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Celluloid Indians: Native Americans and Film Paperback – September 1, 1999

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Editorial Reviews


"This is a seminal study of how Native Americans have been portrayed in film since the start of the film industry in this country. . . . This is much more than a book for film buffs; it's about how stereotypes of Native Americans were created. As the book treats the evolution of film images of Native Americans, the reader may begin to appreciate it as a history of how white people have dealt with Native Americans, including how they have created popular stereotypes of them. . . . An elegantly thoughtful book."—Kliatt

"Any filmmaker seeking to present images draped in honesty should read this book. It is an absolute must."—E. Donald Two-Rivers, author of Survivor's Medicine
(E. Donald Two-Rivers)

About the Author

Jacquelyn Kilpatrick, of Choctaw, Cherokee, and Irish descent, is a professor of English at Governor’s State University in University Park, Illinois. Her articles have appeared in Creative Screenwriting and Cineaste.

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Product Details

  • Paperback: 261 pages
  • Publisher: University of Nebraska Press; SECOND PRINTING edition (September 1, 1999)
  • Language: English
  • ISBN-10: 0803277903
  • ISBN-13: 978-0803277908
  • Product Dimensions: 9.1 x 6 x 0.6 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #511,437 in Books (See Top 100 in Books)

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Customer Reviews

Most Helpful Customer Reviews

8 of 8 people found the following review helpful By Gary Holcomb on March 14, 2007
Format: Paperback
I teach a cultural studies course that examines representations of native peoples in American film, so was searching for a text that would provide a critical apparatus for analyzing films by and about indigenous people. Partly based on the glowing reviews here (and partly due to the dearth of full-length studies on this topic), I opted for Celluloid Indians. This book is a letdown, and the disappointment is amplified by the necessity for serious critical work on native peoples and American film. Basically Kilpatrick summarizes films from Griffith to Alexie, with a few withering editorial comments about stereotypes sprinkled here and there. The critical orientation is puzzling, moreover, a reliance on thinkers like Bakhtin, who was a theorist of the modern novel, not cinema. I might concede that applying Bakhtin to film could be successfully achieved, but not here. I'm waiting on a better book than this, and hope that a scholar of American Indian cultures and film will write one.
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17 of 22 people found the following review helpful By E. Donald Two-Rivers on January 3, 2000
Format: Paperback
This book is an absolute must for anyone...student, teacher or other interested people who might have wondered how and why Native Americans react like they do to the stereotypical images that we see everyday in the media. The author...rooted in the Chicago Indian community... echoes the heart felt sentiments of her people. As an Indian person, I found myself at times cheering...saying 'YOU DAMENED RIGHT MOMMA...YOU TELL EM' and at others I could only stop to wipe away a tear because I realized this woman had actulized what I could never say. In no uncertain terms Ms. Kilpatrick did our community proud. I recommend this book to any teacher who is interested in presenting students with a clear view of how we have been cast and more important why! A good read folks..ya gotta check it out.
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16 of 22 people found the following review helpful By James Stripes on December 8, 1999
Format: Paperback
"Celluloid Indians" takes on a lengthy and complex history of Natives Americans in film from D.W. Griffith to Sherman Alexie. It offers discussions of nearly 60 films spanning the twentieth century. It highlights some general trends from negative to positive stereotypes, and then towards the depiction of Native Americans as human beings. The author's discussion of such films as "Pocahontas" and "Sunchaser" are perceptive. However, much of what she offers is derivative of the works of others, the research is thin, and there are egregious errors in her discussion of Federal Indian policy. Because of the general level of ignorance in American society of some of the political and historical context that Kilpatrick rightly identifies as relevant to these films, this book is horribly dangerous.
The book offers a useful general overview, but readers must labor to verify many of her statements of fact.
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