Best remembered today as the victim of Richard Nixon's smear campaign in their 1950 senatorial race in California, Helen Gahagan Douglas had a truly remarkable double career, in entertainment and in politics. A tall, stunning woman, dignified and fashionable, Douglas dropped out of Barnard College in her sophomore year to star in Dreams for Sale, a Broadway play written by Owen Davis, who would win a Pulitzer Prize that year. With nothing more than sheer talent and little training, she was soon the peer of Helen Hayes and Katherine Cornell--Heywood Broun called her "ten of the twelve most beautiful women in the world"--and she played the lead in a string of hits. Then she changed course, and after two years of intensive training in a tiny Manhattan apartment, she debuted in Europe as an opera singer, and sang there for several seasons. And in the late '30s and early '40s, as she and her husband (actor Melvyn Douglas) became deeply involved in FDR's Democratic Party, she once again rose rapidly to the top, serving as a Democratic National Committeewoman after only five months in politics, and winning a seat in Congress in 1944, 1946, and 1948.
In Center Stage, Ingrid Winther Scobie presents a sweeping biography of an unusual and talented woman, set against the background of the Great White Way in the 1920s, Hollywood in the 1930s, and California and national politics in the 1940s. We see young Helen Gahagan growing up in posh, turn-of-the-century Park Slope ("really the Park Avenue area of Brooklyn," as she described it), developing an intense passion for acting. We witness her first meeting with Melvyn Douglas, in famed producer David Belasco's office (Belasco asked Helen for her opinion of Melvyn as a possible leading man and she answered simply, "he will do"). And we follow their life together, moving from coast to coast, trying to raise a family and maintain two careers, and gradually becoming more involved in politics--Helen especially with the plight of California's migrant workers. Scobie describes Douglas's long, close friendship with Eleanor Roosevelt, traces her political rise as one of the most outspoken liberals in Washington, examines in detail her three terms in Congress, and sheds considerable light on the most notorious event in Douglas's political career: her defeat in the 1950 senatorial race at the hands of Richard Nixon, long considered the quintessential red-smear campaign. Indeed, this is the first book to examine the 1950 campaign from Douglas's side, and its conclusions are revelatory.
Based on extensive archival research, on exclusive access to Douglas's private papers including letters to and from Melvyn spanning fifty years, and on interviews with Douglas's colleagues, friends, and family, this absorbing biography skillfully interweaves the private and public life of a woman who was both a glamorous celebrity and a charismatic political figure.
In Center Stage, Ingrid Winther Scobie presents a sweeping biography of an unusual and talented woman, set against the background of the Great White Way in the 1920s, Hollywood in the 1930s, and California and national politics in the 1940s. We see young Helen Gahagan growing up in posh, turn-of-the-century Park Slope ("really the Park Avenue area of Brooklyn," as she described it), developing an intense passion for acting. We witness her first meeting with Melvyn Douglas, in famed producer David Belasco's office (Belasco asked Helen for her opinion of Melvyn as a possible leading man and she answered simply, "he will do"). And we follow their life together, moving from coast to coast, trying to raise a family and maintain two careers, and gradually becoming more involved in politics--Helen especially with the plight of California's migrant workers. Scobie describes Douglas's long, close friendship with Eleanor Roosevelt, traces her political rise as one of the most outspoken liberals in Washington, examines in detail her three terms in Congress, and sheds considerable light on the most notorious event in Douglas's political career: her defeat in the 1950 senatorial race at the hands of Richard Nixon, long considered the quintessential red-smear campaign. Indeed, this is the first book to examine the 1950 campaign from Douglas's side, and its conclusions are revelatory.
Based on extensive archival research, on exclusive access to Douglas's private papers including letters to and from Melvyn spanning fifty years, and on interviews with Douglas's colleagues, friends, and family, this absorbing biography skillfully interweaves the private and public life of a woman who was both a glamorous celebrity and a charismatic political figure.
