Jennifer Weiner first appeared on the fiction market with her novel, Good In Bed, a funny, smart look at modern life as viewed by a woman who's coping with stuff that the majority of women live with -- treacherous boyfriends, the constant battle with our weight, and a refreshing attitude that most of us could sympathize with.
Now with Certain Girls, more than a dozen years have passed since the events in Good In Bed. Cannie Shapiro is happily married to Dr. Peter K, and the very proud mother of her daughter, Joy. After her novel -- a thinly disguised memoir of her life -- turned into a runaway best-seller, Cannie has settled into a routine of being a mom and wife, and writing science fiction novels for teenagers under a pseudonym. Everything is going good, and that?s when the problems start.
Joy, the darling of her parents, is hovering on the brink of puberty, and worse still, her bat mitzvah the dreaded rite of passage in every Jewish girl's life when she makes that transition between being a child and an adult at the age of thirteen. But she has other things to worry about - such as not being one of the 'popular girls' such as Amber, the perfect girl at her school. She?s also at that stage where her parents embarrass her mightily, especially her mother. Toss in the fact that she also hates wearing her hearing aids, and her grades are slipping, and Joy is heading for trouble.
Especially when her Aunt Lucy - now calling herself Elle - comes to visit, intending to find Joy the perfect dress, Joy starts finding herself in a conflicting time. Now that suddenly she's being noticed by Amber and her crowd, she's losing her best friends, the twins Todd and Tamsin, and she is also reading her mother's best selling novel on the sly. Unfortunately for Cannie, Joy takes the events in the story entirely wrong, and things are starting to spiral out of control.
If all of this isn't enough, Weiner throws in other plot conflicts, such as Peter and Cannie deciding to hire a surrogate mother to have another child (those who have read Good in Bed will understand why); Bruce, Joy's no-good-nik father is back; and there are a host of other problems, including the current overindulgence in party throwing as each parent tries to outdo the rest for the bar and bat mitzvah events.
Finally, Weiner throws in one last twist that had me howling and throwing the book at the wall. Seriously. It was one of the meanest tricks to lay on a reader, and it left the rest of the story a severe disappointment for me.
Too, there are several style problems with the story. One is the use of alternating first-person voices in each chapter, switching between Cannie and Joy. This tends to get very confusing, as it gets hard to follow as to just whom is speaking. While Weiner is able to keep the writing style frisky and full of verbal barbs and insights, her use of modern culture is going to make this a rather stale novel in about ten years or so.
Overall, I was left feeling that this was just so coincidence heavy, and contrived, that I could not really enjoy it. At best it is a three star read, and that?s rather unfortunate, as Weiner can certainly write much better than this drivel, and I have a hunch that she was being pushed into writing a sequel to her first novel. That's too bad, as with a bit more care, and some trimming could have saved this story and turned it into a truly interesting tale.
Unfortunately, this novel fits into that nebulous area that I reserve for books as a ?maybe? recommend. There is so much going on here, that when Weiner starts to wind up the story, the improbability factor starts to soar. It all comes down to how much you enjoy this author's work -- die-hard fans will read it anyway. But I would not recommend this for a first-time reader of Ms. Weiner's work.
Somewhat recommended.