From Publishers Weekly
In 1977 a flabby, reclusive Elvis Presley fired pistols at his six TV sets in Graceland while, a continent away, Brazil's military dictatorship banned Picasso's erotic prints and the U.S. Declaration of Independence. In this Uruguayan journalist's epic tapestry, stitched together from hundreds of historical cameos, the destinies of North and South America are darkly linked by more than drug trafficking, CIA intrusions, cultural imperialism and cynical exploitation. As Galeano replays the obscenities and horrors of modern history, he lays bare the fractured soul of Latin America, a civilization deformed by its unequal relationship with the U.S. Hopping from Thomas Edison's workshop in New Jersey to General Pinochet's bloodbath in Chile, Galeano sums up a century ravaged by progress. This provocative montage is the final volume in a trilogy that includes Genesis and Faces and Masks. Together, they form an unconventional rereading of the history of the Western hemisphere.
Copyright 1988 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.
From Library Journal
In the brilliant finale to the "Memory of Fire" trilogy ( LJ 10/1/85; 6/1/87), Galeano brings his fictionalized history of Latin America up to 1984, the year he ended his exile from his native Uruguay. With its unilateral, largely ironic perspective on the key socio-political events of the 20th centurythe Mexican and Cuban revolutions, the Somosa-Sandinista conflictand on such looming factors as Yankee imperialism, Indian persecution, and political oppresion, the book underscores the author's Marxist sympathies. In a subtle, unobtrusive style, cleanly and aptly translated, Galeano deeply impresses and transfigures the reader. A likely collection staple, but impotent without its earlier siblings.Lawrence Olszewski, OCLC, Dublin, Ohio
Copyright 1988 Reed Business Information, Inc.
--This text refers to the
Hardcover
edition.