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Ceremony: (Penguin Classics Deluxe Edition) Paperback – Deckle Edge, December 26, 2006

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Editorial Reviews


An exceptional novel—a cause for celebration.
--The Washington Post Book World

Ceremony is the greatest novel in Native American literature. It is one of the greatest novels of any time and place. I have read this book so many times that I probably have it memorized. I teach it and I learn from it and I am continually in awe of its power, beauty, rage, vision, and violence.
--Sherman Alexie

Her assurance, her gravity, her flexibility are all wonderful gifts.
--The New York Review of Books

The novel is very deliberately a ceremony in itself—demanding but confident and beautifully written.
--The Boston Globe

Without question Leslie Marmon Silko is the most accomplished Native American writer of her generation.
--The New York Times Book Review

About the Author

Leslie Marmon Silko was born in Albuquerque in 1948 of mixed Laguna Pueblo, Mexican, and white ancestry. She grew up on the Laguna Pueblo Reservation. Her other books include Almanac of the Dead, Storyteller, and Gardens in the Dunes. She is the recipient of a MacArthur Foundation Grant.
Larry McMurtry is the author of twenty-eight novels, including the Pulitzer Prize–winning Lonesome Dove. His other works include two collections of essays, three memoirs, and more than thirty screenplays, including the coauthorship of Brokeback Mountain, for which he received the Academy Award.

Product Details

  • Paperback: 243 pages
  • Publisher: Penguin Books; Anniversary edition (December 26, 2006)
  • Language: English
  • ISBN-10: 0143104918
  • ISBN-13: 978-0143104919
  • Product Dimensions: 5.6 x 0.7 x 8.4 inches
  • Shipping Weight: 12 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (241 customer reviews)
  • Amazon Best Sellers Rank: #6,564 in Books (See Top 100 in Books)

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Customer Reviews

Top Customer Reviews

Format: Paperback
I'd read some of Leslie Marmon Silko's short stories before starting on this novel. They were like gems, polished, smooth, and echoing with a gentle quiet not commonly found in English literature. CEREMONY is a far more ambitious undertaking; the building of a literary castle. Set in New Mexico, in and around Laguna Pueblo, immediately after WW II, the plot concerns a young Indian war veteran who has been traumatized by his experiences as a prisoner of the Japanese. When we meet him, he's barely conscious, being released from a mental hospital. He lost his half-brother on the Bataan death march, his favorite uncle had died at home, a herd of special cattle---adapted to life in the desert---has disappeared, and his old friends are drinking themselves away in bars. To top it all off, Tayo, the central character, is illegitimate and half-white, raised by relatives, not accepted fully by everyone in the family. He seems destined for the asylum, jail, an early death from alcohol, or suicide; not exactly unknown fates for young Indians then or now.
Elders arrange a healing ceremony for him, but the healer is a maverick, not tied to traditional methods. Tayo's whole life and consciousness merge into the healing process and that process begins to look like a prescription for the Indian peoples in North America to heal nearly-fatal wounds dealt their cultures over the last five centuries. Silko sees the materialism and violence of Western civilization as a curse threatening the continued existence of everyone on the planet, a curse stemming from evil itself rather than from a particular group of people. In tones that ring most uncannily today, she wrote in 1977 [p.
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Format: Paperback
Never have I read such a novel as cathartic and therapeutic as Silko's "Ceremony". I first encountered it in an English Lit. class in college. As 'sophomoric' as I thought I was at the time, it was not until a few years later that I reread the novel and fully grasped what was being said through the protagonist Tayo and his actions.
"Ceremony" is a journey of the soul, a Bataan Death March that we are all forced to experience at some point or another in our lives. That is what makes this novel timeless and accessible to us all. Leslie Marmon Silko, who I believe won a literary award for this novel, opens the heart and mind of the reader to a theme which has been recorded since the ancient Greeks (see Aeschylus' "Oresteia"), that of mathos through pathos, enlightenment through suffering.
Having already paid a heavy price as a veteran of WWII, Tayo returns to the suffering of his tribe. It is then that Tayo is able to recover what he never knew he had lost, his heritage and soul that was intricately linked to everyone and everything around him. The author attacks the demons plaguing Tayo with the rich symbolism in Native American culture (pay particular attention to the use of yellow and blue colors) and the aid of an enigmatic medicine man. Silko's weapons are in Native American song and myth, histories that empower Tayo to fight the state of mind that oppresses the Laguna Pueblo people on his reservation. With this, Tayo is able to finish his Bataan Death march once and for all, his past behind him, and his heart born again as true a Native American.
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Format: Paperback
Richard Alvarez Gonzalez 802-90-0261 Expository Writing
Review of Ceremony
War is one of the most terrible evils man has known, yet is has been going on for ages. Since the beginning of known history man has been at war with his fellow man, himself and the world. In Leslie Marmon's novel Ceremony the point of view towards war is different from that of most people. A sense of loss takes central stage in the novel; loss of loved ones, loss of land, of heritage, and loss of self. Tayo and his cousin, Rocky, joined the army looking for a way out and adventure, they would go and fight a Great War. While fighting in the jungles of Asia, Rocky gets killed. Now Tayo is back, the war is over, but not for him. Tayo feels responsible for his cousin's death. He was supposed to protect him and he failed, and now his memory haunts Tayo's every second of existence. In the beginning of the novel we take a look into Tayo's disturbed and tormented mind, as he takes us along the story of his life, of death, war, and rejection. Tayo is a man desperately trying to hold on to his sanity while he wastes it away on a bottle of alcohol which sends him into constant sickness spells and confines him to a bed from which he is terrified to move. As his sickness progresses, Tayo is taken to see a medicine man that sends him on a journey to retrieve his uncle's dreams, thus putting his own fears and doubts to rest. It is during this journey that Tayo completes his healing process with the aid of a woman with whom he will fall deeply in love, Ts'eh, a mystical character that appears and disappears various time in the novel, seeming as if a dream or a creation of Tayo's mind.
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