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Celluloid Closet

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Product Details

  • Actors: Whoopi Goldberg, Quentin Crisp, Lily Tomlin, Tony Curtis, Susie Bright
  • Directors: Jeffrey Friedman, Rob Epstein
  • Producers: Celluloid Closet ( Gefangen in der Traumfabrik ), Celluloid Closet, Gefangen in der Traumfabrik
  • Format: Import, NTSC, Widescreen
  • Language: English (Dolby Digital 2.0)
  • Subtitles: English
  • Region: All Regions
  • Number of discs: 1
  • Rated: Unrated
  • Run Time: 102.00 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (73 customer reviews)
  • ASIN: B009UYFA16
  • Amazon Best Sellers Rank: #172,719 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Australia released, NTSC/Region 0 DVD: LANGUAGES: English ( Dolby Digital Stereo ), English ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Black & White, Cast/Crew Interview(s), Commentary, Interactive Menu, Scene Access, Special Edition, SYNOPSIS: Portrayals of homosexuality were frowned upon until the 1960's, yet gays were everywhere in the movies ...The Celluloid Closet is inspired by a 1981 book by Vito Russo, who wrote as a gay man who found he had to look in the shadows and subtexts of movies to find homosexual characters who were surely there. His book is a compendium of visible and concealed gays in the movies, and now this documentary, which shows the scenes he could only describe, makes it clear Hollywood wanted it both ways: it benefited from the richness that gays added to films, but didn't want to acknowledge their sexuality. The movie narrated by Lily Tomlin, contains interviews with a lot of witnesses from the days when gays were in the Hollywood Closet. SCREENED/AWARDED AT: Berlin International Film Festival, Sundance Film Festival, ...Celluloid Closet ( Gefangen in der Traumfabrik )

Customer Reviews

And I for one sees that as a good thing.
Wendy Schroeder
Still, despite an ambiguity at the heart of the film about what they were trying to accomplish, this remains a very interesting film.
Robert Moore
This film is both a celebration and a condemnation of the way Hollywood has portrayed gays in film.
Matthew A. Brown

Most Helpful Customer Reviews

55 of 55 people found the following review helpful By Gary F. Taylor HALL OF FAMETOP 500 REVIEWERVINE VOICE on August 16, 2002
Format: DVD
Based on the book by Vito Russo, written by Armistead Maupin, and narrated by Lily Tomlin, THE CELLULOID CLOSET uses interviews and hundreds of film clips to examine the way in which Hollywood has presented gay and lesbian characters on film from the age of silent cinema to such recent films as PHILADELPHIA and DESERT HEARTS. Throughout the documentary, the focus is on both stereotypes and the various ways that more creative directors and writers worked around the censorship of various decades to create implicitly homosexual characters, with considerable attention given to the way in which stereotypes shaped public concepts of the gay community in general.
Overtly homosexual characters were not particularly unusual in silent and pre-code Hollywood films, and CLOSET offers an interesting sampling of both swishy stereotypes and unexpectedly sophistocated characters--both of which were doomed by the Hayes Code, a series of censorship rules adopted by Hollywood in the early 1930s. The effect of the Code was to soften some of the more grotesque stereotypes--but more interesting was the impetus the Code gave to film makers to create homosexual characters and plot lines that would go over the heads of industry censors but which could still be interpreted by astute audiences, with films such as THE MALTESE FALCON, REBECCA, BEN-HUR, and REBEL WITHOUT A CAUSE cases in point. Once the Code collapsed, however, Hollywood again returned to stereotypes in an effort to cash in on controversy--with the result that throughout most of the sixties and seventies homosexual characters were usually presented as unhappy, maladjusted creatures at best, suicidal and psychopatic entities at worst.
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36 of 38 people found the following review helpful By S. Lee on January 7, 2003
Format: DVD
I'd once been to a film seminar where the participants watched HItchcock's ROPE together and discussed the queer sub-text of it. I didn't know, until then, that ROPE can be a 'queer' movie, although I had seen it at least 3 times because I'm a big Hitchcock fan and had it among my movie collection. A professor at the seminar had a big hearty laugh when the two characters and James Stewart were discussing how they 'choked the chicken' back when they were younger. I didn't know what 'to choke a chicken' meant, so I didn't see how the scene could cause such a raucous laugh among some participants at the seminar. Now I know, and I could deepen my understanding of 'homosexuality in American cinema' by seeing this well-made documentary dealing with that subject.
I'm straight, and and although I don't think I'm homophobic, I must admit that I used to be prejudiced against homosexuality and homosexuals. A movie helped me to change my view on homosexuality and gay people forever, and it was Ang Lee's The Wedding Banquet. In The Celluloid Closet, you can see tens of movie clips including the one from it. Just looking at those clips--some are from rather obscure titles, some are from my personal favorites--is a delight. I'd strongly recommend this wonderful film to anyone who wants to have an hour and a half of 'educational' entertainment.
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22 of 22 people found the following review helpful By Matthew A. Brown on July 1, 2001
Format: DVD
I remember how powerful this movie was upon first viewing. This film is both a celebration and a condemnation of the way Hollywood has portrayed gays in film. It's fascinating to see the early film clips, a Thomas Edison film with two men dancing, a silent western with a preening gay cowboy, Marlene Dietrich in tophat and coattails kissing a woman, and a Charlie Chaplin sequence where a man swishes around the set after Chaplin kisses a woman in drag. I felt so cheated upon learning that 'The Lost Weekend' was supposed to be about a guy confused with his sexuality who goes on a weekend binge, not a writer with writers block. Nevertheless, it won 4 Oscars in 1946 including Best Picture. The montage of scenes from various movies where character after character uses a particular disparaging word for a gay male, stunned me and left me feeling appalled by an industry that has institutionalized homophobia. The film 'Making Love' debuted on HBO and I remembered that day, watching with my parents, listening to their remarks, and hoping they wouldn't realize why I was so captivated. The list of films portrayed in this movie is long and spans each decade. This is definitely one of my favorite documentaries.
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13 of 15 people found the following review helpful By Luan Gaines HALL OF FAMETOP 1000 REVIEWERVINE VOICE on September 23, 2005
Format: VHS Tape
This remarkable 1966 documentary addresses the portrayal of homosexuals in film, from the silent movies to the 1990"s, narrated by Lily Tomlin, with commentary by Whoopi Goldberg, Armistead Maupin (Tales of the City),Antonio Fargas, Barry Sandler and others. Many of the early black and white films, silent or talkie, featured comic scenes, two men or women spinning out onto the dance floor, a cowboy kissing his best friend, or partner, goodbye before he expires, the little woman looking on with approbation. There is a somewhat tacit agreement that all is not what it may appear on film.

Some of the first films to deal directly with the issue of sexual preference, did so with fear and loathing, a shame that is palpable in Lillian Hellman's "The Children's Hour" (1961) and "Advise and Consent" (1962). "The Boys in the Band" (1971) was one of the first films to openly discuss the lifestyle, an all male cast uttering scathing remarks about the realities of their world and the sources of their discontent. In contrast, "Cabaret" (1972) allowed acceptance and a degree of comfort with different preferences, Liza Minelli perfectly content in her role as foil. Screenwriter Barry Sandler, speaks about the acceptable negative language used in film when dealing with homosexuality, the phrases spoken with a sardonic twist, as well as the acceptable slang. There is one hitchhiking scene in "The Vanishing Point" (1971), where two men wait for a ride from a passing driver. The men exhibit all the stereotypes, language, dress and affectations and are quickly dispensed with by a macho hero.

1981 brought Pacino's "Cruising", turning the homosexual from victim to victimizer.
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