the end, its Rostropovich's show, and he certainly shines brightest here in these fantastic staples of the cello literature.